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Color Calibration
The aim of color calibration is to measure and/or adjust the color response of a device (input or output) to a known state. In International Color Consortium (ICC) terms, this is the basis for an additional color characterization of the device and later profiling. In non-ICC workflows, calibration refers sometimes to establishing a known relationship to a standard color space in one go. The device that is to be calibrated is sometimes known as a ''calibration source''; the color space that serves as a standard is sometimes known as a ''calibration target''. Color calibration is a requirement for all devices taking an active part of a color-managed workflow, and is used by many industries, such as television production, gaming, photography, engineering, chemistry, medicine and more. Information flow and output distortion Input data can come from device sources like digital cameras, image scanners or any other measuring devices. Those inputs can be either monochrome (in which c ...
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International Color Consortium
The International Color Consortium (ICC) was formed in 1993 by eight vendors in order to create an open, vendor-neutral color management system which would function transparently across all operating systems and software packages. Overview The ICC specification, currently on version 4.3, allows for matching of color when moved between applications and operating systems, from the point of creation to the final output, whether display or print. This specification is technically identical to ISO 15076-1:2010, available from ISO. The ICC profile describes the color attributes of a particular device or viewing requirement by defining a mapping between the source or target color space and a ''profile connection space'' (PCS). The ICC defines the specification precisely but does not define algorithms or processing details. As such, applications or systems that work with different ICC profiles are allowed to vary. ICC has also published a preliminary specification for iccMAX, a next ...
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White Point
A white point (often referred to as reference white or target white in technical documents) is a set of tristimulus values or chromaticity coordinates that serve to define the color "white" in image capture, encoding, or reproduction. Depending on the application, different definitions of white are needed to give acceptable results. For example, photographs taken indoors may be lit by incandescent lights, which are relatively orange compared to daylight. Defining "white" as daylight will give unacceptable results when attempting to color-correct a photograph taken with incandescent lighting. Illuminants An illuminant is characterized by its relative spectral power distribution (SPD). The white point of an illuminant is the chromaticity of a white object under the illuminant, and can be specified by chromaticity coordinates, such as the ''x'', ''y'' coordinates on the CIE 1931 chromaticity diagram (hence the use of the relative SPD and not the absolute SPD, because the white po ...
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CIE Standard Illuminant D65
CIE standard illuminant D65 (sometimes written D65) is a commonly used standard illuminant defined by the International Commission on Illumination (CIE). It is part of the D series of illuminants that try to portray standard illumination conditions at open-air in different parts of the world. D65 corresponds roughly to the average midday light in Western Europe / Northern Europe (comprising both direct sunlight and the light diffused by a clear sky), hence it is also called a daylight illuminant. As any standard illuminant is represented as a table of averaged spectrophotometric data, any light source which statistically has the same relative spectral power distribution (SPD) can be considered a D65 light source. There are no actual D65 light sources, only simulators. The quality of a simulator can be assessed with the CIE metamerism index. The CIE positions D65 as the standard daylight illuminant: History The CIE introduced three standard illuminants in 1931: * A: Incandes ...
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Gamut
In color reproduction, including computer graphics and photography, the gamut, or color gamut , is a certain ''complete subset'' of colors. The most common usage refers to the subset of colors which can be accurately represented in a given circumstance, such as within a given color space or by a certain output device. Another sense, less frequently used but still correct, refers to the complete set of colors found within an image at a given time. In this context, digitizing a photograph, converting a digitized image to a different color space, or outputting it to a given medium using a certain output device generally alters its gamut, in the sense that some of the colors in the original are lost in the process. Introduction The term ''gamut'' was adopted from the field of music, where in middle age Latin "gamut" meant the entire range of musical notes of which musical melodies are composed; Shakespeare's use of the term in ''The Taming of the Shrew'' is sometimes attributed to ...
