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Central Conceit
In drama and other art forms, the central conceit of a work of fiction is the underlying fictitious assumption which must be accepted by the audience with suspension of disbelief so the Plot (narrative) , plot may be seen as plausible. An example from popular culture is the way many cartoons feature animals that can speak to each other, and in many cases can understand human speech, but humans cannot understand the speech of animals. This conceit is seen, and sometimes exploited for plot purposes, in such films as ''Over the Hedge (film), Over the Hedge'', the ''Balto (film), Balto'' series, and ''Brother Bear''. See also * ReferencesConceit Usage Examples at YourDictionary.com Narratology {{theatre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suspension Of Disbelief
Suspension of disbelief, sometimes called willing suspension of disbelief, is the avoidance of critical thinking or logic in examining something unreal or impossible in reality, such as a work of speculative fiction, in order to believe it for the sake of enjoyment. Aristotle first explored the idea of the concept in its relation to the principles of theater; the audience ignores the unreality of fiction in order to experience catharsis. Origin The poet and aesthetic philosopher Samuel Taylor Coleridge introduced the English-language term "suspension of disbelief" in 1817 and suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend judgement concerning the implausibility of the narrative. Coleridge sought to revive the use of fantastic elements in poetry and developed a concept to support how a modern, enlightened audience might continue to enjoy such types of literature. The term resulted from a phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot (narrative)
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Technique
A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used in the making of a narrative to relay information to the audience and particularly to develop the narrative, usually in order to make it more complete, complex, or interesting. Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting } from Homer's epic poem ''Odyssey'', whose role is carried by Leopold Bloom, much of the setting is described realistically, with great attention to detail. The locations within Dublin also represent locations in the Odyssey. Bloom's home is at 7 Eccles Street, and at the same time, Homer's Ithaca, Ithaca, the home of Odysseus. The Post office, Westland Row and Sweny's pharmacy on Lombard Street represent the Dublin location for Ulysses (nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Taylor Coleridge
Samuel Taylor Coleridge (; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and ''Kubla Khan'', as well as the major prose work ''Biographia Literaria''. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime.Jamis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Over The Hedge (film)
''Over the Hedge'' is a 2006 American computer-animated comedy film produced by DreamWorks Animation SKG and distributed by Paramount Pictures (marking Paramount's first collaboration with DreamWorks). It is loosely based on the comic strip of the same name by Michael Fry and T. Lewis. Directed by Tim Johnson and Karey Kirkpatrick (in the latter's feature directorial debut) from a screenplay by Len Blum, Lorne Cameron, David Hoselton, and Kirkpatrick, the film stars an ensemble cast featuring the voices of Bruce Willis, Garry Shandling, Steve Carell, William Shatner, Wanda Sykes, and Nick Nolte. The film's plot follows a raccoon named RJ who must reclaim food for a bear, ultimately manipulating a group of animals that had recently awakened from hibernation in order to speed up the process. ''Over the Hedge'' was released in the United States on May 19, 2006. It received generally positive reviews from critics, and grossed $340 million on an $80 million budget. Plot One nig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balto (film)
''Balto'' is a 1995 animated adventure film directed by Simon Wells, produced by Amblin Entertainment and distributed by Universal Pictures. The film, which stars the voices of Kevin Bacon, Bridget Fonda, Jim Cummings, Phil Collins and Bob Hoskins, is loosely based on the true story of the eponymous dog who helped save children infected with diphtheria in the 1925 serum run to Nome. Though primarily an animated film, it uses a live-action framing device that takes place in New York City's Central Park and features Miriam Margolyes. ''Balto'' was the third and final feature produced by Steven Spielberg's UK-based Amblimation studio before it became DreamWorks Animation, which would later be acquired by Universal's parent company NBCUniversal in 2016. Although the film was a major financial disappointment (it was overshadowed by the success of Pixar's ''Toy Story''), its subsequent sales on home video led to two direct-to-video sequels: '' Balto II: Wolf Quest'' (2002) and '' Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brother Bear
''Brother Bear'' is a 2003 American animated musical fantasy comedy-drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 44th Disney animated feature film, it was directed by Aaron Blaise and Robert Walker (in their feature directorial debuts) and produced by Chuck Williams, from a screenplay written by Tab Murphy, Lorne Cameron, David Hoselton, and the writing team of Steve Bencich and Ron J. Friedman. The film stars the voices of Joaquin Phoenix, Jeremy Suarez, Rick Moranis, Dave Thomas, Jason Raize, and D.B. Sweeney. ''Brother Bear'' follows an Alaska native boy named Kenai as he pursues a bear and kills it, but the Spirits, incensed by this unnecessary death, change Kenai into a bear himself as punishment. In order to be human again, Kenai must travel to a mountain where the Northern lights touch the earth. The film was the third and final Disney animated feature produced primarily by the Feature Animation studio at Disney-MGM St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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