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French Alexandrine
The French alexandrine (french: alexandrin) is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem ''Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fontaine's Fables
Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature. Humorous, nuanced and ironical, they were originally aimed at adults but then entered the educational system and were required learning for school children. Composition history Divided into 12 books, there are 239 of the ''Fables'', varying in length from a few lines to some hundred, those written later being as a rule longer than those written earlier. The first collection of ''Fables Choisies'' had appeared March 31, 1668, dividing 124 fables into six books over its two volumes. They were dedicated to ''"Monseigneur"'' Louis, ''le Grand Dauphin'', the six-year-old son of Louis XIV of France and his queen consort Maria Theresa of Spain. By this time, La Fontaine was 47 and known to readers chiefly as the aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Cowley
Abraham Cowley (; 161828 July 1667) was an English poet and essayist born in the City of London late in 1618. He was one of the leading English poets of the 17th century, with 14 printings of his ''Works'' published between 1668 and 1721. Early life and career Cowley's father, a wealthy citizen, who died shortly before his birth, was a stationer. His mother was wholly given to works of devotion, but it happened that there lay in her parlour a copy of ''The Faerie Queene''. This became the favourite reading of her son, and he had read it twice before he was sent to school. As early as 1628, that is, in his tenth year, he composed his ''Tragicall Historie of Piramus and Thisbe'', an epic romance written in a six-line stanza, a style of his own invention. It is not too much to say that this work is the most astonishing feat of imaginative precocity on record; it is marked by no great faults of immaturity, and possesses constructive merits of a very high order. Two years later, Cowl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindarics
Pindarics (alternatively Pindariques or Pindaricks) was a term for a class of loose and irregular odes greatly in fashion in England during the close of the 17th and the beginning of the 18th century. Abraham Cowley, who published fifteen ''Pindarique Odes'' in 1656, was the poet most identified with the form though many others had composed irregular verses before him. The term is derived from the name of a Greek archaic poet, Pindar, but is based on a misconception since Pindar's odes were in fact very formal, obeying a triadic structure, in which the form of the first stanza (strophe) was repeated in the second stanza (antistrophe), followed by a third stanza (epode) that introduced variations but whose form was repeated by other epodes in subsequent triads. Cowley's ''Resurrection'', which was considered in the 17th century to be a model of the 'pindaric' style, is a formless poem of sixty-four lines, arbitrarily divided, not into triads, but into four stanzas of unequal volume an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophone
A homophone () is a word that is pronounced the same (to varying extent) as another word but differs in meaning. A ''homophone'' may also differ in spelling. The two words may be spelled the same, for example ''rose'' (flower) and ''rose'' (past tense of "rise"), or spelled differently, as in ''rain'', ''reign'', and ''rein''. The term ''homophone'' may also apply to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as another phrase, letter, or group of letters. Any unit with this property is said to be ''homophonous'' (). Homophones that are spelled the same are also both homographs and homonyms, e.g. the word ''read'', as in "He is well ''read''" (he is very learned) vs. the sentence "I ''read'' that book" (I have finished reading that book). Homophones that are spelled differently are also called heterographs, e.g. ''to'', ''too'', and ''two''. Etymology "Homophone" derives from Greek ''homo-'' (ὁμο ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poetry, French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited from Romantics, but are based on observations of real life. His most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others. He is credited with coining the term modernity (''modernité'') to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernism, Modernis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Literature
19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. The period covered spans the following political regimes: Napoleon Bonaparte's Consulate (1799–1804) and Empire (1804–1814), the Restoration under Louis XVIII and Charles X (1814–1830), the July Monarchy under Louis Philippe d'Orléans (1830–1848), the Second Republic (1848–1852), the Second Empire under Napoleon III (1852–1871), and the first decades of the Third Republic (1871–1940). Overview French literature enjoyed enormous international prestige and success in the 19th century. The first part of the century was dominated by Romanticism, until around the mid-century Realism emerged, at least partly as a reaction. In the last half of the century, " naturalism", " parnassian" poetry, and "symbolism", among other styles, were often competing tendencies at the same time. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels ''The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romanticism, Romantic literary movement with his play ''Cromwell (play), Cromwell'' and drama ''Hernani (drama), Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera ''Rigoletto'' and the musicals ''Les Misérables (musical), Les Misérables'' and ''Notre-Dame de Paris (musical), Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Du Bellay
Joachim du Bellay (; – 1 January 1560) was a French poet, critic, and a founder of the Pléiade. He notably wrote the manifesto of the group: '' Défense et illustration de la langue française'', which aimed at promoting French as an artistic language, equal to Greek and Latin. Biography Joachim du Bellay was born at the Castle of La Turmelière, not far from Liré, near Angers, being the son of Jean du Bellay, Lord of Gonnor, first cousin of the cardinal Jean du Bellay and of Guillaume du Bellay. His mother was Renée Chabot, daughter of Perceval Chabot and heiress of La Turmelière (''Plus me plaît le séjour qu'ont bâti mes aïeux''). Both his parents died while he was still a child, and he was left to the guardianship of his elder brother, René du Bellay, who neglected his education, leaving him to run wild at La Turmelière. When he was twenty-three, however, he received permission to study law at the University of Poitiers, no doubt with a view to his obtainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Pléiade
La Pléiade () was a group of 16th-century French Renaissance poets whose principal members were Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf. The name was a reference to another literary group, the original Alexandrian Pleiad of seven Alexandrian poets and tragedians (3rd century B.C.), corresponding to the seven stars of the Pleiades star cluster. Major figures Notable members of "La Pléiade" consisted of the following people: * Pierre de Ronsard * Joachim du Bellay * Jean-Antoine de Baïf The core group of the French Renaissance "Pléiade"—Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf—were young French poets who met at the Collège de Coqueret, where they studied under the famous Hellenist and Latinist scholar Jean Dorat; they were generally called the "Brigade" at the time. Ronsard was regarded as the leader of the "Brigade", and remained the most popular and well-known poet of the group. The Pléiade's "manifesto" was penned by Joach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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