Clay Painting
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Clay Painting
Clay painting animation is a form of clay animation, which is one of the many kinds of stop motion animation. It blurs the distinction between clay animation, cel animation and cutout animation. Clay painting animation (which is also a variation of the direct manipulation animation process), is animation where clay is placed and flattened on a flat supporting surface and moved like "wet" oil paints as on a traditional artistic canvas to produce any style of images, but with a clay 'look' to them, filmed frame-by-frame by an animation camera (shooting from above, and in a traditional animation stand) after each small adjustment of the clay images. The clay-painting process has also been used as a background, photographically combined with other forms of animation, and even live action. In the United States of America Pioneering this technique was one-time Vinton animator Joan Gratz, first in her Oscar-nominated film ''The Creation'' (1980) and then in her Oscar-winning ''Mona Li ...
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Animation
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures. A cartoon is an animated film, usually a short film, featuring an exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphic animals, superheroes, or the adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, ...
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Stop Motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automat ...
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Clay Animation
Clay animation or claymation, sometimes plasticine animation, is one of many forms of stop-motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually plasticine clay. Traditional animation, from cel animation to stop motion, is produced by recording each frame, or still picture, on film or digital media and then playing the recorded frames back in rapid succession before the viewer. These and other moving images, from zoetrope to films and video games, create the illusion of motion by playing back at over ten to twelve frames per second. Technique Each object or character is sculpted from clay or other such similarly pliable material as plasticine, usually around a wire skeleton, called an armature, and then arranged on the set, where it is photographed once before being slightly moved by hand to prepare it for the next shot, and so on until the animator has achieved the desired amount of film. Upon play ...
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Cel Animation
Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation in cinema until computer animation. Process Writing and storyboarding Animation production usually begins after a story is converted into an animation film script, from which a storyboard is derived. A storyboard has an appearance somewhat similar to comic book panels, and is a shot by shot breakdown of the staging, acting and any camera moves that will be present in the film. The images allow the animation team to plan the flow of the plot and the composition of the imagery. Storyboard artists will have regular meetings with the director and may redraw or "re-board" a sequence many times before it meets final approval. Voice recording Before animation begins, a preliminary soundtrack or scratch track is recorded so that the animation may be more precisely synchronized to ...
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Cutout Animation
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani), as is the world's earliest surviving animated feature '' Die Abenteuer des Prinzen Achmed'' (1926) by Lotte Reiniger. The technique of most cutout animation is comparable to that of shadow play, but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, including ''Die Abenteuer des Prinzen Achmed'', also have much of their silhouette style in common with shadow plays. Cutout animation pioneer Lotte Reiniger studied the traditions of shadow play and created several shadow play film sequences, including a tribute to François Dominique Séraphin in Jean Renoir's film '' La Marseillaise'' (1938). Wh ...
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Direct Manipulation Animation
One of the many forms of stop motion, but certainly blurring the distinction between stop motion and regular flat (drawing or "cel") animation. Direct manipulation is a simplified variation of graphic animation which involves the frame-by-frame altering (erasing or adding to) a single drawing or graphic image, while taking a frame of film or video as each small change is made, as close as the stop motion process gets to simply animating a series of drawings, but without actually changing to completely separate drawings or graphics for each frame of film, a more traditional process that most people associate with the generic "animation' term. Examples of direct-manipulation-animation are parts of J. Stuart Blackton's 1906 ''Humorous Phases of Funny Faces'' the chalk animation opening sequence of Will Vinton's ''Dinosaur'' (1980), and parts of Mike Jittlov Mike Jittlov (born June 8, 1948) is an American animator and the creator of short films and one feature-length film using fo ...
