Direct Manipulation Animation
One of the many forms of stop motion, but certainly blurring the distinction between stop motion and regular flat (drawing or "cel") animation. Direct manipulation is a simplified variation of graphic animation which involves the frame-by-frame altering (erasing or adding to) a single drawing or graphic image, while taking a frame of film or video as each small change is made, as close as the stop motion process gets to simply animating a series of drawings, but without actually changing to completely separate drawings or graphics for each frame of film, a more traditional process that most people associate with the generic "animation' term. Examples of direct-manipulation-animation are parts of J. Stuart Blackton's 1906 ''Humorous Phases of Funny Faces'' the chalk animation opening sequence of Will Vinton's ''Dinosaur'' (1980), and parts of Mike Jittlov Mike Jittlov (born June 8, 1948) is an American animator and the creator of short films and one feature-length film using for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stop Motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Graphic Animation
Graphic animation is a variation of stop motion (and possibly more conceptually associated with traditional flat cel animation and paper drawing animation, but still technically qualifying as stop motion) consisting of the animation of photographs (in whole or in parts) and other non-drawn flat visual graphic material, such as newspaper and magazine clippings. Technique In its simplest form, Graphic "animation" can take the form of the animation camera merely panning up and down and/or across individual photographs, one at a time, (filmed frame-by-frame, and hence, "animated") without changing the photographs from frame to frame. But once the photos (or "graphics") are also moved from frame to frame, more exciting montages of movement can be produced, such as on Los Angeles animator Mike Jittlov's 1977 short film, ''Animato''. Graphic animation can be (and often is) combined with other forms of animation including direct manipulation animation, and traditional cel animation. Notab ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Will Vinton
William Gale Vinton (November 17, 1947 – October 4, 2018) was an American animator and filmmaker. Vinton was best known for his Claymation work, alongside creating iconic characters such as The California Raisins. He won an Oscar for his work alongside several Emmy Awards and Clio Awards for his studio's work. Life and education Vinton was born on November 17, 1947, to a car dealer father and a bookkeeper mother in McMinnville, Oregon. During the 1960s, Vinton studied physics, architecture and filmmaking at the University of California, Berkeley, where he was influenced by the work of Antoni Gaudí. During this time, Vinton made a black-and-white feature-length documentary film about the California counter-culture movement titled ''Gone for a Better Deal'', which toured college campuses in various film festivals of the time. Two more films about student protest followed, ''Berkeley Games'' and ''First Ten Days'', as well a narrative short ''Reply'', and his first animation, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mike Jittlov
Mike Jittlov (born June 8, 1948) is an American animator and the creator of short films and one feature-length film using forms of special effects animation, including stop-motion animation, rotoscoping, and pixilation. He is best known for the 1988 feature-length film ''The Wizard of Speed and Time'', based on his 1979 short film of the same name. Life Born in Los Angeles, Jittlov became a math major at UCLA. Jittlov took an animation course to satisfy his art requirement. He made a super-8 film, ''The Leap'', enlarged to 16mm film, 16mm to participate in film festivals in the early 1970s. Jittlov entered a 16mm film made for his UCLA class, ''Good Grief'', into Academy Awards competition. That short made it to the professional finals for nomination, the first of several of his short films to do so. Afterwards, Jittlov bought his own 16mm camera, designed his own multiplane camera, multiplane animation system for $200, and began his career. Some of his other original film shorts, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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12 Basic Principles Of Animation
Disney's twelve basic principles of animation were introduced by the Disney animators Ollie Johnston and Frank Thomas in their 1981 book '' The Illusion of Life: Disney Animation''. The principles are based on the work of Disney animators from the 1930s onwards, in their quest to produce more realistic animation. The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal. The book has been referred to by some as the "Bible of animation", and some of its principles have been adopted by traditional studios. In 1999, ''The Illusion of Life'' was voted the number one "best animation book ..of all time" in an online poll done by Animation World Network. While originally intended to apply to traditional, hand-drawn animation, the principles still have great relevance for today's more prevalent computer animation. The 12 pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Animation Techniques
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures. A cartoon is an animated film, usually a short film, featuring an exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphic animals, superheroes, or the adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, coyo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |