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Champlevé
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enamelling
Vitreous enamel, also called porcelain enamel, is a material made by melting, fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitrification, vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, enamelled glass, glass, overglaze decoration, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limoges Enamel
Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals (estimated at around 7,500 pieces), and probably most of the original production, are religious objects such as reliquaries. After a gap of a century, the industry revived in the late 15th century, now specializing in the technique of painted enamel, and within a few decades making rather more secular than religious pieces. In the French Renaissance it was the leading centre, with several dynastic workshops, who often signed or punchmarked their work. Luxury pieces such as plates, plaques and ewers were painted with sophisticated Mannerist decoration of pictorial figure scenes, which on vessels were surrounded by elaborate borders. In both periods ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sutton Hoo
Sutton Hoo is the site of two early medieval cemeteries dating from the 6th to 7th centuries near the English town of Woodbridge. Archaeologists have been excavating the area since 1938, when a previously undisturbed ship burial containing a wealth of Anglo-Saxon artefacts was discovered. The site is important in establishing the history of the Anglo-Saxon kingdom of East Anglia as well as illuminating the Anglo-Saxons during a period which lacks historical documentation. The site was first excavated by Basil Brown, a self-taught archaeologist, under the auspices of the landowner Edith Pretty, but when its importance became apparent, national experts took over. The artefacts the archaeologists found in the burial chamber include a suite of metalwork dress fittings in gold and gems, a ceremonial helmet, a shield and sword, a lyre, and silver plate from the Byzantine Empire. The ship burial has prompted comparisons with the world of ''Beowulf''. The Old English poem is partly s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon
The Anglo-Saxons were a Cultural identity, cultural group who inhabited England in the Early Middle Ages. They traced their origins to settlers who came to Britain from mainland Europe in the 5th century. However, the ethnogenesis of the Anglo-Saxons happened within Britain, and the identity was not merely imported. Anglo-Saxon identity arose from interaction between incoming groups from several Germanic peoples, Germanic tribes, both amongst themselves, and with Celtic Britons, indigenous Britons. Many of the natives, over time, adopted Anglo-Saxon culture and language and were assimilated. The Anglo-Saxons established the concept, and the Kingdom of England, Kingdom, of England, and though the modern English language owes somewhat less than 26% of its words to their language, this includes the vast majority of words used in everyday speech. Historically, the Anglo-Saxon period denotes the period in Britain between about 450 and 1066, after Anglo-Saxon settlement of Britain, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanging Bowl
Hanging bowls are a distinctive type of artefact of the period between the end of Roman rule in Britain in c. 410 AD and the emergence of the Christian Anglo-Saxon kingdoms during the 7th century. The surviving examples have mostly been found in Anglo-Saxon graves, but there is general agreement that they reflect Celtic traditions of decoration. The bowls are usually of thin beaten bronze, between 15–30 cm (6-12 inches) in diameter, and dished or cauldron-shaped in profile. Typically they have three decorated plates ('escutcheons') applied externally just below the rim to support hooks with rings, by which they were suspended. The ornament of these plates is often very sophisticated, and in many cases includes beautiful coloured enamel work, commonly in champlevé and using spiral motifs. Although their designs and manufacture are thought to proceed from Celtic technique, they are principally found in eastern Britain, and especially in the areas which received Angl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penannular Brooches
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa. Beginning as utilitarian fasteners in the Iron Age and Roman period, they are especially associated with the highly ornate brooches produced in precious metal for the elites of Ireland and Scotland from about 700 to 900, which are popularly known as Celtic brooches or similar terms. They are the most significant objects in high-quality secular metalwork from Early Medieval Celtic art, or Insular art, as art historians prefer to call it. The type continued in simpler forms such as the thistle brooch into the 11th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooch
A brooch (, also ) is a decorative jewelry item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with vitreous enamel, enamel or with gemstones and may be solely for jewellery, ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term Fibula (brooch), fibula. Ancient brooches Brooches were known as Fibula (brooch), fibula (plural fibulae) prior to the Middle Ages. These decorative items, used as clothes fasteners, were first crafted in the Bronze Age. In Europe, during the Iron Age, metalworking technology had advanced dramatically. The newer techniques of casting, metal bar-twisting and wire making were the basis for many n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadrian's Wall
Hadrian's Wall ( la, Vallum Aelium), also known as the Roman Wall, Picts' Wall, or ''Vallum Hadriani'' in Latin, is a former defensive fortification of the Roman province of Britannia, begun in AD 122 in the reign of the Emperor Hadrian. Running from Wallsend on the River Tyne in the east to Bowness-on-Solway in the west of what is now northern England, it was a stone wall with large ditches in front of it and behind it that crossed the whole width of the island. Soldiers were garrisoned along the line of the wall in large forts, smaller milecastles and intervening turrets. In addition to the wall's defensive military role, its gates may have been customs posts. A significant portion of the wall still stands and can be followed on foot along the adjoining Hadrian's Wall Path. The largest Roman archaeological feature in Britain, it runs a total of in northern England. Regarded as a British cultural icon, Hadrian's Wall is one of Britain's major ancient tourist attract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staffordshire Moorlands Pan
The Staffordshire Moorlands Pan, sometimes known as the Ilam Pan, is a 2nd-century AD enamelled bronze ''trulla'' with an inscription relating to the forts of Hadrian's Wall. It was found in June 2003 in Ilam parish, Staffordshire, by metal-detectorists, and, in 2005, was bought jointly by the Tullie House Museum in Carlisle, the Potteries Museum in Stoke-on-Trent and London's British Museum, with the help of a grant of £112,200 from the Heritage Lottery Fund. It is a find of great national and international significance. The pan rotates between a number of locations, including the joint owning museums and another museum on Hadrian's Wall. Description The Staffordshire Moorlands Pan, although lacking its handle and base, is an extremely well preserved enamelled and inscribed bronze (strictly speaking, "copper alloy") vessel for cooking and serving food, decorated in a Celtic style. (The Celtic peoples of the Roman period made more use of enamel on metal than other pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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