|
Concertante
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical Era In the Baroque period, the differences between a concerto and a ''sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia Concertante (Haydn)
The Sinfonia Concertante in B flat major (Hob. I/105), by Joseph Haydn was composed in London between February and March 1792. The work is a sinfonia concertante with four instruments in the solo group: violin, cello, oboe and bassoon. It is believed to be a response to similar works composed by Ignaz Pleyel, a former student of Haydn's who London newspapers were promoting as a 'rival' to Haydn. In addition to the solo group the Sinfonia Concertante is scored for flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. Background The composition was written during the first of the composer's two visits to London. It is believed that Johann Peter Salomon asked Haydn to compose the work because of the success of similar works written by Pleyel and performed in a rival concert series. Manuscript evidence indicates that the work was written in some haste and Haydn is known to have complained of eyestrain while working on it. The first performance was given on 9 March 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia Concertante For Violin, Viola And Orchestra
The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the last including a divided viola section, which accounts for the work's rich harmony. The solo viola part is written in D major instead of E major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments. Movements Recordings Richard Wigmore in '' Gramophone'' (October 2015) writes that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Pleyel
Ignace Joseph Pleyel (; ; 18 June 1757 – 14 November 1831) was an Austrian-born French composer, music publisher and piano builder of the Classical period. Life Early years He was born in in Lower Austria, the son of a schoolmaster named Martin Pleyl. Despite the fact that some sources claim that he had 37 siblings, he was the 8th and last child of his fathers first wedding to Anna Theresia née Forster and had eight more half siblings from his father's second wedding to Maria Anna née Placho. While still young, he probably studied with Johann Baptist Wanhal, and from 1772 he became the pupil of Joseph Haydn in Eisenstadt. As with Beethoven, born 13 years later, Pleyel benefited in his study from the sponsorship of aristocracy, in this case Count Ladislaus Erdődy (1746–1786). Pleyel evidently had a close relationship with Haydn, who considered him to be a superb student. Among Pleyel's apprentice work from this time was a puppet opera ''Die Fee Urgele'', (1776) performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia Concertante For Oboe, Clarinet, Horn, Bassoon And Orchestra K
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" (French Overture in E minor) was originally titled "Sinfony". In the 20th and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" ( French Overture in E minor) was originally titled "Sinfony". In the 20th and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Arcangelo Corelli")