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Clarsach
The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as in Irish, in Scottish Gaelic, in Breton and in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It appears on Irish coins, the coat of arms of the Republic of Ireland, Montserrat, Canada as well as the flag of Montserrat. Early history The early history of the triangular frame harp in Europe is contested. The first instrument associated with the harping tradition in the Gaelic world was known as a . This word may originally have described a different stringed instrument, being etymologically related to the Welsh crwth. It has been suggested that the word / (from / , a board) was coined for the triangular frame harp which replaced the , and that this coining was of Scottish origin. A notched piece of wood which some have interpreted to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Origin Of The Harp In Europe
The origins of the triangular frame harp are unclear. Triangular objects on the laps of seated figures appear in artwork of Ireland, Scotland, England and Wales, as well as other parts of north-west Europe. This page outlines some of the scholarly controversies and disagreements on this subject. Scottish origins The connection of Scotland its love of stringed instruments is both ancient and recorded. A bridge thought to be from an Iron Age lyre, and dating to around 300 BC, was discovered on the Isle of Skye which would make it the earliest surviving stringed instrument from western Europe. The earliest descriptions of a European triangular framed harp i.e. harps with a fore pillar are found on carved 8th century Pictish stones.John T. Koch Celtic Culture: A Historical Encyclopedia 2006. Published ABC-CLIO, pp1276. Pictish harps were strung from horsehair. The instruments apparently spread south to the Anglo Saxons who commonly used gut strings and then west to the Gaels of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity College Harp
The Trinity College harp, also known as "Brian Boru's harp", is a medieval musical instrument on display in the long room at Trinity College Dublin in Ireland. It is an early Irish harp or wire-strung cláirseach. It is dated to the 14th or 15th century and, along with the Queen Mary Harp and the Lamont Harp, is the oldest of three surviving medieval harps from the region. The harp was used as a model for the coat of arms of Ireland and for the trade-mark of Guinness stout. History It is uncertain who commissioned the Trinity College harp, although structural evidence suggests it was made in the 15th century. It is similar in construction and design to the Queen Mary Clarsach in Scotland. It is likely, however, that the harp was made for a member of an important family, for it is skilfully constructed and intricately ornamented. According to Charles Vallancey writing in 1786, it was reputedly once owned by Brian Boru, High King of Ireland. However, this link was dismissed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psaltery
A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated. Etymology The psaltery of Ancient Greece ('' epigonion'') was a harp-like stringed instrument. The word ''psaltery'' derives from the Ancient Greek ψαλτήριον (''psaltḗrion''), "stringed instrument, psaltery, harp" and that from the verb ψάλλω (''psállō''), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not with the plectrum." The psaltery was originally made from wood, and relied on natural acoustics for sound production. In the King James Bible "psaltery", and its plural, "psalteries", are used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Oxford Companion To Music
''The Oxford Companion to Music'' is a music reference book in the Book series, series of Oxford Companions produced by the Oxford University Press. It was originally conceived and written by Percy Scholes and published in 1938. Since then, it has undergone two distinct rewritings: one by Denis Arnold, in 1983, and the latest edition by Alison Latham in 2002. It is "arguably the most successful book on music ever produced" (Wright, p. 99). Single-volume edition by Percy Scholes The first edition, a single-volume work, was produced in 1938, edited by Percy Scholes, and was written almost entirely by him alone. The second edition, published 1939 includes a 64-page categorised ''List of books about music in the English language'' by Scholes. Wherever possible, Scholes tried to use primary source material, rather than summarizing other people's work. His preface to the First Edition describes how he played and read through thousands of sheets of music, as well as reading th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictish Stones
A Pictish stone is a type of monumental stele, generally carved or incised with symbols or designs. A few have ogham inscriptions. Located in Scotland, mostly north of the Clyde-Forth line and on the Eastern side of the country, these stones are the most visible remaining evidence of the Picts and are thought to date from the 6th to 9th century, a period during which the Picts became Christianized. The earlier stones have no parallels from the rest of the British Isles, but the later forms are variations within a wider Insular tradition of monumental stones such as high crosses. About 350 objects classified as Pictish stones have survived, the earlier examples of which holding by far the greatest number of surviving examples of the mysterious symbols, which have long intrigued scholars. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isle Of Skye
The Isle of Skye, or simply Skye (; gd, An t-Eilean Sgitheanach or ; sco, Isle o Skye), is the largest and northernmost of the major islands in the Inner Hebrides of Scotland. The island's peninsulas radiate from a mountainous hub dominated by the Cuillin, the rocky slopes of which provide some of the most dramatic mountain scenery in the country. Slesser (1981) p. 19. Although has been suggested to describe a winged shape, no definitive agreement exists as to the name's origins. The island has been occupied since the Mesolithic period, and over its history has been occupied at various times by Celtic tribes including the Picts and the Gaels, Scandinavian Vikings, and most notably the powerful integrated Norse-Gaels clans of MacLeod and MacDonald. The island was considered to be under Norwegian suzerainty until the 1266 Treaty of Perth, which transferred control over to Scotland. The 18th-century Jacobite risings led to the breaking-up of the clan system and later cle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyre
The lyre () is a string instrument, stringed musical instrument that is classified by Hornbostel–Sachs as a member of the History of lute-family instruments, lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar. The lyre has its origins in ancient history. Lyres were used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archeological sites that date to c. 2700 BCE in Mesopotamia. The oldest lyres from the Fertile Crescent are known as the eastern lyres and are distinguished from other ancient lyres by their flat base. They have been found at archaeological sites in Egypt, Syria, Anatolia, and the Levant. The round lyre or the Western lyre also originated in Syria and Anatolia, but was not as widely used and eventually died out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iron Age
The Iron Age is the final epoch of the three-age division of the prehistory and protohistory of humanity. It was preceded by the Stone Age ( Paleolithic, Mesolithic, Neolithic) and the Bronze Age ( Chalcolithic). The concept has been mostly applied to Iron Age Europe and the Ancient Near East, but also, by analogy, to other parts of the Old World. The duration of the Iron Age varies depending on the region under consideration. It is defined by archaeological convention. The "Iron Age" begins locally when the production of iron or steel has advanced to the point where iron tools and weapons replace their bronze equivalents in common use. In the Ancient Near East, this transition took place in the wake of the Bronze Age collapse, in the 12th century BC. The technology soon spread throughout the Mediterranean Basin region and to South Asia (Iron Age in India) between the 12th and 11th century BC. Its further spread to Central Asia, Eastern Europe, and Central Europe is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crwth
The crwth (, also called a crowd or rote or crotta) is a bowed lyre, a type of stringed instrument, associated particularly with Welsh music, now archaic but once widely played in Europe. Four historical examples have survived and are to be found in St Fagans National Museum of History (Cardiff); National Library of Wales (Aberystwyth); Warrington Museum & Art Gallery; and the Museum of Fine Arts, Boston (US). Origin of the name The name ' is Welsh, derived from a Proto-Celtic noun ''*-'' ("round object") which refers to a swelling or bulging out, a pregnant appearance or a protuberance, and it is speculated that it came to be used for the instrument because of its bulging shape. Other Celtic words for violin also have meanings referring to rounded appearances. In Gaelic, for example, "" can mean "hump" or "hunch" as well as harp or violin. Like several other English loanwords from Welsh, the name is one of the few words in the English language in which the letter W is used as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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