Cliffhanger Ending
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Cliffhanger Ending
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma. Some serials end with the caveat, "To Be Continued" or "The End?". In serial films and television series the following episode sometimes begins with a recap sequence. Cliffhangers were used as literary devices in several works of the Middle Ages with ''One Thousand and One Nights'' ending on a cliffhanger each night. Cliffhangers appeared as an element of the Victorian era serial novel that emerged in the 1840s, with many associating the form with Charles Dickens, a pioneer of the serial publication of narrative fiction.Grossman, Jonathan H. (2012). ''Charles Dickens's Networks: Public Transport and the Novel''. p. 54. Oxford: Oxford University ...
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William Heath (artist)
William Heath (1794 – 7 April 1840) was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life. Heath was born in Northumberland. His early works often dealt with military scenes, including colour plates for ''The Martial Achievements'', ''The Wars of Wellington'', etc., but from about 1820 on he focused on satire. Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole ); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever". Heath helped found an early caricature magazines, ''The Glasgow Looking Glass'' (renamed to ''The Northern Looking Glass'' after five issues). Heath ...
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Nickelodeon (movie Theater)
The Nickelodeon was the first type of indoor exhibition space dedicated to showing projected motion pictures in the United States and Canada. Usually set up in converted storefronts, these small, simple theaters charged five cents for admission and flourished from about 1905 to 1915. Etymology "Nickelodeon" was concocted from ''nickel'', the name of the U.S. five-cent coin, and the ancient Greek word ''odeion'', a roofed-over theater, the latter indirectly by way of the '' Odéon'' in Paris, emblematic of a very large and luxurious theater, much as the '' Ritz'' was of a grand hotel. In spite of this derivation, the word has also been used since at least 1925 to refer to coin-operated player pianos and jukeboxes. One later instance of this use is the 1949 popular song "Music! Music! Music!" ("Put another nickel in, in the nickelodeon…"). History The earliest films had been shown in "peep show" machines or projected in vaudeville theaters as one of the otherwise live acts. ...
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Serial Film
A serial film, film serial (or just serial), movie serial, or chapter play, is a film, motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Generally, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial (literature), serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects. Each chapter was screened at a movie theater for one week, and ended with a cliffhanger, in which characters found themselves in perilous situations with little apparent chance of escape. Viewers had to return each week to see the cliffhangers resolved and to follow the continuing story. Movie serials were especially popular with children, and for many youths in the fi ...
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