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ADAT
Alesis Digital Audio Tape (ADAT) is a magnetic tape format used for the recording of eight digital audio tracks onto the same S-VHS tape used by consumer VCRs. Although it is a tape-based format, the term ''ADAT'' now refers to its successor, the Alesis ADAT HD24, which features hard disk recording rather than the traditional tape-based ADAT, which in turn is now considered obsolete. History The product was announced in January 1991 at the NAMM convention in Anaheim, California by Alesis. The first ADAT recorders shipped over a year later in February or March 1992. More audio tracks could be recorded by synchronizing up to 16 ADAT machines together, for a total of 128 tracks. While synchronization had been available in earlier machines, ADAT machines were the first to do so with sample-accurate timing, which in effect allowed a studio owner to purchase a 24-track tape machine eight tracks at a time. This capability and its comparatively low cost, originally introduced at $ ...
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S-VHS
, the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. By the end of 1987, the first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, RCA VPT-695HF, and Toshiba SV-950. Technical information Like VHS, the S-VHS format uses a ''color under'' modulation scheme. S-VHS improves luminance (luma) resolution by increasing luminance bandwidth. Increased bandwidth is possible because of the increased luminance carrier from 3.4 megahertz (MHz) to 5.4 MHz. Note also that the luminance modulator ''bandwidth'' is increased: in contrast to standard VHS' frequencies of 3.8 MHz (synch tip) to 4.8 MHz (peak white), S-VHS uses 5.4 MHz synch tip and 7.4 MHz peak white. Increased luminance bandwidth produces a 60% im ...
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Machine
A machine is a physical system using Power (physics), power to apply Force, forces and control Motion, movement to perform an action. The term is commonly applied to artificial devices, such as those employing engines or motors, but also to natural biological macromolecules, such as molecular machines. Machines can be driven by Animal power, animals and Human power, people, by natural forces such as Wind power, wind and Water power, water, and by Chemical energy, chemical, Thermal energy, thermal, or electricity, electrical power, and include a system of mechanism (engineering), mechanisms that shape the actuator input to achieve a specific application of output forces and movement. They can also include computers and sensors that monitor performance and plan movement, often called mechanical systems. Renaissance natural philosophers identified six simple machines which were the elementary devices that put a load into motion, and calculated the ratio of output force to input fo ...
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Audio Storage
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustics, acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, wh ...
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Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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Phone Connector (audio)
A phone connector, also known as phone jack, audio jack, headphone jack or jack plug, is a family of electrical connectors typically used for analog signal, analog audio signals. A plug, the Gender of connectors and fasteners, male connector, is inserted into the jack, the female connector. The phone connector was invented for use in telephone switchboards in the 19th century and is still widely used. The phone connector is cylindrical in shape, with a grooved tip to retain it. In its original audio configuration, it typically has two, three, four or, occasionally, five contacts. Three-contact versions are known as ''TRS connectors'', where ''T'' stands for Tip and ring, "tip", ''R'' stands for Tip and ring, "ring" and ''S'' stands for "sleeve". Ring contacts are typically the same diameter as the sleeve, the long shank. Similarly, two-, four- and five-contact versions are called ''TS'', ''TRRS'' and ''TRRRS connectors'' respectively. The outside diameter of the "sleeve" c ...
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Punch In/out
Punch in/out is an audio and video term that originated as a recording technique used on early multitrack recordings whereby a portion of the performance was recorded onto a previously recorded tape, usually overwriting any sound that had previously been on the track used.Pandey, Ashish (2005). ''Encyclopaedic Dictionary of Music: K-Z'', p.551. Gyan. . The erasing and/or recording heads had to be very carefully aligned and applied to the tape surface with delicate timing and precision to avoid ruining the recording, and the practice was feared by most producers and engineers. After the advent of 16- and 24-track equipment it was no longer necessary to risk the recording as a whole, as an empty portion of another track could be dedicated to such use. Vocalists in particular would usually record several renditions over separate parallel tracks, with the producers choosing the best bits from the layered vocals to mix together. The term "punching in" remained in use despite this fact ...
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Digital Recording
In digital recording, an audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen. In a properly matched analog-to-digital converter (ADC) and digital-to-analog converter (DAC) pair the analog signal is accurately reconstructed per the constraints of the Nyquist–Shannon sampling theorem dependent on the sampling rate and quantization error dependent on the audio or video bit depth. Because the signal is stored digitally, assuming proper error detection and correction, the recording is not degraded by copying, storage or interference. Timeline *October 3, 1938: British telephone engineer Alec Harley Reeves files at the French Patent Office the fir ...
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44,100 Hz
In digital audio, 44,100  Hz (alternately represented as 44.1 kHz) is a common sampling frequency. Analog audio is often recorded by sampling it 44,100 times per second, and then these samples are used to reconstruct the audio signal when playing it back. The 44.1 kHz audio sampling rate is widely used due to the compact disc (CD) format, dating back to its use by Sony from 1979. History The 44.1 kHz sampling rate originated in the late 1970s with PCM adaptors, which recorded digital audio on video cassettes,Specifically U-matic cassettes notably the Sony PCM-1600 introduced in 1979 and carried forward in subsequent models in this series. This then became the basis for Compact Disc Digital Audio (CD-DA), defined in the Red Book standard in 1980. Its use has continued as an option in 1990s standards such as the DVD, and in 2000s, standards such as HDMI. This sampling frequency is commonly used for MP3 and other consumer audio file formats which were origi ...
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Project Studio
Home recording is the practice of recording sound in a private home instead of a professional recording studio. A studio set up for home recording is called a home studio or project studio. Home recording is widely practiced by voice actors, narrators, singers, musicians, podcast hosts, and documentary makers at all levels of success. The cost of professional audio equipment has dropped steadily as technology advances during the 21st century, while information about recording techniques has become easily available online. These trends have resulted in an increase in the popularity of home recording and a shift in the recording industry toward recording in the home studio. The COVID-19 pandemic and COVID-19 lockdowns resulted in a dramatic global increase in the number of remote workers in 2020, which is anticipated by experts to remain a permanent shift in the field of sound recording when the pandemic ends. Studio equipment Until the late 1970s, music could be recorded either on ...
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Synchronizing
Synchronization is the coordination of events to operate a system in unison. For example, the conductor of an orchestra keeps the orchestra synchronized or ''in time''. Systems that operate with all parts in synchrony are said to be synchronous or ''in sync''—and those that are not are ''asynchronous''. Today, time synchronization can occur between systems around the world through satellite navigation signals and other time and frequency transfer techniques. Navigation and railways Time-keeping and synchronization of clocks is a critical problem in long-distance ocean navigation. Before radio navigation and satellite-based navigation, navigators required accurate time in conjunction with astronomical observations to determine how far east or west their vessel traveled. The invention of an accurate marine chronometer revolutionized marine navigation. By the end of the 19th century, important ports provided time signals in the form of a signal gun, flag, or dropping time ...
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Alesis
Alesis is an electronic music company that designs and markets electronic musical instruments, digital audio processors, audio mixers, drum amplifiers, amplifiers, digital audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is currently held by the inMusic Brands company, owned by businessman Jack O'Donnell. Alesis products are designed in the United States, and manufactured in China. Early years Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and ...
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