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On-screen Display
An on-screen display (OSD) is an image superimposed on a screen picture, commonly used by modern television sets, VCRs, and DVD players to display information such as volume, channel, and time. History In the past, most adjustments on TV sets were performed with analog controls such as potentiometers and switches. This was used more recently also in monochrome portable TVs. After remote controls were invented, digital adjustments became common. They needed an external display, which was LED, LCD, or VFD based. Including this display increased manufacturing costs. When electronics became more advanced, it became clear that adding some extra devices for an OSD was cheaper than adding a second display device. TV screens had become much bigger and could display much more information than a small second display. OSDs display graphical information superimposed over the picture, which is done by synchronizing the reading from OSD video memory with the TV signal. Some of the first O ...
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Tristimulus Colorimeter
A tristimulus colorimeter, colloquially shortened to ''colorimeter'', is used in digital imaging to profile and calibrate output devices. It takes a limited number of wideband spectral energy readings along the visible spectrum by using filtered photodetectors; e.g. silicon photodiodes. A colorimeter with the known value of absolute error allows measuring (x,y)-chromaticity coordinates in red, green, blue and white colors. Measured values are used for calculation of LCD profile coefficients. Originally, three glass filters whose transmittance spectra mimicked the CIE color matching functions (shown below) were employed. A filter bank may be used to decompose the individual color matching functions if more accuracy is desired. A camera or colorimeter is said to be ''colorimetric'' if it satisfies the by (1868–1945) (also called the " Maxwell–Ives criterion"), reducing observer metamerism color errors, if the product of the spectral responsivity of the photoreceptor and th ...
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Lab Color Space
The CIELAB color space, also referred to as ''L*a*b*'' , is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. (Referring to CIELAB as "Lab" without asterisks should be avoided to prevent confusion with Hunter Lab). It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE standard observer which is an averaging of the ...
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RGB Color Space
An RGB color space is any additive color space based on the RGB color model. An RGB color space is defined by chromaticity coordinates of the red, green, and blue additive primaries, the white point which is usually a standard illuminant, and the transfer function which is also known as the tone response curve (TRC) or gamma. Applying Grassmann's law of light additivity, a colorspace so defined can produce colors which are enclosed within the 2D triangle on the chromaticity diagram defined by those primary coordinates. The TRC and white point further define the possible colors, creating a volume in a 3D shape that never exceeds the triangular bounds. The primary colors are often specified in terms of their xyY chromaticity coordinates, though the uʹ,vʹ coordinates from the UCS chromaticity diagram may be used. Both xyY and uʹ,vʹ are derived from the CIE 1931 color space, a device independent space also known as XYZ which uses the 2° standard observer, an averaging of expe ...
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Photometer
A photometer is an instrument that measures the strength of electromagnetic radiation in the range from ultraviolet to infrared and including the visible spectrum. Most photometers convert light into an electric current using a photoresistor, photodiode, or photomultiplier. Photometers measure: *Illuminance *Irradiance *Light absorption * Scattering of light *Reflection of light *Fluorescence *Phosphorescence *Luminescence History Before electronic light sensitive elements were developed, photometry was done by estimation by the eye. The relative luminous flux of a source was compared with a standard source. The photometer is placed such that the illuminance from the source being investigated is equal to the standard source, as the human eye can judge equal illuminance. The relative luminous fluxes can then be calculated as the illuminance decreases proportionally to the inverse square of distance. A standard example of such a photometer consists of a piece of paper with an o ...
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Color Mapping
Color mapping is a function that maps (transforms) the colors of one (source) image to the colors of another (target) image. A color mapping may be referred to as the algorithm that results in the mapping function or the algorithm that transforms the image colors. Color mapping is also sometimes called ''color transfer'' or, when grayscale images are involved, ''brightness transfer function (BTF)''; it may also be called ''photometric camera calibration'' or ''radiometric camera calibration''. Algorithms There are two types of color mapping algorithms: those that employ the statistics of the colors of two images, and those that rely on a given pixel correspondence between the images. An example of an algorithm that employs the statistical properties of the images is histogram matching. This is a classic algorithm for color mapping, suffering from the problem of sensitivity to image content differences. Newer statistic-based algorithms deal with this problem. An example of such ...
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