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Cut-up
The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William S. Burroughs. It has since been used in a wide variety of contexts. Technique The cut-up and the closely associated fold-in are the two main techniques: *''Cut-up'' is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, ''TO MAKE A DADAIST POEM''. *''Fold-in'' is the technique of taking two sheets of linear text (with the same linespacing), folding each sheet in half vertically and combining with the other, then reading across the resulting page, such as in '' The Third Mind''. It is a joint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brion Gysin
Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed. It was in painting and drawing, however, that Gysin devoted his greatest efforts, creating calligraphic works inspired by cursive Japanese "grass" script and Arabic script. Burroughs later stated that "Brion Gysin was the only man I ever respected." Biography Early years John Clifford Brian Gysin was born at the Canadian military hospital in Taplow, Buckinghamshire, England. His mother, Stella Margaret Martin, was a Canadian from Deseronto, Ontario. His father, Leonard Gysin, a captain with the Canadian Expeditionary Force, was killed in action eight months after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Hotel
The Beat Hotel was a small, run-down hotel of 42 rooms at 9 Rue Gît-le-Cœur in the Latin Quarter of Paris, notable chiefly as a residence for members of the Beat poetry movement of the mid-20th century. Overview It was a "class 13" hotel, meaning bottom line, a place that was required by law to meet only minimum health and safety standards. It never had any proper name – "the Beat Hotel" was a nickname given it by Gregory Corso, which stuck. The rooms had windows facing the interior stairwell and not much light. Hot water was available Thursdays, Fridays and Saturdays. The hotel offered the opportunity for a bath – in the only bathtub, situated on the ground floor – provided the guest reserved time beforehand and paid the surcharge for hot water. Curtains and bedspreads were changed and washed every spring. The linen was (in principle) changed every month. The Beat Hotel was managed by a married couple, Monsieur and Madame Rachou, from 1933. After the death of Monsieur Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Tzara
Tristan Tzara (; ; born Samuel or Samy Rosenstock, also known as S. Samyro; – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine ''Simbolul'' with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's '' Chemarea'', he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball. After moving to Paris in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Third Mind
''The Third Mind'' is a book by Beat Generation novelist William S. Burroughs and artist/poet/novelist Brion Gysin. First published in a French-language edition in 1977, it was published in English in 1978. It contains numerous short fiction pieces as well as poetry by Gysin, and an interview with Burroughs. Some chapters had previously been published, in slightly different form, in various literary journals between 1960 and 1973. The book is a combination of literary essays and writing showcasing the cut-up technique popularized by Burroughs and Gysin in the 1960s. Cut-ups involves taking texts, cutting the pages, and then rearranging and combining the pieces to form new narratives. The technique was adapted for filmmaking, as demonstrated by Burroughs and director Antony Balch Antony Balch (10 September 1937 – 6 April 1980) was an English film director and distributor, best known for his screen collaborations with Beat Generation author William S. Burroughs in the 1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathy Acker
Kathy Acker (April 18, 1947 isputed– November 30, 1997) was an American experimental novelist, playwright, essayist, and postmodernist writer, known for her idiosyncratic and transgressive writing that dealt with themes such as childhood trauma, sexuality and rebellion. She was influenced by the Black Mountain School poets, William S. Burroughs, David Antin, Carolee Schneeman, Eleanor Antin, French critical theory, mysticism, and pornography, as well as classic literature. Biography Early life The only child of Donald and Claire (nee Weill) Lehman, Acker was born Karen Lehman in New York City in 1947, although the Library of Congress gives her birth year as 1948, while the editors of ''Encyclopædia Britannica'' gave her birth year as April 18, 1948, New York, New York, U.S. and died November 30, 1997, Tijuana, Mexico. Most obituaries, including ''The New York Times'', cited her birth year as 1944. Her family was from a wealthy, assimilated, German-Jewish background that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinclair Beiles
Sinclair Beiles (b. Kampala, Uganda, 1930 - 2000, Johannesburg) was a South African beat poet and editor for Maurice Girodias at the Olympia Press in Paris. He developed along with William S. Burroughs and Brion Gysin the cut-up technique of writing poetry and literature. Beiles was involved with American beat poets Allen Ginsberg, Gregory Corso and Brion Gysin, and Burroughs at the legendary Beat Hotel in Paris. The photographer Harold Chapman recorded this period in his book ''The Beat Hotel'' (Gris Banal, 1984). He co-authored ''Minutes to Go'' with Burroughs, Gysin and Corso (Two Cities Editions, 1960). Beiles helped edit Burroughs' ''Naked Lunch''. He worked with the Greek artist Takis and read his magnetic manifesto -- "I am a sculpture... I would like to see all nuclear bombs on Earth turned into sculptures"—in 1962 in Paris at the Iris Clert Gallery. At this event he was famously suspended in mid-air by a magnetic field from a powerful magnet in a sculpture develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hedwig Gorski
