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Contact Improvisation
Contact improvisation is a form of improvised partner dancing that has been developing internationally since 1972. It involves the exploration of one's body in relationship to others by using the fundamentals of sharing weight, touch, and movement awareness. It has evolved into a broad global community of social dancing around "jams" characterized by their welcoming attitude towards newcomers to dance, as well as seasoned practitioners, and is often found overlapping with ecstatic dance communities. American dancer and choreographer Steve Paxton originated contact improvisation, drawing from his past training in aikido, a martial art form, to explore and push boundaries with his colleagues and students to develop this new practice. Contact improvisation plays with the artistry of falling off balance, counterbalance, finding the shelves of the body, learning the mechanics of the body in order to handle someone else's weight or be lifted, breathing techniques, and can involve the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Paxton
Steve Paxton (born 1939 in Phoenix, Arizona) is an experimental dancer and choreographer. His early background was in gymnastics while his later training included three years with Merce Cunningham and a year with José Limón. As a founding member of the Judson Dance Theater, he performed works by Yvonne Rainer and Trisha Brown. He was a founding member of the experimental group Grand Union and in 1972 named and began to develop the dance form known as Contact Improvisation, a form of dance that utilizes the physical laws of friction, momentum, gravity, and inertia to explore the relationship between dancers. Paxton believed that even an untrained dancer could contribute to the dance form, and so began his great interest in pedestrian movement. After working with Cunningham and developing chance choreography, defined as any movement being his generation whose approach has influenced choreography globally. He attempts to remain reclusive, except when performing, teaching a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merce Cunningham
Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance. As a choreographer, teacher, and leader of the Merce Cunningham Dance Company, Cunningham had a profound influence on modern dance. Many dancers who trained with Cunningham formed their own companies. They include Paul Taylor, Remy Charlip, Viola Farber, Charles Moulton, Karole Armitage, Deborah Hay, Robert Kovich, Foofwa d'Imobilité, Kimberly Bartosik, Flo Ankah, Jan Van Dyke, Jonah Bokaer, and Alice Reyes. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban area and 2,480,394 in the metropolitan area. Located in the Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is the leading center for finance and trade, as well as a hub of production of secular art. In the 19th and 20th centuries, the city expanded and many new neighborho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dartington College Of Arts
Dartington College of Arts was a specialist arts college located at Dartington Hall in the south-west of England, offering courses at degree and postgraduate level together with an arts research programme. It existed for a period of almost 50 years, from its foundation in 1961, to when it closed at Dartington in 2010. A version of the College was then re-established in what became Falmouth University, and the Dartington title was subsequently dropped. The College was one of only a few in Britain devoted exclusively to specialist practical and theoretical studies in courses spanning right across the arts. It had an international reputation as a centre for contemporary practice. As well as the courses offered, it became a meeting point for practitioners and teachers from around the world. Dartington was known not only as a place for training practitioners, but also for its emphasis on the role of the arts in the wider community. History Dartington Hall Trust The College was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Dance
Contemporary dance is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has come to incorporate elements from many styles of dance. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles. In terms of the focus of its technique, contemporary dance tends to combine the strong but controlled legwork of ballet with modern that stresses on torso. It also employs contract-release, floor work, fall and recovery, and improvisation characteristics of modern dance. Unpredictable changes in rhythm, speed, and direction are often used, as well. Additionally, contemporary dance sometimes incorporates elements of non-wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Manupelli
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennington College
Bennington College is a private liberal arts college in Bennington, Vermont. Founded in 1932 as a women's college, it became co-educational in 1969. It claims to be the first college to include visual and performing arts as an equal partner in the liberal arts curriculum. It is accredited by the New England Commission of Higher Education. History 1920s The planning for the establishment of Bennington College began in 1924 and took nine years to be realized. While many people were involved, the four central figures in the founding of Bennington were Vincent Ravi Booth, Mr. and Mrs. Hall Park McCullough, and William Heard Kilpatrick. A Women's Committee, headed by Mrs. Hall Park McCullough, organized the Colony Club Meeting in 1924, which brought together some 500 civic leaders and educators from across the country. As a result of the Colony Club Meeting, a charter was secured and a board of trustees formed for Bennington College. One of the trustees, John Dewey, helped shape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Rochester
The University of Rochester (U of R, UR, or U of Rochester) is a private university, private research university in Rochester, New York. The university grants Undergraduate education, undergraduate and graduate degrees, including Doctorate, doctoral and professional degrees. The University of Rochester enrolls approximately 6,800 undergraduates and 5,000 graduate students. Its 158 buildings house over 200 academic majors. According to the National Science Foundation, Rochester spent more than $397 million on research and development in 2020, ranking it 66th in the nation. With approximately 28,000 full-time employees, the university is the largest private employer in Upstate New York and the 7th largest in all of New York (state), New York State. The University of Rochester College of Arts Sciences and Engineering, College of Arts, Sciences, and Engineering is home to departments and divisions of note. The Institute of Optics was founded in 1929 through a grant from Eastm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Fulkerson
Mary O'Donnell Fulkerson (1940–2020) was an American dance teacher and choreographer. Born in the United States, she developed an approach to expressive human movement called 'Anatomical Release Technique' in the US and UK, which has influenced the practice of dance movement therapy, as seen in the clinical work of Bonnie Meekums, postmodern dance, as exemplified by the choreography of Kevin Finnan, and the application of guided meditation and guided imagery, as seen in the psychotherapeutic work of Paul Newham. Work Fulkerson's primary contribution to dance, dance therapy, and guided meditation derives from the way she taught dancers and non-dancers how to use their own mental imagery to motivate expressive movement, which she developed upon the principles and practices previously established by Mabel Todd, Barbara Clark, Lulu Sweigard, and Joan Skinner, evolving her main teachings at Dartington College of Arts between 1973 and 1985. These teachers developed an approach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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