Dodecasyllabic
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Dodecasyllabic
Dodecasyllable verse ({{Lang-it, dodecasillabo) is a line of verse with twelve syllables. 12 syllable lines are used in a variety of poetic traditions. Jacob of Serugh (c. 451 – 29 November 521), a Miaphysite Bishop of Batnan da-Srugh, also called 'Flute of the Spirit' who composed in the dodecasyllabic verse more than seven-hundred verse homilies, or mêmrê (ܡܐܡܖ̈ܐ), of which only 225 have thus far been edited and published. With the so-called "political verse" (i.e. pentadecasyllable verse) it is the main metre of Byzantine poetry. It is also used in Italian and French poetry, and in poetry of the Croats (the most famous example being Marko Marulić). In an Anglo-Saxon and French context, the dodecasyllable is generally called the "alexandrine", after the French equivalent. See also * hexasyllable, octosyllable, decasyllable, and hendecasyllable — lines of 6, 8, 10, and 11 syllables, respectively * hexameter Hexameter is a metrical line of verses consisting of s ...
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Jacob Of Serugh
Jacob of Sarug ( syr, ܝܥܩܘܒ ܣܪܘܓܝܐ, ''Yaʿquḇ Sruḡāyâ'', ; his toponym is also spelled ''Serug'' or ''Serugh''; la, Iacobus Sarugiensis; 451 – 29 November 521), also called Mar Jacob, was one of the foremost Syriac poet-theologians, perhaps only second in stature to Ephrem the Syrian and equal to Narsai. Where his predecessor Ephrem is known as the 'Harp of the Spirit', Jacob is the 'Flute of the Spirit' in the Antiochene Syriac Christianity. He is best known for his prodigious corpus of more than seven-hundred verse homilies, or ''mêmrê'' ( ), of which only 225 have thus far been edited and published. Life Jacob was born around the middle of the fifth century in the village of Kurtam () on the Euphrates in the ancient region of Serugh, which stood as the eastern part of the province of Commagene (corresponding to the modern Kurdish districts of Suruç and Birecik). He was educated in the famous School of Edessa and became chorepiscopus back in the Serugh ...
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Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhymed verse is historically the most commonly used form of verse in English. It generally has a discernible meter and an end rhyme. I felt a Cleaving in my Mind – As if my Brain had split – I tried to match it – Seam by Seam – But could not make them fit. The thought behind, I strove to join Unto the thought before – But S ...
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Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ...
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Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ...
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Croats
The Croats (; hr, Hrvati ) are a South Slavic ethnic group who share a common Croatian ancestry, culture, history and language. They are also a recognized minority in a number of neighboring countries, namely Austria, the Czech Republic, Germany, Hungary, Italy, Montenegro, Romania, Serbia, Slovakia and Slovenia. Due to political, social and economic reasons, many Croats migrated to North and South America as well as New Zealand and later Australia, establishing a diaspora in the aftermath of World War II, with grassroots assistance from earlier communities and the Roman Catholic Church. In Croatia (the nation state), 3.9 million people identify themselves as Croats, and constitute about 90.4% of the population. Another 553,000 live in Bosnia and Herzegovina, where they are one of the three constituent ethnic groups, predominantly living in Western Herzegovina, Central Bosnia and Bosnian Posavina. The minority in Serbia number about 70,000, mostly in Vojvodina. The ...
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Marko Marulić
Marko Marulić Splićanin (), in Latin Marcus Marulus Spalatensis (18 August 1450 – 5 January 1524), was a Croatian poet, lawyer, judge, and Renaissance humanist who coined the term "psychology". He is the national poet of Croatia. According to George J. Gutsche, Marulic's epic poem ''Judita'', "is the first long poem in Croatian", and, "gives Marulić a position in his own literature comparable to Dante in Italian literature." Furthermore, Marulić's Latin poetry is also of such high quality that his contemporaries dubbed him, "The Christian Virgil." Marulić has been called the "crown of the Croatian medieval age", the "father of the Croatian Renaissance",Marulianum
''Center for study of Marko Marulić and his literary activity.'' – Retrieved on 28 November 2008.
and "The Father of Croatian literature." According to Maru ...
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Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in ''Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine has ...
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French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
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French Alexandrine
The French alexandrine (french: alexandrin) is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem ''Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' ...
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Hexasyllable
{{Unreferenced, date=May 2021 The hexasyllable or hexasyllabic verse is a line of verse with six syllables. The orphan hexasyllable is a metric specificity of certain French epic poems. This kind of verse in the Garin de Monglane's Song in a 14th-century manuscript turns out original in an epic production. Hexasyllable is sometimes used in French, Italian, Spanish and Portuguese poetry. See also * octosyllable * decasyllable * hendecasyllable * dodecasyllable Dodecasyllable verse ({{Lang-it, dodecasillabo) is a line of verse with twelve syllables. 12 syllable lines are used in a variety of poetic traditions. Jacob of Serugh (c. 451 – 29 November 521), a Miaphysite Bishop of Batnan da-Srugh, also ... References * Diccionario de la lengua española © 2005 Espasa-Calpe Types of verses ...
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Octosyllable
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ...
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Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the ''chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian epic po ...
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