|
Chang (instrument)
The chang ( fa, چنگ; ; tr, çeng; ar, al-ǧank, italic=yes (''ṣanǧ''); Georgian: ჩანგი ''changi'') is a Persian musical instrument, a vertical angular harp. It was very popular and used widely during the times of ancient Persia, especially during the Sasanian Dynasty where it was often played in the shahs' court. It was also played until the 19th century in the Ottoman Empire but has since disappeared from Turkish folk music. History The chang first appears in paintings and wall art in Persia in about 4000 BCE. In these paintings and mosaics, the chang went from the original arched harp to an angular harp in the early 1900s BCE, with vertical or horizontal sound boxes. From the Hellenistic period (~300 BCE) and through beginning of Common Era (~1 CE), the chang changed shape to be less of a handheld instrument and more of a large, standing harp, and subsequently gained in popularity. Sassanian courts were enamored with the Hellenistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishapur
Bishapur (Middle Persian: ''Bay-Šāpūr''; fa, بیشاپور}, ''Bishâpûr'') was an ancient city in Sasanid Persia (Iran) on the ancient road between Persis and Elam. The road linked the Sassanid capitals Estakhr (very close to Persepolis) and Ctesiphon. It is located south of modern Faliyan in the Kazerun County of Pars Province, Iran. Bishapur was built near a river crossing and at the same site there is also a fort with rock-cut reservoirs and a river valley with six Sassanid rock reliefs. The most important point about this city, is the combination of Persian and Roman art and architecture that hadn't been seen before Bishapur construction. Before Bishapour was built, almost all the main cities in Persia/Iran had a circular shape like the old city in Firuzabad or Darab. Bishapour is the first Persian city with vertical and horizontal streets. Also in the city, especially in interior design, we can see tile work that's adapted from Roman Art. History The name ''B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Era
Common Era (CE) and Before the Common Era (BCE) are year notations for the Gregorian calendar (and its predecessor, the Julian calendar), the world's most widely used calendar era. Common Era and Before the Common Era are alternatives to the original Anno Domini (AD) and Before Christ (BC) notations used for the same calendar era. The two notation systems are numerically equivalent: " CE" and "AD " each describe the current year; "400 BCE" and "400 BC" are the same year. The expression traces back to 1615, when it first appeared in a book by Johannes Kepler as the la, annus aerae nostrae vulgaris (), and to 1635 in English as " Vulgar Era". The term "Common Era" can be found in English as early as 1708, and became more widely used in the mid-19th century by Jewish religious scholars. Since the later 20th century, BCE and CE have become popular in academic and scientific publications because BCE and CE are religiously neutral terms. They are used by others who wish to be sensit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angular Harps
Angular may refer to: Anatomy * Angular artery, the terminal part of the facial artery * Angular bone, a large bone in the lower jaw of amphibians and reptiles * Angular incisure, a small anatomical notch on the stomach * Angular gyrus, a region of the brain in the parietal lobe * Angular vein, formed by the junction of the frontal vein and supraorbital vein Other uses * Angular (web framework), an open-source web platform **AngularJS, the first incarnation of Angular * Angle, having an angle or angles * Angular diameter, describing how large a sphere or circle appears from a given point of view ** Angular diameter distance, used in astronomy * Angular Recording Corporation Angular Recording Corporation was an independent record label founded in New Cross, South East London. It was established in June 2003 by two ex-Goldsmiths College students, Joe Daniel and Joe Margetts, who reclaimed a local Ordnance Survey Tr ..., a British independent record label See also * Angle (dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Musical Instruments
Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East, Caucasus, Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia. In ancient era, the Silk road had an effective role in this distribution. String instruments Orchestral *Tar *Setar *Kamancheh *Ghaychak * Barbat *Chang (instrument)/Angular harp *Santoor * Qānūn * Shurangiz Safavid-style portrait, female musician plays a tar.jpg, Tar Woman with a setar, Safavid Iran, Isfahan (ca. 1600-1610).jpg, Setar, ca. 1610 A court musician playing the kemanche, painting by Abul Qasim, Qajar Iran.jpg, Kamancheh Woman playing a santur, Qajar Iran, artist named Ahmad.jpg, Woman playing a santur, 19th century File:Ralamb-89.jpg, Qanun, from Rålamb Costume Book, 1657 Folklore *Dotar *Tanbur *Tar (Azerbaijani ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Turkish Harpist (Manuchehri)
