Cut-up Technique
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Cut-up Technique
The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William S. Burroughs. It has since been used in a wide variety of contexts. Technique The cut-up and the closely associated fold-in are the two main techniques: *''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. *''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in '' The Third Mind''. It is a joint ...
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Aleatory
Aleatoricism or aleatorism, the noun associated with the adjectival aleatory and aleatoric, is a term popularised by the musical composer Pierre Boulez, but also Witold Lutosławski and Franco Evangelisti (composer), Franco Evangelisti, for compositions resulting from "actions made by randomness, chance", with its etymology deriving from ''alea'', Latin for "dice". It now applies more broadly to art created as a result of such a chance-determined process. The term was first used "in the context of electro-acoustics and information theory" to describe "a course of sound events that is determined in its framework and flexible in detail", by Belgian-German physicist, acoustician, and information theorist Werner Meyer-Eppler.Werner Meyer-Eppler (1955) "Statistische und psychologische Klangprobleme," Elektronische Musik, ''Die Reihe'' I (Herbert Eimert, ed.) Vienna, p. 22. English translation: Werner Meyer-Eppler (1957) "Statistic and Psychologic Problems of Sound" (Alexander Goehr, tra ...
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Random
In common usage, randomness is the apparent or actual lack of pattern or predictability in events. A random sequence of events, symbols or steps often has no :wikt:order, order and does not follow an intelligible pattern or combination. Individual random events are, by definition, unpredictable, but if the probability distribution is known, the frequency of different outcomes over repeated events (or "trials") is predictable.Strictly speaking, the frequency of an outcome will converge almost surely to a predictable value as the number of trials becomes arbitrarily large. Non-convergence or convergence to a different value is possible, but has probability zero. For example, when throwing two dice, the outcome of any particular roll is unpredictable, but a sum of 7 will tend to occur twice as often as 4. In this view, randomness is not haphazardness; it is a measure of uncertainty of an outcome. Randomness applies to concepts of chance, probability, and information entropy. T ...
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Antony Balch
Antony Balch (10 September 1937 – 6 April 1980) was an English film director and distributor, best known for his screen collaborations with Beat Generation author William S. Burroughs in the 1960s and for the 1970s horror film, ''Horror Hospital''. Biography Balch's fixation for horror and exploitation movies began early in life, culminating in a school-aged Balch meeting his idol Bela Lugosi in Brighton, England in the early 1950s. Lugosi was touring in a stage version of ''Dracula'' at the time. Working his way into the British film industry, Balch directed adverts for Camay soap, and a 30-second commercial for Kit-E-Kat. In the early part of the 1960s he lived briefly in France working as a location scout and subtitler of French films for their British releases. In Paris, Balch became friendly with radical artists such as William Burroughs and Kenneth Anger. Burroughs and Balch met at Madame Rachou's Beat Hotel, and the two quickly became collaborators. In Barry Mile ...
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Blood And Guts In High School
''Blood and Guts in High School'' is a novel by Kathy Acker. It was written in the late 1970s and copyrighted in 1978. It traveled a complex and circuitous route to publication, before being officially released in 1984. It remains Acker's most popular and best-selling book. The novel is also considered a metafictional text, which is aware of its status as a fictional piece. The novel explores but simultaneously deconstructs the American politics of the time it was written and intercontinental history tying into the novel's subject of human trafficking, while being interspersed with sections of sexually detailed drawings, dream maps, symbolism and non-linear writing. Plot and narrative ''Blood and Guts in High School'', while having a frequently disrupted and heavily surreal narrative, is the story of Janey Smith, a ten-year-old American girl living in Mérida, Mexico, who departs to the US to live on her own. She has an incestuous sexual relationship with her father, whom sh ...
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Kathy Acker
Kathy Acker (April 18, 1947 isputed– November 30, 1997) was an American experimental novelist, playwright, essayist, and postmodernist writer, known for her idiosyncratic and transgressive writing that dealt with themes such as childhood trauma, sexuality and rebellion. She was influenced by the Black Mountain School poets, William S. Burroughs, David Antin, Carolee Schneeman, Eleanor Antin, French critical theory, mysticism, and pornography, as well as classic literature. Biography Early life The only child of Donald and Claire (nee Weill) Lehman, Acker was born Karen Lehman in New York City in 1947, although the Library of Congress gives her birth year as 1948, while the editors of ''Encyclopædia Britannica'' gave her birth year as April 18, 1948, New York, New York, U.S. and died November 30, 1997, Tijuana, Mexico. Most obituaries, including ''The New York Times'', cited her birth year as 1944. Her family was from a wealthy, assimilated, German-Jewish background that ...
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