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Celtic Mythology
Celtic mythology is the body of myths belonging to the Celtic peoples.Cunliffe, Barry, (1997) ''The Ancient Celts''. Oxford, Oxford University Press , pp. 183 (religion), 202, 204–8. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples (the Gaels of Ireland and Scotland; the Celtic Britons of western Britain and Brittany). They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology. The supernatural race called the Tuatha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myth
Myth is a folklore genre consisting of Narrative, narratives that play a fundamental role in a society, such as foundational tales or Origin myth, origin myths. Since "myth" is widely used to imply that a story is not Objectivity (philosophy), objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Lore
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sovereignty Goddess
Sovereignty goddess is a scholarly term, almost exclusively used in Celtic studies (although parallels for the idea have been claimed in other traditions, usually under the label ''hieros gamos''). The term denotes a goddess who, personifying a territory, confers sovereignty upon a king by marrying or having sex with him. Some narratives of this type correspond to folk-tale motif D732, ''the Loathly Lady'', in Stith Thompson's ''Motif-Index''. This trope has been identified as 'one of the most well-known and often studied thematic elements of Celtic myth'. It has also, however, been criticised in recent research for leading to "an attempt to prove that every strong female character in medieval Welsh and Irish tales is a souvenir of a Celtic sovereignty goddess". Historical evidence There is some evidence in Greek and Roman accounts of historical Celtic women that leading women such as Camma and Cartimandua might in antiquity actually have been associated with goddesses. It is al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mabon Ap Modron
Mabon ap Modron is a prominent figure from Welsh literature and mythology, the son of Modron and a member of Arthur's war band. Both he and his mother were likely deities in origin, descending from a divine mother–son pair. He is often equated with the Demetian hero Pryderi fab Pwyll, and may be associated with the minor Arthurian character Mabon ab Mellt. Etymology His name is related to the Romano-British god Maponos, whose name means "Great Son"; Modron, in turn, is likely related to the Gaulish goddess Dea Matrona. The name ''Mabon'' is derived from the Common Brittonic and Gaulish deity name ''Maponos'' "Great Son", from the Proto-Celtic root ''*makwo-'' "son". Similarly, Modron is derived from the name of the Brittonic and Gaulish deity ''Mātronā'', meaning "Great Mother", from Proto-Celtic ''*mātīr'' "mother". Role in Welsh tradition ''Culhwch ac Olwen'' Culhwch's father, King Cilydd, the son of Celyddon, loses his wife Goleuddydd after a difficult childbir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aengus
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love,Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, 1991. pp.38–40 summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. He plays a central role in five Irish myths. Name In Old Irish his name is ''Óengus'' or ''Oíngus'' , a name attested in Adomnán's ''Life of St Columba'' as ''Oinogus(s)ius''. This is believed to come from a Proto-Celtic name meaning "true vigour". The medieval ''Dindsenchas'' derives it from "one desire", explaining that Boann gave him the name because her union with the Dagda had been her only desire. In Middle Irish this became ''Áengus'', and in Modern Irish ''Aonghus'' , . He is also known as ''Óengus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gofannon
Gofannon () is a Middle Welsh reflex of Gobannus, one of the deities worshipped by the ancient Celts. He features in Middle Welsh literature as a great metal worker and as the son of Dôn. His name can be compared with the Old Irish ''gobae'' (gen. ''gobann'') ‘smith’, Middle Welsh / Cornish / Breton ''gof'' (pl. ''gofein'') ‘smith’, Gaulish ''gobedbi'' ‘with the smiths’, all of which are cognate with Lithuanian ''gabija'' ‘sacred home fire’, ''gabus'' ‘gifted, clever’. His apparent counterpart in Irish mythology, Goibniu, in addition to his duties as a smith, also takes on the role of a divine hero who brewed an ale of immortality, in addition to being an architect and builder. In Welsh mythology, Gofannon killed his nephew, Dylan Ail Don, not knowing who he was. One of the tasks given to Culhwch if he were to win the hand of Olwen In Welsh mythology, Olwen (or Olwyn) is the daughter of the giant Ysbaddaden and cousin of Goreu. She is the heroine of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goibniu
In Irish mythology, Goibniu (pronounced , modern spelling: Gaibhne) was the metalsmith of the Tuatha Dé Danann. He is believed to have been a smithing god and is also associated with hospitality. His name is related to the Welsh Gofannon and the Gaulish Gobannus. Etymology The name ''Goibniu'' stems from a Proto-Celtic form reconstructed as *''Gobeniū'' or *''Gobanniō'', which is derived from the stem *''goben''-, meaning 'smith' (cf. Old Irish ''gobae'', Middle Welsh ''gof,'' Middle Breton ''gof(f)'', Old Cornish ''gof'' 'smith'; cf. also Gaulish ''gobedbi'' 'with the smiths' < *''goben-bi'' or *''gob-et''-''bi-''). The same stem can be found in the Gaulish deity '' Deo Cobanno'' (< *''Gobannos''), and in '''' (< *''Gobannonos''), the son of the goddess |