Hedwig Irene Gorski (born July 18, 1949) is an American performance poet and an avant-garde artist who labels her aesthetic as "American futurism." The term "performance poetry," a precursor to slam poetry, is attributed to her. It originated in press releases for experimental spoken word and conceptual theater Gorski created during 1979. She is a first-generation Polish American academic scholar and accomplished creative writer. The innovative poetry, prose, drama, and audio works are published and produced in a variety of media using standard and experimental forms. Biography A first-generation American citizen, born in Trenton, New Jersey, Gorski's parents and sister emigrated to the United States from Galicia, Poland (present-day Ukraine) following World War II, where two aunts and a grandmother were murdered by Ukrainian partisans. Her father joined the Polish Underground when aged fourteen, and later the United States Army, arriving with his family in the U.S. in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Burns (author)
Alan Burns (29 December 1929 – 23 December 2013) was an English author and one of the key figures in the short-lived group of experimental writers working in Britain in the 1960s and early 1970s, which included writers such as B. S. Johnson, Christine Brooke-Rose, Ann Quin and Giles Gordon. Burns wrote eight novels, a play and the script for two short films (one in collaboration with B. S. Johnson), as well as several short pieces, a book of interviews with writers, articles and edited an American report on pornography and censorship for publication in the UK. Burns was one of the earliest teachers of creative writing as an academic discipline in Britain, appointed as the first writer in residence on the University of East Anglia's Creative Writing Master's programme and later he went on to teach this discipline in both Australia and the USA. Burns also worked with Peter Whitehead, writing ''Jeanette Cochrane'', a short experimental film in a montage style, which featured early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocabularyclept Poetry
A vocabularyclept poem is a poem which is formed by taking the words of an existing poem and rearranging them into a new work of literature. Vocabularyclept poetry was first proposed in 1969 by ''Word Ways'' editor Howard Bergerson. He took his little-known 1944 poem "Winter Retrospect", put all the words in alphabetical order, and challenged readers to arrange them all into a new poem. The challenge was taken up later that year by J. A. Lindon, who, without having consulted Bergerson's original, produced an entirely different poem also titled "Winter Retrospect". Both poems are 24 lines long and contain 478 words, and have been subject to several literary and statistical analyses. Many vocabularyclept poems by Lindon and others appeared in later issues of ''Word Ways''. These and others are collected and discussed in various wordplay books by Bergerson and David Morice. A variation on the idea of rearranging an existing vocabulary into a poem was independently discovered by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopscotch (Julio Cortázar Novel)
Hopscotch is a popular playground game in which players toss a small object, called a lagger, into numbered triangles or a pattern of rectangles outlined on the ground and then hop or jump through the spaces and retrieve the object. It is a children's game that can be played with several players or alone. Hopscotch is a physical and cognitive workout. Court and rules The court To play hopscotch, a court is first laid out on the ground. Depending on the available surface, the court is either scratched out in the dirt or drawn with chalk on pavement. Courts may be permanently marked where playgrounds are commonly paved, as in elementary schools. Designs vary, but the court is usually composed of a series of linear squares interspersed with blocks of two lateral squares. Traditionally the court ends with a "safe" or "home" base in which the player may turn before completing the reverse trip. The home base may be a square, a rectangle, or a semicircle. The squares are then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard W
Howard is an English-language given name originating from Old French Huard (or Houard) from a Germanic source similar to Old High German ''*Hugihard'' "heart-brave", or ''*Hoh-ward'', literally "high defender; chief guardian". It is also probably in some cases a confusion with the Old Norse cognate ''Haward'' (''Hávarðr''), which means "high guard" and as a surname also with the unrelated Hayward. In some rare cases it is from the Old English ''eowu hierde'' "ewe herd". In Anglo-Norman the French digram ''-ou-'' was often rendered as ''-ow-'' such as ''tour'' → ''tower'', ''flour'' (western variant form of ''fleur'') → ''flower'', etc. (with svarabakhti). A diminutive is "Howie" and its shortened form is "Ward" (most common in the 19th century). Between 1900 and 1960, Howard ranked in the U.S. Top 200; between 1960 and 1990, it ranked in the U.S. Top 400; between 1990 and 2004, it ranked in the U.S. Top 600. People with the given name Howard or its variants include: Given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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