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Goibniu
In Irish mythology, Goibniu (pronounced , modern spelling: Gaibhne) was the metalsmith of the Tuatha Dé Danann. He is believed to have been a smithing god and is also associated with hospitality. His name is related to the Welsh Gofannon and the Gaulish Gobannus. Etymology The name ''Goibniu'' stems from a Proto-Celtic form reconstructed as *''Gobeniū'' or *''Gobanniō'', which is derived from the stem *''goben''-, meaning 'smith' (cf. Old Irish ''gobae'', Middle Welsh ''gof,'' Middle Breton ''gof(f)'', Old Cornish ''gof'' 'smith'; cf. also Gaulish ''gobedbi'' 'with the smiths' < *''goben-bi'' or *''gob-et''-''bi-''). The same stem can be found in the Gaulish deity '' Deo Cobanno'' (< *''Gobannos''), and in '''' (< *''Gobannonos''), the son of the goddess

Tuatha Dé Danann
The Tuath(a) Dé Danann (, meaning "the folk of the goddess Danu (Irish goddess), Danu"), also known by the earlier name Tuath Dé ("tribe of the gods"), are a supernatural race in Irish mythology. Many of them are thought to represent deity, deities of pre-Christian Gaelic Ireland. The Tuath Dé are often depicted as kings, queens, druids, bards, warriors, heroes, healers and craftsmen who have supernatural powers. They dwell in the Celtic Otherworld, Otherworld but interact with humans and the human world. They are associated with the ''sídhe'': prominent ancient burial mounds such as Brú na Bóinne, which are entrances to Otherworld realms. Their traditional rivals are the Fomorians (Fomoire), who might represent the destructive powers of nature, and whom the Tuath Dé defeat in the Cath Maige Tuired, Battle of Mag Tuired. Prominent members of the Tuath Dé include The Dagda ("the great god"); The Morrígan ("the great queen" or "phantom queen"); Lugh; Nuada Airgetlám, N ...
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Irish Mythology
Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent. The myths are conventionally grouped into ' cycles'. The Mythological Cycle consists of tales and poems about the god-like Túatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. Important works in the cycle are the ''Lebor Gabála Érenn'' ("Book of Invasions"), a legendary history of Ireland, the ''Cath Maige Tuired'' ("Ba ...
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Luchtaine
In Irish mythology, Luchtaine (or Luchta) was the carpenter or wright of the Tuatha Dé Danann; elsewhere he is described as the son of Luachaid. He and his brothers Creidhne and Goibniu were known as the ''Trí Dée Dána'', the three gods of art, who forged the weapons which the Tuatha Dé used to battle the Fomorians The Fomorians or Fomori ( sga, Fomóire, Modern ga, Fomhóraigh / Fomóraigh) are a supernatural race in Irish mythology, who are often portrayed as hostile and monstrous beings. Originally they were said to come from under the sea or the eart .... Specifically Luchtaine agrees to make all the shields and javelin shafts required for The Second Battle of Moytura. Referred to as Luighne, he was said to have died of a fiery dart during the Second Battle of Moytura. References Irish gods Tuatha Dé Danann Smithing gods {{Celt-myth-stub ...
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Welsh Mythology
Welsh mythology (Welsh: ''Mytholeg Cymru'') consists of both folk traditions developed in Wales, and traditions developed by the Celtic Britons elsewhere before the end of the first millennium. As in most of the predominantly oral societies Celtic mythology and history were recorded orally by specialists such as druids ( cy, derwyddon). This oral record has been lost or altered as a result of outside contact and invasion over the years. Much of this altered mythology and history is preserved in medieval Welsh manuscripts, which include the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. Other works connected to Welsh mythology include the ninth-century Latin historical compilation ''Historia Brittonum'' ("History of the Britons") and Geoffrey of Monmouth's twelfth-century Latin chronicle ''Historia Regum Britanniae'' ("History of the Kings of Britain"), as well as later folklore, such as the materials collected in ''The Welsh Fa ...
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Gofannon
Gofannon () is a Middle Welsh reflex of Gobannus, one of the deities worshipped by the ancient Celts. He features in Middle Welsh literature as a great metal worker and as the son of Dôn. His name can be compared with the Old Irish ''gobae'' (gen. ''gobann'') ‘smith’, Middle Welsh / Cornish / Breton ''gof'' (pl. ''gofein'') ‘smith’, Gaulish ''gobedbi'' ‘with the smiths’, all of which are cognate with Lithuanian ''gabija'' ‘sacred home fire’, ''gabus'' ‘gifted, clever’. His apparent counterpart in Irish mythology, Goibniu, in addition to his duties as a smith, also takes on the role of a divine hero who brewed an ale of immortality, in addition to being an architect and builder. In Welsh mythology, Gofannon killed his nephew, Dylan Ail Don, not knowing who he was. One of the tasks given to Culhwch if he were to win the hand of Olwen In Welsh mythology, Olwen (or Olwyn) is the daughter of the giant Ysbaddaden and cousin of Goreu. She is the heroine of t ...
