Crane Operator
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Crane Operator
In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders. If the dolly has a moveable vertical axis, such as a hydraulic arm, then the dolly grip also operates the "boom". If both axes are used simultaneously, this type of tracking shot, dolly shot is known as a compound move. A dolly grip must work closely with the camera crew to perfect these complex movements (cinematic techniques) during rehearsals. Focusing the lens is critical to capturing a sharp image, so a dolly grip must hit his or her marks in concert with a camera assistant who pulls focus. It is a skill that experience can hone to a point, but the best dolly grips are known for their "touch," and that makes them highly sought-after. A dolly grip is also employed when the camera is operated in handheld mode (on the operator's s ...
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Arriflex D 21 With Camera Dolly
The Arri Group () is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon (manager), Hermann Simon mentioned this company in his book ''Hidden Champions of the 21st Century'' as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to film Academy Award winners for Best Cinematography including ''Hugo (film), Hugo'', ''Life of Pi (film), Life of Pi'', ''Gravity (2013 film), Gravity'', ''Birdman (film), Birdman'', ''The Revenant (2015 film), The Revenant'' and ''1917 (2019 film), 1917''. History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arnold and Richter deve ...
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Key Grip
In North American filmmaking a key grip is a senior role for an experienced professional on every set. Their responsibilities are extensive and range from supervising grip crews, assessing what equipment is necessary for each shooting location, coordinating the transportation of this equipment and its set up, arranging the general movement and positioning of the camera and collaborating with the director of photography. The key grip relies on the best boy as their foreperson to supervise the grip crew. Industry myths vary as to the origins of the name "grip". Some say it originated from the early days of the film industry when a set consisted of a director, camera person, assistants and workers. Workers acted as handymen, setting up all equipment needed, working from a kit, container or bag containing their tools. This bag was known as a grip and as the industry evolved and workers began to separate into specialized groups, the name grip stuck with those that worked on rigging ...
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Film Production
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written. ...
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Counterbalance
A counterweight is a weight that, by applying an opposite force, provides balance and stability of a mechanical system. The purpose of a counterweight is to make lifting the load faster and more efficient, which saves energy and causes less wear and tear on the lifting machine. Counterweights are often used in traction lifts (elevators), cranes and funfair rides. In these applications, the expected load multiplied by the distance that load will be spaced from the central support (called the "tipping point") must be equal to the counterweight's mass times its distance from the tipping point in order to prevent over-balancing either side. This distance times mass is called the load moment. A counterbalance is a weight or force that balances or offsets another as when two objects of equal weight, power, or influence are acting in opposition to each other. The objects are then said to be in counterbalance. Counterweights in action Trebuchet: There are five major components of a ...
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Camera Crane
A camera is an optical instrument that can capture an image. Most cameras can capture 2D images, with some more advanced models being able to capture 3D images. At a basic level, most cameras consist of sealed boxes (the camera body), with a small hole (the aperture) that allows light to pass through in order to capture an image on a light-sensitive surface (usually a digital sensor or photographic film). Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, and the aperture can be narrowed or widened. A shutter mechanism determines the amount of time the photosensitive surface is exposed to the light. The still image camera is the main instrument in the art of photography. Captured images may be reproduced later as part of the process of photography, digital imaging, or photographic printing. Similar artistic fields in the moving-image camera domain are film, videography, and cinematograph ...
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Camera
A camera is an Optics, optical instrument that can capture an image. Most cameras can capture 2D images, with some more advanced models being able to capture 3D images. At a basic level, most cameras consist of sealed boxes (the camera body), with a small hole (the aperture) that allows light to pass through in order to capture an image on a light-sensitive surface (usually a Image sensor, digital sensor or photographic film). Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, and the aperture can be narrowed or widened. A Shutter (photography), shutter mechanism determines the amount of time the photosensitive surface is exposed to the light. The still image camera is the main instrument in the art of photography. Captured images may be reproduced later as part of the process of photography, digital imaging, or photographic printing. Similar artistic fields in the moving-image camera dom ...
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Shot (filmmaking)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number ...
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Grip (job)
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography. In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the British Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support. The term "grip" is derived from an older te ...
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Best Boy
In a film crew there are two kinds of best boy: best boy electric and best boy grip. They are assistants to their department heads, the gaffer (in charge of electricals) and the key grip (lighting and rigging), respectively. In short, the best boy acts as the foreman for the department. A woman who performs these duties may be called best girl. Job responsibilities Best boys are responsible for the day-to-day operation of the lighting or grip department. Their many responsibilities include the hiring, scheduling, and management of crew; the renting, ordering, inventory, and returning of equipment; workplace safety and maintaining discipline within their department; completing timecards and other paperwork; stocking of expendables; loading and unloading production trucks; planning and implementing the lighting or rigging of locations and/or sound stages; coordinating with rigging crews and additional photography units (if applicable); handling relations with the other production ...
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Steadicam
Steadicam is a brand of camera stabilizer mounts for Movie camera, motion picture cameras invented by Garrett Brown and introduced in 1975 by Cinema Products Corporation. It was designed to isolate the camera from the camera operator's movement, keeping the camera motion separate and controllable by a skilled operator. History Before the camera stabilizing system, a director had a number of choices for moving (or "Tracking shot, tracking") shots: # The camera could be mounted on a camera dolly, dolly, a wheeled mount that rolls on specialized tracks or a smooth surface. # The camera could be mounted on a Crane shot, crane, a counterweighted arm that could move the camera vertically and horizontally. # The camera operator shoot Hand-held camera, hand-held which would produce footage suitable mostly for documentaries, news, reportage, live action, unrehearsed footage, or the evocation of authentic immediacy or ''cinéma vérité'' during dramatic sequences. While these cinemati ...
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Cinematic Techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. ;Airborne shot :A shot taken from an aerial device, generally while moving. This technique has gained popularity in recent years due to the popularity and growing availability of drones. ;Arc :A dolly shot where the camera moves in an arc along a circular or elliptical radius in relation to the subject ("arc left" or "arc right") ;Backlighting (lighting design) :The main source of light is behind the subject, silhouetting it, and directed toward the camera. ;Bridging shot :A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling cal ...
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