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Animation Stand
An animation stand is a device assembled for the filming of any kind of animation that is placed on a flat surface, including cel animation, graphic animation, clay animation, and silhouette animation. Traditionally, the flat surface that the animation rests on is some kind of table that the animator sits at. Pegs made specifically for animation are embedded into the table, in at least two slots allowing the pegs to slide from side to side, permitting horizontal movement of images, but can also be easily fixed into position for the accurate positioning ("registration") of the artwork. Opposite the animator is a series of supporting arms and supports, on top of which is mounted a film or video camera, pointing down toward the artwork, which films the artwork, frame-by-frame, as it is slowly moved and changed by the operator. The vertical positioning of the animation camera, always shooting down, is the main component that defines an animation stand, as opposed to a stop motion ...
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Joan Gratz
Joan Carol Gratz (born 1941) is an American artist, animator, and filmmaker who specializes in clay painting. Gratz is best known for her 1992 Oscar-winning animated short film ''Mona Lisa Descending a Staircase''. Early life In 1941, Gratz was born in Burbank, California. Gratz's father was an electrical engineer her mother was an English teacher. From a young age she had an interest in art. Education While Gratz was a student in architecture, she began painting. Gratz was filming her painting process. In 1969, Gratz obtained a degree in professional architecture at the University of California, Los Angeles. Before graduating, Gratz began to experiment with the possibilities of animation and started to explore the idea of "making paintings breathe" with a technique she explained as "clay painting". After graduating, she moved to Oregon, making a living by creating puppets and poster graphics. Career In 1976, Gratz was asked to work for Will Vinton in the new up and comi ...
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Academy Awards
The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons. The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards cere ...
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Mona Lisa Descending A Staircase
''Mona Lisa Descending a Staircase'' is a 1992 American animated short by Joan C. Gratz. Summary Consisting of 2-D claymation, it features famous paintings morphing into each other. List of artists featured The works of several artists are featured in the transition: *Vincent van Gogh * Chuck Close *Pablo Picasso * Roy Lichtenstein *Andy Warhol *Paul Gauguin *René Magritte * Philip Gaston * Edvard Munch Accolades It won the 1992 Oscar for Best Animated Short Film The Academy Award for Best Animated Short Film is an award given by the Academy of Motion Picture Arts and Sciences (AMPAS) as part of the annual Academy Awards, or Oscars, since the 5th Academy Awards (with different names), covering the year .... Reception New York Magazine's Vulture named the film ninth best of all 87 Oscar winning animated short films. Availability It was released on DVD by Hen's Tooth in 2004 alongside her other works. It is also available for streaming. References External links * ' ...
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Object Animation
Object animation is a form of stop motion animation that involves the animated movements of any non-drawn objects such as toys, blocks, dolls, and similar items which are not fully malleable, as plasticine (clay) or wax are, and not designed to look like recognizable human or animal characters. Object animation is considered a different form of animation distinct from model animation and puppet animation, as these two forms of stop-motion animation generally use recognizable characters as their subjects, rather than pre-existing objects like static toy soldiers, or construction toys such as Tinkertoys, LEGO brand bricks (as with Brickfilm), Lincoln Logs, erector sets, Playmobil, and similar pre-formed objects. Object animation is often combined with other forms of animation, typically for a more realistic effect. Model animation or puppet animation may be used to add more complex movement or depth to the object animation. For example, a toy car might be animated, either with ...
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Buzzco Associates
Buzzco Associates, Inc. is an animation studio that was founded in 1968 (as Perpetual Motion Pictures) by Buzz Potamkin with Candy Kugel and Vincent Cafarelli as co-creative directors and Marilyn Kraemer as executive producer. History Early work of the studio included the "I Want My MTV" campaign, and the "Top of the Hour" network ID for MTV. The spots mixed live action, rock stars, music and animation. In 1982, Perpetual Motion Pictures split into Perpetual Animation and Buzzco Productions, Inc., and Vincent Cafarelli and Candy Kugel joined Buzzco. Potamkin left New York in 1984 to form Southern Star Productions in Los Angeles. As part of the continuing partners' agreement in forming Buzzco Associates, Cafarelli, Kugel and Kraemer decided it was important for them to make independent films. Buzzco continued with production of commercials, titles, insert programming, sales films and segments for such clients as Nickelodeon, Sesame Workshop, MTV, HBO Family and ABC, as well as fo ...
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