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Church Of St. Panteleimon (Gorno Nerezi)
The Church of Saint Panteleimon ( mk, Црква Свети Пантелеjмон, Crkva Sveti Pantelejmon) in Gorno Nerezi, North Macedonia, is a small 12th-century Byzantine church located in a monastery complex. The church and monastery are dedicated to St. Panteleimon, the patron saint of physicians. The church was constructed in 1164 as a foundation of Alexios Angelos, a son of Constantine Angelos. The church has a domed cruciform core, three apses, and a rectangular narthex. It is built of irregular stone blocks and brick embedded in thick layers of mortar. The surrounding monastery complex is enclosed by walls. The frescoes in the church are famous examples of Komnenian-era Byzantine art, depicting scenes from the Passion of Christ and various hagiographical illustrations. Similar compositions appear in the Latomou Monastery in Thessaloniki. The church was damaged by an earthquake in the 16th century. In the restoration that followed, some of the frescoes in the upper m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorno Nerezi
Gorno Nerezi (, sq, Nerez i Epërm) is a village in the municipality of Karpoš, North Macedonia. The settlement is situated at an altitude of 771 meters (2532 feet). It is located on the wooded slopes of Mt. Vodno, covers a 7 km radius. Located in Gorno Nerezi is the Church of St. Panteleimon, dedicated to the protector of health. The church was constructed in 1164 by order of Alexius Angelus Comnenus, a member of the imperial family. The frescoes are famous examples of Comnenian Age Byzantine Art. Demographics According to the 1467-68 Ottoman defter, Nerezi appears as being inhabited by an Orthodox Albanian population. Some families had a mixed Slav-Albanian anthroponomy - usually a Slavic first name and an Albanian last name or last names with Albanian patronyms and Slavic suffixes. The names are: Petko Niko son of Zogo, Tan-o son of Doka-ç, (Duka-ç), Brajko his son, Daci son of Doka-ç (Duka-ç), Niko son of Bujçun, Stepa his son, Niko son of Grop-ça, Berislav, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meister Von Nerezi 001
''Meister'' means 'master' in German (as in master craftsman, or as an honorific title such as Meister Eckhart). The word is akin to master and maestro. In sports, ''Meister'' is used for the current national, European or world champion (e.g. ''Deutscher Meister'', ''Europameister'', ''Weltmeister''). During the Second World War, ''Meister'' was the highest enlisted rank of the German ''Ordnungspolizei''. Many modern-day German police forces also use the title of ''Meister''. ''Meister'' has been borrowed into English slang, where it is used in compound nouns. A person referred to as “Meister” is one who has extensive theoretical knowledge and practical skills in his profession, business, or some other kind of work or activity. For example, a “puzzle-meister” would be someone highly skilled at solving puzzles. These neologisms sometimes have a sarcastic intent (for example, “stubble-meister” for someone with a short, neat beard, or “crier-meister” for someone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexikon Des Mittelalters
The ''Lexikon des Mittelalters'' ("Lexicon of the Middle Ages", LMA, LexMA) is a German encyclopedia on the history and culture of the Middle Ages. Written by authors from all over the world, it comprises more than 36,000 articles in 9 volumes. Historically the works range from the Late Antiquity to about 1500, covering the Byzantine Empire and the Arab world . The first six volumes were published by Artemis (later Artemis & Winkler), Munich and Zürich; volumes seven through nine by LexMA, Munich. In 2000, an electronic (standalone) edition of the ''Lexikon'' was published on CD-ROM by Brepols. Praise and criticism The first volume was widely praised upon publication; G.A. Holmes, in ''The English Historical Review'', foresaw that the entire encyclopedia would be "a valuable reference work of a kind which medievalists hitherto lacked." H. Chadwick, in ''The Journal of Theological Studies'', called the lexicon "a necessary and valuable work of reference." Its coverage of subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enciklopedija Jugoslavije
The ''Encyclopedia of Yugoslavia'' ( sh-Latn-Cyrl, separator=" / ", Enciklopedija Jugoslavije, Енциклопедија Југославије) was the national encyclopedia of the Socialist Federal Republic of Yugoslavia. It was published by the Yugoslav Lexicographical Institute (Zagreb) under the direction of Miroslav Krleža. Lawrence S. Thompson reviewed the Encyclopedia so: The first volume (A-Bosk) of the new Encyclopedia of Yugoslavia deserves attention not only as an important general reference work on Yugoslavia but also for the very extensive attention devoted to libraries, historical bibliography, archives, and other related subjects. Volumes First edition The first edition consists of 8 volumes, issued from 1955 to 1971. It was printed in 30,000 copies. Second edition Work on the second edition started in 1980, but was not finished due to the Yugoslav wars The Yugoslav Wars were a series of separate but related#Naimark, Naimark (2003), p. xvii. ethni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Dictionary Of Byzantium
The ''Oxford Dictionary of Byzantium'' (ODB) is a three-volume historical dictionary published by the English Oxford University Press. With more than 5,000 entries, it contains comprehensive information in English on topics relating to the Byzantine Empire. It was edited by Alexander Kazhdan, and was first published in 1991.''The Oxford Dictionary of Byzantium'', Oxford University Press, New York and Oxford, 1991. Kazhdan was a professor at Princeton University who became a Senior Research Associate at Dumbarton Oaks, Washington, DC, before his death. He contributed to many of the articles in the Dictionary and always signed his initials ''A.K.'' at the end of the article to indicate his contribution. Description The dictionary is available in printed and e-reference text versions from Oxford Reference Online. It covers the main historical events of Byzantium, as well as important social and religious events. It also includes biographies of eminent political and literary personal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Roman And Byzantine Domes
Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces. Early wooden domes are known only from a literary source, but the use of wooden formwork, concrete, and unskilled labor enabled domes of monumental size in the late Republic and early Imperial period, such as the so-called "Temple of Mercury" bath hall at Baiae. Nero introduced the dome into Roman palace architecture in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arena Chapel
The Scrovegni Chapel ( it, Cappella degli Scrovegni ), also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the ''Monastero degli Eremitani'' in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Museo Civico of Padua. The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of the 14th-century fresco cycles comprehending 8 historical buildings in Padua city centre. Specifically the Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century. Description Giotto and his team covered all the internal surfaces of the chapel with frescoes, including the walls and the ceiling. The nave is 20.88 metres long, 8.41 metres wide, and 12.65 me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but specifically mention Mary and Mary Magdalene as present. Scenes showing Joseph negotiating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto Di Bondone
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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