|
Diapositive
In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives (abbreviated as "diafilm" or "dia" in some languages like German or Hungarian). Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film. A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical ima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin photographic emulsion, emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and image resolution, resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure (photography), exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically photographic processing, developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and particle radiation, high-energy particles. Unmodified silver halide crys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dufaycolor
Dufaycolor is an early British additive colour photographic film process, introduced for motion picture use in 1932 and for still photography in 1935. It was derived from Louis Dufay's Dioptichrome plates, a glass-based product for colour still photography, introduced in France in 1909. Both Dioptichrome and Dufaycolor worked on the same principles as the Autochrome process, but achieved their results using a layer of tiny colour filter elements arrayed in a regular geometric pattern, unlike Autochrome's random array of coloured starch grains. The manufacture of Dufaycolor film ended in the late 1950s. Process The photographic reproduction of natural colour by means of a black-and-white photograph taken and viewed through a mosaic of tiny colour filters was an idea first patented and published by Louis Ducos du Hauron in the late 1860s, but the incomplete colour sensitivity of contemporary photographic materials made it impractical at that time. John Joly independently reinve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Projector
A slide projector is an opto-mechanical device for showing photographic slides. 35 mm slide projectors, direct descendants of the larger-format magic lantern, first came into widespread use during the 1950s as a form of occasional home entertainment; family members and friends would gather to view slide shows. Reversal film was much in use, and supplied slides snapped during vacations and at family events. Slide projectors were also widely used in educational and other institutional settings. Photographic film slides and projectors have mostly been replaced by image files on digital storage media shown on a projection screen by using a video projector or simply displayed on a large-screen video monitor. History A continuous-slide lantern was patented in 1881. It included a dissolving views apparatus.Sloane, T. O'Conor. ''Facts Worth Knowing Selected Mainly from the Scientific American for Household, Workshop, and Farm Embracing Practical and Useful Information fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negative (photography)
In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing. In the case of color negatives, the colors are also reversed into their respective complementary colors. Typical color negatives have an overall dull orange tint due to an automatic color-masking feature that ultimately results in improved color reproduction. Negatives are normally used to make positive prints on photographic paper by projecting the negative onto the paper with a photographic enlarger or making a contact print. The paper is also darkened in proportion to its exposure to light, so a second reversal result ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide
Slide or Slides may refer to: Places * Slide, California, former name of Fortuna, California Arts, entertainment, and media Music Albums * ''Slide'' (Lisa Germano album), 1998 * ''Slide'' (George Clanton album), 2018 *''Slide'', by Patrick Gleeson, 2007 * ''Slide'' (Luna EP), 1993 * ''Slide'' (Madeline Merlo EP), 2022 Songs * "Slide" (The Big Dish song), 1986 * "Slide" (Goo Goo Dolls song), 1998 * "Slide" (Calvin Harris song), 2017 * "Slide" (French Montana song), 2019 * "Slide" (H.E.R. song), 2019 * "Slide" (Slave song), 1977 * "Step Back"/"Slide", by Superheist, 2001 *"Slide", by Dido from ''No Angel'' *"Slide", by Madeline Merlo from '' Slide'', 2022 *"The Slide", by Cowboy Junkies from ''One Soul Now'' Other uses in music * Slide (musical ornament), a musical embellishment found particularly in Baroque music *Slide (tune type), a tune type in Irish traditional music, common to the Sliabh Luachra area *Slide, a 1970s disco side project of Rod McKuen's *''The Slide'', a jukeb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers were born in Besançon, France, to Charles-Antoine Lumière (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cine Film
Ciné film or cine film is the term commonly used in the UK and historically in the US to refer to the 8 mm, Super 8, 9.5 mm, and 16 mm motion picture film formats used for home movies. It is not normally used to refer to professional formats such as 35 mm or 70 mm film, and is incorrect if applied to any video format. In the US, "movie film" is the common informal term for all formats and "motion picture film" the formal one. ''Cine film'' literally means "moving" film, deriving from the Greek "kine" for motion; it also has roots in the Anglo-French word ''cinematograph'', meaning ''moving picture''. Although there had been earlier attempts, typically employing larger formats, the introduction of the 9.5 mm and 16 mm formats in the early 1920s finally succeeded in introducing the practice of showing rented "play-at-home" copies of professionally made films, which, in the case of feature-length films, were usually much shortened from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Release Print
A release print is a copy of a film that is provided to a movie theater for exhibition. Definitions Release prints are not to be confused with other types of prints used in the photochemical post-production process: * Rush prints, or dailies, are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film. * Workprints, sometimes called cutting copies, are, like rush prints, copies of a camera negative roll, or from selected takes. A workprint may be roughly corrected for brightness and color balance. The prints are used for editing before the negative itself is conformed, or cut to match the edited workprint. * An answer print is made either from the cut camera negative or an interpositive, depending on the production workflow, in order to verify that the grading ("timing" in American English) conforms to specifications, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Photography
Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray. In color photography, electronic sensors or light-sensitive chemicals record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing various proportions of red, green and blue light ( RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light ( CMY color, used for prints on paper a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchromatic
Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light. Description A panchromatic emulsion renders a realistic reproduction of a scene as it appears to the human eye, although with no colors. Almost all modern photographic film is panchromatic. Some older types of film were orthochromatic and were not sensitive to certain wavelengths of light. As naturally prepared, a silver halide photographic emulsion is much more sensitive to blue and UV light than to green and red wavelengths. The German chemist Hermann W. Vogel found out how to extend the sensitivity into the green, and later the orange, by adding sensitising dyes to the emulsion. By the addition of erythrosine the emulsion could be made orthochromatic while some cyanine derivatives confer sensitivity to the whole visible spectrum making it panchromatic. However, his technique was not extended to achieve a fully panchromatic film until the early 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autochrome Lumière
The Autochrome Lumière was an early color photography process patented in 1903 by the Lumière brothers in France and first marketed in 1907. Autochrome was an additive color "mosaic screen plate" process. It was the principal color photography process in use before the advent of subtractive color film in the mid-1930s. Prior to the Lumière brothers, Louis Ducos du Hauron utilized the separation technique to create colour images on paper with screen plates, producing natural colours through superimposition, which would become the foundation of all commercial colour photography. Descendants of photographer Antoine Lumière, inventors Louis and Auguste Lumière utilized Du Hauron's (1869) technique, which had already been improved upon by other inventors such as John Joly (1894) and James William McDonough (1896), making it possible to print photographic images in colour. One of the most broadly used forms of colour photography in the early twentieth century, autochrome was re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background. Additive color models are applied in the design and testing of electronic displays that are used to render realistic images containing diverse sets of color using phosphors that emit light of a limited set of primary colors. Examination with a sufficiently powerful magnifying lens will reveal that each pixel in CRT, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Cine Film")
