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Dastangoi
Dastangoi (Urdu: داستان گوئی) is a 13th century Urdu oral storytelling art form. The Persian style of dastan evolved in 16th century. One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled '' Dastan e Amir Hamza''. The art form reached its zenith in the Indian sub-continent in the 19th century and is said to have died with the demise of Mir Baqar Ali in 1928. Dastangoi was revived by historian, author and director Mahmood Farooqui in 2005. Syed Sahil Agha has amalgamated Dastangoi with music & singing in 2010. At the centre of dastangoi is the dastango, or storyteller, whose voice is his main artistic tool in orally recreating the dastan or the story. Notable 19th-century dastangos included Amba Prasad Rasa, Mir Ahmad Ali Rampuri, Muhammad Amir Khan, Syed Husain Jah, and Ghulam Raza. Etymology Dastangoi has its origin in the Persian language. ''Dastan'' means a tale; the suffix ''-goi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastangoi Oral Storytelling India
Dastangoi (Urdu: داستان گوئی) is a 13th century Urdu oral storytelling art form. The Persian style of dastan evolved in 16th century. One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled '' Dastan e Amir Hamza''. The art form reached its zenith in the Indian sub-continent in the 19th century and is said to have died with the demise of Mir Baqar Ali in 1928. Dastangoi was revived by historian, author and director Mahmood Farooqui in 2005.Syed Sahil Agha has amalgamated Dastangoi with music & singing in 2010. At the centre of dastangoi is the dastango, or storyteller, whose voice is his main artistic tool in orally recreating the dastan or the story. Notable 19th-century dastangos included Amba Prasad Rasa, Mir Ahmad Ali Rampuri, Muhammad Amir Khan, Syed Husain Jah, and Ghulam Raza. Etymology Dastangoi has its origin in the Persian language. ''Dastan'' means a tale; the suffix ''-goi' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syed Sahil Agha
Syed Sahil Agha Born: 1984 (age 38 years) is a writer, author, and storyteller from New Delhi, India who specialized in the verbal art of ''dastangoi''. Storytelling background Agha performs dastangoi, a 13th-century Urdu art of oral storytelling. His first dastangoi performance was in college. Agha gave his first professional dastangoi performance in 2010 at Jamia while he ran a business selling antique vehicles. He claims his grandfather was the inspiration for his work. Agha's book, ''Dastan-e-Hind'', a collection of his ''dastans'' (or tales) and Indian folklore, has inspired successful performances by many artists around the globe. Unlike most ''dastangos'', Agha prefers to perform solo rather than as part of a pair. His dastans include ''Vikram-Betal'' and ''Tughlaqnama,'' which have become a hit amongst his audiences. He has also come up with a new idea of 'Musical Dastangoi' which have a amalgamated Dastangoi with Indian Opera and Indian classical music. Work ;Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahmood Farooqui
Mahmood Farooqui is an Indian writer, performer and director. He specializes in a type of story-telling known as ''Dastangoi''. Farooqui along with his uncle Shamsur Rahman Faruqi, noted Urdu poet and literary critic, revived Dastangoi, the ancient art of Urdu story telling. He was awarded the Ustad Bismillah Khan Yuva Pursakar in 2010 for it. His book ''Besieged: voices from Delhi 1857'' was awarded the Ramnath Goenka for the best Non-fiction book of the year. This book is a translation of mutiny papers providing a glimpse into the lives of ordinary people who found themselves stuck during the revolt of 1857. He was also a researcher for ''The Last Mughal'', a book by William Dalrymple. In August 2016 he was found guilty of rape by a lower court, but in September 2017 he was acquitted by the Delhi High Court. The High Court judgment was later upheld by the Supreme Court. Education Farooqui completed his schooling from The Doon School and went on to read History at St. Stephen' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Storytelling
Oral storytelling is an ancient and intimate tradition between the storyteller and their audience. The storyteller and the listeners are physically close, often seated together in a circular fashion. The intimacy and connection is deepened by the flexibility of oral storytelling which allows the tale to be moulded according to the needs of the audience and the location or environment of the telling. Listeners also experience the urgency of a creative process taking place in their presence and they experience the empowerment of being a part of that creative process. Storytelling creates a personal bond with the teller and the audience. The flexibility of oral storytelling extends to the teller as well. Each teller will incorporate their own personality and may choose to add characters into the story. As a result, there will be numerous variations of a single story. Some tellers consider anything outside the narrative as extraneous, while other storytellers choose to enhance their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastan
