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Concrete Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term ‘concrete poetry’ is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Altar (Herbert Poem)
"The Altar" is a poem by the Welsh-born poet and Anglican priest George Herbert, first published in Herbert's collection ''The Temple''. As an example of shaped poetry, its popularity in the 17th century is attested by several imitations and a musical setting. Publication and shape ''The Temple'', the book in which the poem was first published, was only printed in 1633, after Herbert's death. "The Altar" is the first poem in the section titled ''The Church'' and, along with "Easter Wings", was one of two Baroque shaped poems there. The poem represents an altar in its shape on the page and is the second written by Herbert involving altars. The other is shorter and was originally written in Greek. This earlier poem provided a model for the later piece and has been referred to as a "meditation and a prayer". It does not resemble the English poem in shape, however. The English poem's form was inspired by Classical (or "pagan") altars and the old Greek poems written to reflect their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Apollinaire
Guillaume Apollinaire) of the Wąż coat of arms. (; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie. He wrote poems without punctuation attempting to be resolutely modern in both form and subject. Apollinaire wrote one of the earliest Surrealist literary works, the play '' The Breasts of Tiresias'' (1917), which became the basis for Francis Poulenc's 1947 opera ''Les mamelles de Tirésias''. Influenced by Symbolist poetry in his youth, he was admired during his lifetime by the young poets who later formed the nucleus of the Surrealist group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligrammes
''Calligrammes: Poems of Peace and War 1913-1916'', is a collection of poems by Guillaume Apollinaire which was first published in 1918 (see 1918 in poetry). ''Calligrammes'' is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves – a form called a calligram. In this sense, the collection can be seen as either concrete poetry or visual poetry. Apollinaire described his work as follows: The ''Calligrammes'' are an idealisation of free verse poetry and typographical precision in an era when typography is reaching a brilliant end to its career, at the dawn of the new means of reproduction that are the cinema and the phonograph. (Guillaume Apollinaire, in a letter to André Billy)Apollinaire, Guillaume, quoted in the preface by Michel Butor. ''Calligrammes'', p. 7 (Éditions Gallimard, preface copyright 1966). File:Guillaume Apollinaire - Calligramme - Cheval.png File:Guillaume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Carroll
Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems ''Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense. Carroll came from a family of high-church Anglicanism, Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, the daughter of Christ Church's dean Henry Liddell, is widely identified as the original inspiration for ''Alice in Wonderland'', though Carroll always denied this. An avid puzzler, Carroll created the word ladder puzzle (which he then called "Doublets"), which he published in his weekly column for ''Vanity Fair ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mouse's Tale
"The Mouse's Tale" is a shaped poem by Lewis Carroll which appears in his 1865 novel ''Alice's Adventures in Wonderland''. Though no formal title for the poem is given in the text, the chapter title refers to "A Long Tale" and the Mouse introduces it by saying, "Mine is a long and sad tale!" As well as the contribution of typography to illustrate the intended pun in this title, artists later made the intention clear as well. Translators of the story also encountered difficulty in conveying the meaning there, part of which was not recognised until well over a century later. Content During the course of the story's third chapter, a Mouse offers to tell Alice his history. "Mine is a long and a sad tale!" he begins, making Alice think that it means its ''tail'', so that she pictures its recitation in the form of a twisted, tail-like shape. In the tale, the Mouse (speaking of itself in the third person) explains how a cur called Fury proposes the pastime of condemning it to death, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France Prešeren
France Prešeren () (2 or 3 December 1800 – 8 February 1849) was a 19th-century Romantic Slovene poet whose poems have been translated into many languages.Database of translations – Prešeren , Slovene Book Agency, 2013 He has been considered the greatest Slovene classical poet and has inspired later . He wrote the first Slovene and the first Slovene epic. After his death, he beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Moscherosch
Johann Michael Moscherosch (7 March 1601 – 4 April 1669), German statesman, satirist, and educator, was born at Willstätt, on the Upper Rhine near Strassburg. His bitterly brilliant but partisan writings graphically describe life in a Germany ravaged by the Thirty Years' War (1618–48). His satires, which at times are tedious, also show an overwhelming moral zeal added to a sense of mission. Life Moscherosch was the son of farmer and bailiff Michael Moscherosch and his wife Veronika Beck. He grew up on his parents' farm in Willstätt in the County of Hanau-Lichtenberg, Germany. At the age of 11 he attended high school in Strassburg (now in France) and then studied law, philosophy and literature at the University of Strassburg. We owe the only eyewitness account of the theatrical performances of Caspar Brülow to his diary. In September 1623 Moscherosch defended his dissertation on Suetonius' ''The Twelve Caesars'' diatribe XV before a committee chaired by Matthias Bern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-François Panard
Charles-François Panard, or Pannard, (2 November 1689Some sources indicate Nogent-le-Roi as birthplace. Moreover, the 1689 birth year is given by the BN-Opale base of the Bibliothèque nationale de France. However, several authors (Allem, Grente, Vapereau) give the year 1694. The parish registers of Courville-sur-Eure kept at the Departmental Archives of Eure-et-Loir give 2 November 1689 (baptism November 4). – 13 June 1765) was an 18th-century French poet, chansonnier, playwright and goguettier Selected works * 1731: ''Le Tour de Carnaval'', comedy in 1 act and in prose * 1737: ''Les Acteurs déplacés'', comédy in 1 act and in prose * 1744: ''Les Fêtes sincères et l'heureux retour'', comedy in 1 act in free verse * 1744: ''Pygmalion'', one-act opéra comique * 1744: ''Roland'', one-act opéra comique * 1746: ''Le Magasin des modernes'', one-act opéra comique * 1747: ''L'Impromotu des acteurs'', comedy in 1 act in free verse * 1747: ''Les Tableaux'', comedy in 1 act in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