Manuchehri's Turkish harpist is a poem by the 11th-century Persian royal court poet Manuchehri. It is also known as () "In praise of the Espahbad Manuchehr son of Qabus", or Qasida no. 39 in the collected works of Manuchehri. The poem is a '' qasīda'' (praise poem) in the Arabic style, consisting of 30 or 31 verses, all with the same rhyme. The first ten lines praise the beauty and skill of a harpist who is playing at the autumn festival of Mehrgan. Lines 11–16 describe the fierceness and warlike qualities of Manuchehr, to whom the poem is addressed, and lines 17–23 describe the ruler's splendid war horse. The poet goes on to encourage Manuchehr to enjoy the feast and ends with a prayer that his career will continue to be successful and glorious. The poem is notable for its musical rhymes, such as , which imitate the thrumming of the harp ('' chang'') and play on different meanings of the words. As with many of Manuchehri's poems he expresses his delight in the feast and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MLCTS
The Myanmar Language Commission Transcription System (1980), also known as the MLC Transcription System (MLCTS), is a transliteration system for rendering Burmese in the Latin alphabet. It is loosely based on the common system for romanization of Pali,J. Okell A Guide to the Romanization of Burmese 2002- Page 7 "3. SURVEY OF THE THREE METHODS OF ROMANIZATION 3.l Transliteration The Burmese use for writing their language a script which is also used for Pali, and as there is a widely accepted romanization system for Pali this can be applied ..." has some similarities to the ALA-LC romanization and was devised by the Myanmar Language Commission. The system is used in many linguistic publications regarding Burmese and is used in MLC publications as the primary form of romanization of Burmese. The transcription system is based on the orthography of formal Burmese and is not suited for colloquial Burmese, which has substantial differences in phonology from formal Burmese. Differences ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saung
The ''saung'' ( Burmese: စောင်း, MLCTS caung: ; also known as the ''saung-gauk'' ( စောင်းကောက်), Burmese harp, Burma harp, or Myanmar harp), is an arched harp used in traditional Burmese music. The saung is regarded as a national musical instrument of Burma. The saung is unique in that it is a very ancient harp tradition and is said to be the only surviving harp in Asia. Etymology and terminology ''Saung'' ( စောင်း) is the Burmese word for "harp," and is etymologically derived from the Persian word chang, which is the Persian arched harp. The Burmese arched harp is more precisely called ''saung gauk'' (, ; ), while another indigenous lute is called ' () or ''saungbya'' (; ). The Burmese word ''saung'' has been borrowed into several regional languages, including mnw, စံၚ် (), and Chinese (), likely from Burmese ''saunggaukgyi'' (). Description The Burmese harp is classified as an arched horizontal harp since the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangqin
The trapezoidal yangqin () is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋 琴 (lit. "foreign zither"), but over time the first character changed to 揚 (also pronounced "yáng"), which means "acclaimed". It is also spelled yang quin or yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม). The yangqin was traditionally fitted with bronze strings (though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin's, categorisation as a silk, or "si" instrument), which gave the instrument a soft timbre. This form of instrument is still occasionally heard today in the "hudie qin" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metallophone
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), consisting of tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendér, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metallopho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Music
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese The Han Chinese () or Han people (), are an East Asian ethnic group native to China. They constitute the world's largest ethnic group, making up about 18% of the global population and consisting of various subgroups speaking distinctive va ... in the course of History of China, Chinese history as well as Ethnic groups in China, ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early History of China, Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fangxiang
The ''fangxiang'' (also ''fang xiang'', ''fang hsiang''; 方 响 or 方 響 in Chinese, pinyin: fāngxiǎng; also known in the West as the Chinese chang) is an organized-suspended (bianxuan) Chinese metallophone that has been used for over 1,000 years. It was first used in the Liang Dynasty (502—557 CE), and then standardized in the Sui and Tang dynasties mostly for court music. Construction and design A ''fangxiang'' consists of 16 tuned rectangular iron, bronze, or jade tuned slabs with 16 different chromatic pitches, laid in a frame in two rows. The slabs are struck with a hammer and played melodically. Unlike the metallophone today, Chinese changed the thickness of the metal plates to obtain different pitches. Each of the slabs is of the same length and width but they are of graduated thickness, with the thinner slabs producing lower tones and the thicker slabs producing higher tones."Fangxiang (方响)." - China Culture. N.p., n.d. Web. 17 Sept. 2013. . The met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Chang (instrument)")