Dastan ( fa, داستان ''dâstân'', meaning "story" or "tale") is an ornate form of oral history from Central Asia, Iran, Turkey and Azerbaijan. A dastan is generally centered on one individual who protects his tribe or his people from an outside invader or enemy, although only occasionally can this figure be traced back to a historical person. This main character sets an example of how one should act, and the dastan becomes a teaching tool — for example the Sufi master and Turkic poet Ahmed Yesevi said "Let the scholars hear my wisdom, treating my words like a dastan". Alongside the wisdom, each dastan is rich with cultural history of interest to scholars. During the Russian conquest of Central Asia, many new dastans were created to protest the Russian occupation. It is possible that they came into contact and influenced each other. According to Turkish historian Hasan Bülent Paksoy, the Bolsheviks tried to destroy these symbols of culture by only publishing them in insu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamzanama
The ''Hamzanama'' (Persian/Urdu: ''Hamzenâme'', Epic of Hamza) or ''Dastan-e-Amir Hamza'' (Persian/Urdu: ''Dâstâne Amir Hamze'', "Adventures of Amir Hamza") narrates the legendary exploits of Amir Hamza, or Hamza ibn Abdul-Muttalib, an uncle of Muhammad. Most of the stories are extremely fanciful, "a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts". The ''Hamzanama'' chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the courts of Persianate societies, in multiple volumes presumably in the era of Mahmud of Ghazni. In the West, the work is best known for the enormous illustrated manuscript commissioned by the Mughal emperor Akbar about 1562. The text augmented the story, as traditionally told in dastan performances. The dastan (storytelling tradition) about Amir Hamza p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Khusro
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the ''Ḳhāliq Bārī'', containing Arabic, Persian and Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (''Tuti-e-Hind''), and has been called the "father of Urdu literature." Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad
Muhammad ( ar, مُحَمَّد; 570 – 8 June 632 Common Era, CE) was an Arab religious, social, and political leader and the founder of Islam. According to Muhammad in Islam, Islamic doctrine, he was a prophet Divine inspiration, divinely inspired to preach and confirm the tawhid, monotheistic teachings of Adam in Islam, Adam, Abraham in Islam, Abraham, Moses in Islam, Moses, Jesus in Islam, Jesus, and other Prophets and messengers in Islam, prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabian Peninsula, Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief. Muhammad was born approximately 570CE in Mecca. He was the son of Abdullah ibn Abd al-Muttalib and Amina bint Wahb. His father Abdullah was the son of Quraysh tribal leader Abd al-Muttalib ibn Hashim, and he died a few months before Muhammad's birth. His mother Amina died when he was six, lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my master), but more popularly known simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianRitter, H.; Bausani, A. "ḎJ̲alāl al-Dīn Rūmī b. Bahāʾ al-Dīn Sulṭān al-ʿulamāʾ Walad b. Ḥusayn b. Aḥmad Ḵh̲aṭībī." Encyclopaedia of Islam. Edited by: P. Bearman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Heinrichs. Brill, 2007. Brill Online. Excerpt: "known by the sobriquet Mewlānā, persian poet and founder of the Mewlewiyya order of dervishes" poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchatantra
The ''Panchatantra'' (IAST: Pañcatantra, ISO: Pañcatantra, sa, पञ्चतन्त्र, "Five Treatises") is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story.Panchatantra: Indian Literature Encyclopaedia Britannica The surviving work is dated to about 200 BCE, but the fables are likely much more ancient. The text's author is unknown, but it has been attributed to in some s and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamza Ibn Abdul-Muttalib
Ḥamza ibn ʿAbd al-Muṭṭalib ( ar, حمزة بن عبد المطلب; 568 – 625)Muhammad ibn Saad. ''Kitab al-Tabaqat al-Kabir'' vol. 3. Translated by Bewley, A. (2013). ''The Companions of Badr''. London: Ta-Ha Publishers. was a foster brother, companion and paternal uncle of the Islamic prophet Muhammad. He was martyred in the Battle of Uhud on 22 March 625 (3 Shawwal 3 hijri). His '' kunyas'' were "Abū ʿUmāra" () and "Abū Yaʿlā" (). He had the by-names '' Asad Allāh'' (, "Lion of God") and ''Asad al-Janna'' (, "Lion of Heaven"), and Muhammad gave him the posthumous title ''Sayyid al- Shuhadāʾ'' (). Early life Ibn Sa'd basing his claim on al-Waqidi states that Hamza was reportedly four years older than Muhammad. This is disputed by Ibn Sayyid, who argues: "Zubayr narrated that Hamza was four years older than the Prophet. But this does not seem correct, because reliable hadith state that Thuwayba nursed both Hamza and the Prophet." Ibn Sayyid concludes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Amman
Mir Amman (1748–1806) was an employee of Fort William College at Calcutta, variously also known as ''Mir Amman of Delhi'', ''Mir Amman of Dilhi'', ''Mir Amman Dihlavi'', and ''Meer Ummun''. He was best known for his translation of Amir Khusro's classic epic ''Qissa Chahar Dervish'' (''The Tale of the Four Dervishes'') His translation is considered classic literature itself for its use of contemporary Urdu, and was done on the request of Mr. John Borthwick Gilchrist John Borthwick Gilchrist (19 June 1759 – 9 January 1841) was a Scottish surgeon, linguist, philologist and Indologist. Born and educated in Edinburgh, he spent most of his early career in India, where he made a study of the local languages. ..., a famous English scholar of literature of those days. It in turn was widely translated into English during the 19th century. Partial publishing history * ''Bagh o Buhar, a Translation into the Hindoostanee Tongue of the Celebrated Persian Tale "Qissui Chuhar Durwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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