Concerto For Solo Piano
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Concerto For Solo Piano
While a concerto is generally a piece for an instrument or instruments with orchestral accompaniment, some works for piano alone have been written with the seemingly contradictory designation concerto for solo piano. History Although various "concert" pieces have been written across history (such as Liszt's '' Trois études de concert'' and ''Grand solo de concert''), concertos for solo piano are very rare. The first (and still best known) example comes from Johann Sebastian Bach, whose ''Italian Concerto'', BWV 971, was published in 1735. Even though it was written for two-manual harpsichord, it is regularly played on the piano and considered the first example of a concerto fitted to solo keyboard. Schumann's Piano Sonata No. 3 in F minor (1835), Op. 14, was labelled by Tobias Haslinger as a "Concerto without orchestra". The French composer Charles-Valentin Alkan wrote in 1857 his set of Op. 39 études, of which nos. 8–10 were labelled as a concerto for solo piano. It incl ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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Michael Finnissy
Michael Peter Finnissy (born 17 March 1946) is an English composer, pianist, and pedagogue. An immensely prolific composer, his music is "notable for its dramatic urgency and expressive immediacy". Although he rejects the label, he is often regarded as the foremost composer of the New Complexity movement. Biography Early life Michael Finnissy was born at 77 Claverdale Road in Tulse Hill, London at roughly two in the morning on 17 March 1946 to Rita Isolene (''née'' Parsonson) and George Norman Finnissy. His father was employed at the London City Council. When he was four, he received his first piano lessons from his great aunt Rose Louise (Rosie) Hopwood, soon after writing his first compositions, He attended Hawes Down Infant and Junior schools, Bromley Technical High, and Beckenham and Penge Grammar schools and excelled in graphic art, mathematics, and English literature. Student years Finnissy received the William Hurlstone composition prize at the Croydon Music ...
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Piano Symphony
A piano symphony is a piece for solo piano in one or more movements. It is a symphonic genre by virtue of imitating orchestral tone colour, texture, and symphonic development. History An early piano symphony was written by Theodor Kullak and published in 1847. French composer Charles-Valentin Alkan composed one, which was published in 1857. José Vianna da Motta wrote of it, "Alkan demonstrates his brilliant understanding of ymphonicform in the first movement of the Symphony (the fourth Study f his Op. 39. ... The tonalities are so carefully calculated and developed that anyone listening to it can relate each note to an orchestral sound; and yet it is not just through the sonority that the orchestra is painted and becomes tangible, but equally through the style and the way that the polyphony is handled." Several decades later, Kaikhosru Shapurji Sorabji wrote his Third Piano Sonata (1922), which he described as a piano symphony. Between the years 1938–1976, Sorabji wrote 6 pi ...
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Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ...
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Vincent Persichetti
Vincent Ludwig Persichetti (June 6, 1915 – August 14, 1987) was an American composer, teacher, and pianist. An important musical educator and writer, he was known for his integration of various new ideas in musical composition into his own work and teaching, as well as for training many noted composers in composition at the Juilliard School. His students at Juilliard included Philip Glass, Steve Reich, Bruce Adolphe, Louis Calabro, Moshe Cotel, Michael Jeffrey Shapiro, Laurie Spiegel, Kenneth Fuchs, Richard Danielpour, Lawrence Dillon, Peter Schickele, Lowell Liebermann, Robert Witt, Elena Ruehr, William Schimmel, Leonardo Balada, Gitta Steiner, Hank Beebe, Roland Wiggins, Randell Croley and Leo Brouwer. He also taught composition to Joseph Willcox Jenkins and conductor James DePreist at the Philadelphia Conservatory. Life Persichetti was born in Philadelphia, Pennsylvania, in 1915. Though neither of his parents was a musician, his musical education began early. Persic ...
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Concerto For Two Pianos (Stravinsky)
The Concerto for Two Pianos (sometimes also referred to as Concerto for Two Solo Pianos or rather as its Italian original name, Concerto per due pianoforti soli) is a composition by Russian composer Igor Stravinsky. It was finished on November 9, 1935 and, together with his Sonata for Two Pianos, is considered nowadays as one of his major compositions for piano during his neoclassical period. It was also Stravinsky's first work after becoming a French citizen. Composition Stravinsky decided that, after composing his Concerto for Piano and Wind Instruments, he wanted to explore the capabilities of the piano as a solo instrument. Stravinsky had in mind a piece for which no orchestra would be needed (in case he lived in a city where no resident orchestra was actually established) and which could be played by himself and his son, Soulima Stravinsky. He began to work on a piece which would be the first movement of the Concerto in 1931 in Voreppe after finishing his Violin Concerto ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Allegro De Concert (Chopin)
Frédéric Chopin's ''Allegro de concert'', Op. 46, is a piece for piano, published in November 1841. It is in one movement and takes between 11 and 15 minutes to play. The principal themes are bold and expressive. It has a curious place in the Chopin canon, and while its history is obscure, the evidence supports the view, shared by Robert Schumann and others, that it started out as the first movement of a projected third piano concerto, of which the orchestral parts are either now non-existent or were never scored at all. There is no evidence that Chopin ever even started work on the latter movements of this concerto. History Chopin published his two piano concertos in 1830. That same year he wrote that he was planning a concerto for two pianos and orchestra, and would play it with his friend Tomasz Napoleon Nidecki if he managed to finish it. He worked on it for some months but he had the greatest difficulty with it, and this work never eventuated; however, he may have used ...
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Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ...
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Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England. Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart. Influenced by Domenico Scarlatti's harpsichord school and Haydn's classical school and by the '' stile Galante'' of Johann Christian Bach and Ignazio Cirri, Clementi developed a fluent and technical legato style, which he passed on to a generation of pianists, including John Field, Johann Baptist Cramer, Ignaz Moscheles, Giacomo Meyerbeer, Friedrich Kalkbrenner, Johann Nepomuk Hummel and Carl Czerny. He was ...
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Wilhelm Friedemann Bach
Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer, his income and employment were unstable and he died in poverty. Life Wilhelm Friedemann (hereafter Friedemann) was born in Weimar, where his father was employed as organist and chamber musician to the Duke of Saxe-Weimar. In July 1720, when Friedemann was nine, his mother Maria Barbara Bach died suddenly; Johann Sebastian Bach remarried in December 1721. J. S. Bach supervised Friedemann's musical education and career with great attention. The graded course of keyboard studies and composition that J. S. Bach provided is documented in the ''Clavier-Büchlein vor Wilhelm Friedemann Bach'' (modern spelling: '' Klavierbüchlein für Wilhelm Friedemann Bach''), with entries by both father and son. This education also included (parts of) ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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