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Cybernetic Art
Cybernetic art is contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over traditional aesthetic and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded as an art form in its own right. History Nicolas Schöffer's ''CYSP I'' (1956) was perhaps the first artwork to explicitly employ cybernetic principles (CYSP is an acronym that joins the first two letters of the words "CYbernetic" and "SPatiodynamic"). The artist Roy Ascott elaborated an extensive theory of cybernetic art in "Behaviourist Art and the Cybernetic Vision" (Cybernetica, Journal of the International Association for Cybernetics (Namur), Volume IX, No.4, 1966; Volume X No.1, 1967) and in "The Cybernetic Stance: My Process and Purpose" (Leonardo Vol 1, No 2, 1968). Art historian Edward A. Shanken has written about the history of art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute Of Contemporary Arts
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar. Bengi Unsal became the director in 2022. History The ICA was founded by Roland Penrose, Peter Watson, Herbert Read, Peter Gregory, Geoffrey Grigson and E. L. T. Mesens in 1946. The ICA's founders intended to establish a space where artists, writers and scientists could debate ideas outside the traditional confines of the Royal Academy. The model for establishing the ICA was the earlier Leeds Arts Club, founded in 1903 by Alfred Orage, of which Herbert Read had been a leading member. Like the ICA, this too was a centre for multi-disciplinary debate, combined with avant-garde art exhibition and performances, within a framework that emphasised a radical social outlook. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Art
Computer art is any art in which computers play a role in production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines between traditional works of art and new media works created using computers has been blurred. For instance, an artist may combine traditional painting with algorithm art and other digital techniques. As a result, defining computer art by its end product can thus be difficult. Computer art is bound to change over time since changes in technology and software directly affect what is possible. The term "computer art" On the title page of the magazine ''Computers and Automation'', January 1963, Edmund Berkeley published a picture by Efraim Arazi from 1962, coining for it the term "computer art." This picture inspired him to initiate the first ''Compute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyborg Art
Cyborg art, also known as cyborgism, is an art movement that began in the mid-2000s in United Kingdom, Britain. It is based on the creation and addition of new senses to the body via cybernetic implants and the creation of art works through new senses. Cyborg artworks are created by cyborg artists; artists whose senses have been voluntarily enhanced through cybernetic implants. Among the early artists shaping the cyborg art movement are Neil Harbisson, whose antenna implant allows him to perceive ultraviolet and infrared colours, and Moon Ribas whose implants in her feet allow her to feel earthquakes and moonquakes. Other cyborg artists include: * Manel Muñoz, Manel De Aguas, a Catalan photographer who developed Fish fin, fins that allow him to perceive atmospheric pressure, humidity and temperature through a couple of implants at each side of his head. * Joe Dekni, an artist who has developed and installed a radar system in his head. The sensory system includes two implants in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Forest
Fred Forest (born July 6, 1933 in Mascara, French Algeria) is a French new media artist making use of video, photography, the printed press, mail, radio, television, telephone, telematics, and the internet in a wide range of installations, performances, and public interventions that explore both the ramifications and potential of media space. He was a cofounder of both the Sociological Art Collective (1974) and the Aesthetics of Communication movement (1983). Forest has taken part in the Biennale of Venice (1976) and the Documenta of Kassel (1977, 1987) and his work has won awards at the Bienal do São Paulo (1973) and the Festival of Electronic Arts of Locarno (1995). In 2004, Forest's archives, including his video works, were added to the collection of the Institut National de l'Audiovisuel of France. A retrospective of his work was held at the Slought Foundation in Philadelphia in 2007. The holder of a state doctorate in the humanities from the Sorbonne (his 1985 th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Couchot
Edmond Couchot (16 August 1932 – 26 December 2020) was a French digital artist and art theoretician who taught at the University Paris VIII. Life and work Couchot was a Doctor of aesthetics in the visual arts. From 1982-2000 he headed the department of Arts and Technologies of the Image at the University Paris VIII. He continued to take part in speculative and hands-on study of digital imagery and virtual reality at University Paris VIII. As a theoretician Dr. Couchot was interested in the connection between art and technology, in particular between the visual arts and data-processing techniques. He published approximately 100 articles on the digital and 3 books. As a visual artist Dr. Couchot formed cybernetic devices requiring the participation of the spectator in the 1960s. He extended his investigation with digital interactive art and was involved in numerous international digital art exhibitions. References Articles *«Le fantôme d'Humphrey Bogart ou Quelques quest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margot Lovejoy
Margot Lovejoy (21 October 1930 – 1 August 2019)Margot Lovejoy Obit in the was a and historian of art and technology. She was Professor Emerita of Visual Arts at the State University of New York at Purchase. She was the author of ''Digital Currents: Art in the Electronic Age.'' Lovejoy was recipient of a 1987, Guggenheim Fellows Entry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert C
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Moulon
Dominique Moulon (born 1962) is a historian of art and technology, art critic and curator, specializing in French digital art. He is the author of the books ''Art contemporain nouveaux médias'' and ''Art Beyond Digital''. Background Dominique Moulon began his activities as an art historian of new media art and computer art by obtaining a Diplôme National Supérieur d’Expression Plastique in 1987 from the Ecole Nationale Supérieure d’Art in Bourges France. In 1993 he obtained a Diplôme d’Etudes Approfondies en esthétique, sciences et technologies des arts from the University of Paris VIII. He obtained a PhD in Arts and sciences of the art from the Paris 1 Panthéon-Sorbonne University, University of Paris 1 Pantheon-Sorbonne in 2017. In 2002 he completed an extensive research project called ''Outils et Création Numérique'', which in detail conveyed the techniques computer artists were using in France. He paid close attention to interactivity and developed a philoso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Buci-Glucksmann
Christine Buci-Glucksmann is a French philosopher and Professor Emeritus from University of Paris VIII specializing in the aesthetics of the Baroque and Japan, and computer art. Her best-known work in English is ''Baroque Reason: The Aesthetics of Modernity''. Background Christine Buci-Glucksmann began her career as a philosopher in the 1970s with studies of Friedrich Engels and Antonio Gramsci. She followed this research into aesthetics, based primarily around the works of Walter Benjamin. From this foundation she researched the aesthetics of the perception of the Baroque, which was published as "La Raison baroque" in 1984 and with ''La folie du voir'' in 1986. She cited Gilles Deleuze and Jean-François Lyotard as being most influential in guiding her research into Baroque aesthetics. Later she investigated the aesthetics of the virtual with two books: ''La folie du voir: Une esthétique du virtuel'' and ''Esthetique De L'ephemere''. She has written numerous books and articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Popper
Frank Popper (17 April 1918 – 12 July 2020) was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Légion d'honneur by the French Government. He is author of the books ''Origins and Development of Kinetic Art'', ''Art, Action, and Participation'', ''Art of the Electronic Age'' and ''From Technological to Virtual Art''. Popper documented the historical record of the relationship between technology and participatory forms of art, especially between the late 1960s and the early 1990s. Kinetic Art and Op Art In his books ''Origins and Development of Kinetic Art'' and ''Art, Action and Participation'', Popper showed how Kinetic Art played an important part in pioneering the unambiguous use of optical movement and in fashioning links between science, technology, art and the environment. Popper was a champion of the humanizing effects of such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
