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Cymbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsymbaly
The tsymbaly ( uk, цимбали) is the Ukrainian version of the hammer dulcimer. It is a chordophone made up of a trapezoidal box with metal (steel or bronze) strings strung across it. The tsymbaly is played by striking two beaters against the strings. The strings are strung in groups of 3-5, which are tuned in unison. The bass strings may have 1 or 2 wrapped strings tuned in union. The beaters were quite short in comparison to those used by the Cymbalom although not as short as those of the Belarus variety. Traditionally they had leather wrappings rather than the cotton wrap used by Hungarian and Romanian players. Under the Hornbostel-Sachs system of classification of musical instruments, it has the catalog number 314.122-4,5. History A small multi-stringed chordophone was first was depicted on Assyrian frescoes dating back to 3500 B.C. It is thought to have developed from the Persian santur, which entered Europe in the Middle Ages during the Crusades. Eastern Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangqin
The trapezoidal yangqin () is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋 琴 (lit. "foreign zither"), but over time the first character changed to 揚 (also pronounced "yáng"), which means "acclaimed". It is also spelled yang quin or yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม). The yangqin was traditionally fitted with bronze strings (though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin's, categorisation as a silk, or "si" instrument), which gave the instrument a soft timbre. This form of instrument is still occasionally heard today in the "hudie qin" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument Classification
In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently. In the study of Western music, the most common classification method divides instruments into the following groups: * String instruments (often subdivided between plucked and bowed instruments); * Wind instruments (often subdivided between woodwinds and brass); * Percussion instruments; and * Electronic instruments Classification criteria The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Géza Allaga
Géza Allaga (1841 – 19 March 1913) was a Hungarian composer, cellist and cymbalist. He was a member of the Hungarian Royal Opera The Hungarian State Opera House ( hu, Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. Originally known as the Hungarian Royal Opera House, it was designed by Miklós Ybl, a major figure of ... orchestra and published ''Cimbalom'', his first textbook on the subject before 1889. References External links * Hungarian composers Hungarian male composers Hungarian cellists Hungarian classical cellists 1841 births 1913 deaths 1913 suicides Suicides in Hungary {{Hungary-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pest, Hungary
Pest () is the eastern, mostly flat part of Budapest, Hungary, comprising about two-thirds of the city's territory. It is separated from Buda and Óbuda, the western parts of Budapest, by the Danube River. Among its most notable sights are the Inner City (Budapest), Inner City, the Hungarian Parliament Building, Heroes' Square (Budapest), Heroes' Square and Andrássy Avenue. In colloquial Hungarian language, Hungarian, "Pest" is often used for the whole Capital (political), capital of Budapest. The three parts of Budapest (Pest, Buda, Óbuda) united in 1873. Etymology According to Ptolemy the settlement was called ''Pession'' in ancient times (Contra-Aquincum). Alternatively, the name ''Pest'' may have come from a Slavic word meaning "furnace", "oven" (Bulgarian ; Serbian /''peć''; Croatian ''peć''), related to the word (meaning "cave"), probably with reference to a local cave where fire burned. The spelling ''Pesth'' was occasionally used in English, even as late as the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budapest Opera House
The Hungarian State Opera House ( hu, Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. Originally known as the Hungarian Royal Opera House, it was designed by Miklós Ybl, a major figure of 19th-century Hungarian architecture. Construction began in 1875, funded by the city of Budapest and by Emperor Franz Joseph I of Austria-Hungary, and the new house opened to the public on the 27 September 1884. Before the closure of the "Népszínház" in Budapest, it was the third largest opera building in the city; today it is the second largest opera house in Budapest and in Hungary. Touring groups had performed operas in the city from the early 19th century, but as Legány notes, "a new epoch began after 1835 when part of the Kasa National Opera and Theatrical Troupe arrived in Buda". Legány, p. 630 They took over the Castle Theatre and, in 1835, were joined by another part of the troupe, after which performances of operas were given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hajós Utca
Hajós ( hr, Ajoš; german: Hajosch) is a town in Bács-Kiskun County, Hungary. History Hajós's name comes from the Hungarian word "hajó" which means boat or ship. It is possible that in the Middle Ages Hajós was surrounded by a large area of water. The medieval Hajós lost much of its population during the Ottoman conquest. The Ancestors of the Hajoscher Danube Swabians came in 1720 from different parts of Swabia, and was of entirely Catholic Swabians immigrants origin and settled there and hold until today their own Old Swabian German dialect. Tourism There are over 1,200 press houses built in village structure. The taste of the ripening fiery wine in the coolness of the cellars are offered by this region. This is the place where every stranger deserves a "Grüsgott." On the rich blooded Urban day wine festival, tens of thousands of people celebrate Saint Urban Pope Urban I (175?–230) ( la, Urbanus I) was the bishop of Rome from 222 to 23 May 230.Kirsch, Johann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Joseph I Of Austria
Franz Joseph I or Francis Joseph I (german: Franz Joseph Karl, hu, Ferenc József Károly, 18 August 1830 – 21 November 1916) was Emperor of Austria, King of Hungary, and the Grand title of the Emperor of Austria, other states of the Habsburg monarchy from 2 December 1848 until his death on 21 November 1916. In the early part of his reign, his realms and territories were referred to as the Austrian Empire, but were reconstituted as the dual monarchy of the Austro-Hungarian Empire in 1867. From 1 May 1850 to 24 August 1866, Franz Joseph was also President of the German Confederation. In December 1848, Franz Joseph's uncle Ferdinand I of Austria, Emperor Ferdinand abdicated the throne at Olomouc, as part of Minister President Felix zu Schwarzenberg's plan to end the Revolutions of 1848 in Hungary. Franz Joseph then acceded to the throne. Largely considered to be a reactionary, he spent his early reign resisting constitutionalism in his domains. The Austrian Empire was forced to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyula Andrássy
Count Gyula Andrássy de Csíkszentkirály et Krasznahorka (8 March 1823 – 18 February 1890) was a Hungarian statesman, who served as Prime Minister of Hungary (1867–1871) and subsequently as Foreign Minister of Austria-Hungary (1871–1879). Andrássy was a conservative; his foreign policies looked to expanding the Empire into Southeast Europe, preferably with British and German support, and without alienating Turkey. He saw Russia as the main adversary, because of its own expansionist policies toward Slavic and Orthodox areas. He distrusted Slavic nationalist movements as a threat to his multi-ethnic empire. Biography The son of Count Károly Andrássy and Etelka Szapáry, he was born in Oláhpatak (now in Rožňava District, Slovakia), Kingdom of Hungary. The son of a liberal father who belonged to the political opposition, at a time when opposing the government was very dangerous, Andrássy at a very early age threw himself into the political struggles of the day, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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