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Gobannus
Gobannus (or Gobannos, the Gaulish form, sometimes Cobannus) was a Gallo-Roman smithing god. A number of statues dedicated to him are preserved, found together with a bronze cauldron dedicated to ''Deus Cobannos'', in the late 1980s and illegally exported to the United States, now in the Getty Museum in the Getty Center, in California. He is mentioned in an inscription found in the 1970s in Fontenay-près-Vézelay, reading AVG(VSTO) SAC(RVM) E COBANNO, i.e. dedicated to Augustus and ''Deus Cobannus''. Etymology The theonym ''Gobannos'', attested as ''Deo Cobanno'' on inscriptions, is derived from the Proto-Celtic stem *''goben''-, meaning 'smith' (cf. Old Irish ''gobae'', Middle Welsh ''gof,'' Middle Breton ''gof(f)'', Old Cornish ''gof'' 'smith'; cf. also Gaulish ''gobedbi'' 'with the smiths' < *''goben-bi'' or *''gob-et''-''bi-''). The same stem can be found in the Irish deity ''



Creidhne
In Irish mythology, Credne (Old Irish) or Creidhne (Modern Irish – pronounced ) was the goldsmith of the Tuatha Dé Danann, but he also worked with bronze and brass. He and his brothers Goibniu and Luchtaine were known as the ''Trí Dée Dána'', the three gods of art, who forged the weapons which the Tuatha Dé used to battle the Fomorians. It is said that Creidhne fashioned King Nuada's silver hand, together with Dian Cecht. Creidhne is often confused with the Irish warrior Creidne. Of Creidne's death, according to a poem affixed to the Lebor Gabála Érenn ''Lebor Gabála Érenn'' (literally "The Book of the Taking of Ireland"), known in English as ''The Book of Invasions'', is a collection of poems and prose narratives in the Irish language intended to be a history of Ireland and the Irish fro ..., it was said: Creidne the pleasant artificer was drowned on the lake-sea, the sinister pool, fetching treasures of noble gold, to Ireland from Spain. References ...
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Govannon
Gofannon () is a Middle Welsh reflex of Gobannus, one of the List of Celtic deities, deities worshipped by the Celts, ancient Celts. He features in Welsh mythology, Middle Welsh literature as a great Smith (metalwork), metal worker and as the son of Dôn. His name can be compared with the Old Irish ''gobae'' (gen. ''gobann'') ‘blacksmith, smith’, Middle Welsh / Cornish language, Cornish / Breton language, Breton ''gof'' (pl. ''gofein'') ‘blacksmith, smith’, Gaulish language, Gaulish ''gobedbi'' ‘with the blacksmith, smiths’, all of which are cognate with Lithuanian language, Lithuanian ''gabija'' ‘sacred home fire’, ''gabus'' ‘gifted, clever’. His apparent counterpart in Irish mythology, Goibniu, in addition to his metallurgy, duties as a smith, also takes on the role of a divine hero who brewed an ale of immortality, in addition to being an architect and builder. In Welsh mythology, Gofannon killed his nephew, Dylan Ail Don, not knowing who he was. One of the t ...
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Václav Blažek
Václav Blažek (born 23 April 1959 in Sokolov, Czechoslovakia) is a Czech historical linguist. He is a professor at Masaryk University Masaryk University (MU) ( cs, Masarykova univerzita; la, Universitas Masarykiana Brunensis) is the second largest university in the Czech Republic, a member of the Compostela Group and the Utrecht Network. Founded in 1919 in Brno as the seco ... (Brno, Czech Republic) and also teaches at the University of West Bohemia (Plzeň, Pilsen, Czech Republic). His major interests include Indo-European languages, Uralic languages, Altaic languages, Afro-Asiatic languages, Afroasiatic (Hamito-Semitic) languages, Nostratic languages, Dené–Caucasian languages, and mathematical linguistics (lexicostatistics and glottochronology). In his book ''Numerals'', Blažek discusses words for Numeral (linguistics), numerals in several language families of Eurasia and Africa (Indo-European, Uralic, Altaic, Kartvelian, Egyptian, Berber, Nubian, and Saharan), wi ...
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Proto-Indo-European
Proto-Indo-European (PIE) is the reconstructed common ancestor of the Indo-European language family. Its proposed features have been derived by linguistic reconstruction from documented Indo-European languages. No direct record of Proto-Indo-European exists. Far more work has gone into reconstructing PIE than any other proto-language, and it is the best understood of all proto-languages of its age. The majority of linguistic work during the 19th century was devoted to the reconstruction of PIE or its daughter languages, and many of the modern techniques of linguistic reconstruction (such as the comparative method) were developed as a result. PIE is hypothesized to have been spoken as a single language from 4500 BC to 2500 BC during the Late Neolithic to Early Bronze Age, though estimates vary by more than a thousand years. According to the prevailing Kurgan hypothesis, the original homeland of the Proto-Indo-Europeans may have been in the Pontic–Caspian steppe of ...
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Patrizia De Bernardo Stempel
Patrizia de Bernardo Stempel (born 5 April 1953) is an Italian philologist, linguist and scholar of Celtic studies. Biography Patrizia de Bernardo was born on 5 April 1953 in Milan, Italy, the daughter of Mario de Bernardo and Adriana Marra. She studied classics at the University of Milan, where she earned a PhD in 1977. Between 1977 and 1981, she worked as a research assistant at the Institute of Linguistics of the University of Bonn, then as a lecturer in Italian at the Romance Department until 1986. In 1984, she married the German linguist Reinhard Stempel. The following year, she earned a PhD ''summa cum laude'' in Celtic philology, Indo-European linguistics and Romance philology at the University of Bonn, with a dissertation on "The development of the Indo-European liquid and nasal sonants in Celtic".https://www.ehu.eus/documents/2300410/2456623/debernardostempel-webEstudiosClasicos.pdf/f7c63fd1-257d-4050-8659-ababed410b66?t=1404822885000 From 1987 to 1989, de Bernardo Stem ...
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Lady Gregory
Isabella Augusta, Lady Gregory (''née'' Persse; 15 March 1852 – 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology. Born into a class that identified closely with British rule, she turned against it. Her conversion to cultural nationalism, as evidenced by her writings, was emblematic of many of the political struggles to occur in Ireland during her lifetime. Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. Her home at Coole Park in County Galway served as an important meeting place for leading Revival figures, and her early work as a member of the board of the Abbey was at least as important as her creative writings for that theatre's development. Lady Gregory's motto was taken ...
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