Lleu
Lleu Llaw Gyffes (, sometimes spelled Llew Llaw Gyffes) is a hero of Welsh mythology. He appears most prominently in the Fourth Branch of the Mabinogi, the tale of Math fab Mathonwy, which tells the tale of his birth, his marriage, his death, his resurrection and his accession to the throne of Gwynedd. He is a warrior and magician, invariably associated with his uncle Gwydion. He is widely understood to be the Welsh equivalent of the Irish Lugh and the Gaulish Lugus. It has been suggested that Lleu, like Pryderi, is related to the divine son figure of Mabon ap Modron. Name The name ''Lleu'' is derived from Proto-Celtic *''Lugus'', the exact meaning (and etymology) of which is still a matter of scholarly debate. Several writers and historians thought that the name ''Lugus'' is derived from the Proto-Indo-European (PIE) root *''leuk-'', 'light', and thus he was considered a sun god. This etymology has been dismissed because PIE *''k'' did not under any known circumstances become ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lugh
Lugh or Lug (; ga, label=Modern Irish, Lú ) is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a savior.Olmsted, Garrett. ''The Gods of the Celts and the Indo-Europeans''. University of Innsbruck, 1994. p.117 He is associated with skill and mastery in multiple disciplines, including the arts.Monaghan, Patricia. ''The Encyclopedia of Celtic Mythology and Folklore''. Infobase Publishing, 2004. pp.296-297 Lugh also has associations with oaths, truth and the law, and therefore with rightful kingship.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p.1200 Lugh is linked with the harvest festival of Lughnasadh, which bears his name. His most common epithets are ''Lámfada'' ("long hand" or "long arm", possibly for his skill with a spear or his ability as a ruler) and ''Samildánach'' ("equally skilled in many arts"). In mythology, Lugh is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Llŷr
Llŷr ( cy, Llŷr Llediaith (); ''Lleddiaith'' meaning "half-speech" or "half-language") is a figure in Welsh mythology, probably originally a deity, probably derived from Irish Ler ("the Sea"), father of ''Manannán mac Lir''. Other than his progeny and odd titbits, his identity remains obscure. Llŷr appears as the father of Brân, Brânwen and Manawydan by Penarddun in the ''Branwen, Daughter of Llyr'', the Second Branch of the ''Mabinogi''., New Revised ed. 1993, p. 21, "Bendigeidfran son of Llŷr was crowned king.. His two brothers on the mother's side (Nisien and Efnisien) were sons of Euroswydd by his mother Penarddun." The Welsh Triads states that Llŷr was imprisoned by Euroswydd, and presumably, Penarddun subsequently married Euroswydd, giving birth by Euroswydd to her two younger sons, Nisien and Efnisien, as stated in the Second Branch. William Shakespeare's play ''King Lear'' is based on material taken secondhand (through Raphael Holinshed) from Geoffrey of Monm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dôn
Dôn () is an ancestor figure in Welsh legend and literature. She is typically given as the mother of a group known as the "Children of Dôn", including Gwydion, Arianrhod, and Gilfaethwy, among many others. However, antiquarians of the early modern era generally considered Dôn a male figure. The House of Dôn In astronomy Llys Dôn (literally "The Court of Dôn") is the traditional Welsh name for the constellation Cassiopeia. At least three of Dôn's children also have astronomical associations: Caer Gwydion ("The Castle of Gwydion") is the traditional Welsh name for the Milky Way, and Caer Arianrhod ("The Castle of Arianrhod") being the constellation of Corona Borealis. See also *The House of Llŷr *Tuatha Dé Danann *Danu (Irish goddess) In Irish mythology, ''*Danu'' () is the reconstructed mother goddess of the Tuatha dé Danann (Old Irish: "The peoples of the goddess Danu"). Though primarily seen as an ancestral figure, some Victorian sources also associate he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuatha Dé Danann
The Tuath(a) Dé Danann (, meaning "the folk of the goddess Danu (Irish goddess), Danu"), also known by the earlier name Tuath Dé ("tribe of the gods"), are a supernatural race in Irish mythology. Many of them are thought to represent deity, deities of pre-Christian Gaelic Ireland. The Tuath Dé are often depicted as kings, queens, druids, bards, warriors, heroes, healers and craftsmen who have supernatural powers. They dwell in the Celtic Otherworld, Otherworld but interact with humans and the human world. They are associated with the ''sídhe'': prominent ancient burial mounds such as Brú na Bóinne, which are entrances to Otherworld realms. Their traditional rivals are the Fomorians (Fomoire), who might represent the destructive powers of nature, and whom the Tuath Dé defeat in the Cath Maige Tuired, Battle of Mag Tuired. Prominent members of the Tuath Dé include The Dagda ("the great god"); The Morrígan ("the great queen" or "phantom queen"); Lugh; Nuada Airgetlám, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
