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Caryatid
A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or telamon is a male version of a caryatid, i.e. a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that the female figures of the Erechtheion represented the punishment of the women of Caryae, a town near Spart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karyes
Karyes (Greek: Καρυές, before 1930: Αράχωβα - ''Arachova'') is a village of the Peloponnese peninsula, which is located in the southern part of Greece. The Peloponnese is made up of a number of states and Karyes belongs to the state of Laconia in which Sparta is the capital. Karyes gets its official name from the word ‘walnut’ due to the village having many walnut trees and has been spelled a number of ways such as Karyes, Karyai, Karya, Caryes, Caryai and Caryae. It should not be confused with some other villages in Greece which go by the same name such as Caria of Asia Minor, Karyes, Mount Athos, Karyes, Pieria, Karya of Argos, and Karyes of Chios. Karyes also goes by the name of Arahova (not to be confused with Arahova of Boetia, Greece) which was thought to have originated from the Slavic word for walnut. The village of Karyes is the birthplace of the six caryatid maidens which are featured in architecture in the place of columns on the ancient and world famo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erechtheion
The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades. In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlas (architecture)
In European architectural sculpture, an atlas (also known as an atlant, or atlante or atlantid; plural atlantes)''Aru-Az , Michael Delahunt ArtLex Art Dictionary , 1996–2008. is a support sculpted in the form of a man, which may take the place of a , a or a . The Roman term for such a sculptural support is |
Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called ''piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athènes Acropole Caryatides
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Greece. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caryatis
In ancient Greek religion Artemis Caryatis (Καρυᾶτις) was an epithet of Artemis that was derived from the small ''polis'' of Caryae in Laconia; there an archaic open-air ''temenos'' was dedicated to Carya, the ''Lady of the Nut-Tree'', whose priestesses were called the ''caryatidai'', represented on the Athenian Acropolis as the marble caryatids supporting the porch of the Erechtheum. The late accounts made of the eponymous Carya a virgin who had been transformed into a nut-tree, whether for her unchastity (with Dionysus) or to prevent her rape. The particular form of veneration of Artemis at Karyai suggests that in pre-classical ritual Carya was goddess of the nut tree who was later assimilated into the Olympian goddess Artemis. Pausanias Pausanias ( el, Παυσανίας) may refer to: *Pausanias of Athens, lover of the poet Agathon and a character in Plato's ''Symposium'' *Pausanias the Regent, Spartan general and regent of the 5th century BC * Pausanias of Sicil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Slave In European Art
African portrayed in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black. In Europe, slavery became increasingly associated with blackness from the 17th century onwards. However, slaves before this period were predominantly white. The ''black'' in European art is not the same topic as the ''slave'' in European art: slaves were not always black and blacks not always slaves. The article also concentrates on European art rather than Western art in general. Slaves in art From the Renaissance onwards, a substantial number of bound figures, often naked and crouching, illustrate enslavement. This imagery had for one of its roots the ancient tradition of Roman Triumph, but its contemporaneous relevance was greatly magnified by the prevalence of slavery within European countries. In particular, galley slaves were often used by artists as models for muscular nude bodies. Sometimes the name of an individual who was a slave is known. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caryae
Caryae or Karyai ( grc, Κάρυαι) was a town of ancient Laconia upon the frontiers of Arcadia. It was originally an Arcadian town belonging to Tegea, but was conquered by the Spartans and annexed to their territory. Caryae revolted from Sparta after the Battle of Leuctra (371 BCE), and offered to guide a Theban army into Laconia; but shortly afterwards it was severely punished for its treachery, for Archidamus III took the town and put to death all the inhabitants who were made prisoners. Caryae was celebrated for its temple of Artemis Caryatis, and for the annual festival of this goddess, at which the Lacedaemonian virgins used to perform a peculiar kind of dance. This festival was of great antiquity, for in the Second Messenian War, Aristomenes is said to have carried off the Lacedaemonian virgins, who were dancing at Caryae in honour of Artemis. It was, perhaps, from this ancient dance of the Lacedaemonian maidens, that the Greek artists gave the name of Caryatid to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glittering Images
''Glittering Images: A Journey Through Art from Egypt to Star Wars'' is a 2012 book by American cultural critic Camille Paglia, in which the author discusses notable works of applied and visual art from ancient to modern times. Paglia wrote that she intended it to be a personalized "journey" through art history, focusing on Western works. Paglia writes that she felt inspired to write given that she worries 21st century Americans are overexposed to visual stimulation by the "all-pervasive mass media" and must fight to keep their capacity for contemplation. The book features twenty-nine sections, with glossy full-color illustrations, each focused on a specific piece. Artists detailed include Titian, Manet, Picasso, and Jackson Pollock among others. After its October 16, 2012 release, the book received positive reviews from publications such as ''The Philadelphia Inquirer'' and ''The Wall Street Journal'', while it also picked up more critical, negative reviews from publications su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanephoros
The Kanephoros (, , pl. Kanephoroi (Greek: ); latinate plural form Canephorae; lit. "Basket Bearers") was an honorific office given to unmarried young women in ancient Greece, which involved the privilege of leading the procession to sacrifice at festivals; the highest honour was to lead the () at the Panathenaic Festival. The role was given to a virgin selected from amongst the aristocratic or Eupatrid families of Athens whose purity and youth was thought essential to ensure a successful sacrifice. Her task was to carry a basket or ''kanoun'' (), which contained the offering of barley or first fruits, the sacrificial knife and fillets to decorate the bull, in procession through the city up to the altar on the acropolis. From Aristophanes’s ''Lysistrata'' we have evidence that the office of kanephoros was the last in a sequence of religious duties that an unmarried Athenian girl might undertake; first as an '' arrhephoros'', later an ''aletris'', then as an ''arktos'' (). The p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Of Troy
Helen of Troy, Helen, Helena, (Ancient Greek: Ἑλένη ''Helénē'', ) also known as beautiful Helen, Helen of Argos, or Helen of Sparta, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda, and was the sister of Clytemnestra, Castor and Pollux, Philonoe, Phoebe and Timandra. She was married to King Menelaus of Sparta "who became by her the father of Hermione, and, according to others, of Nicostratus also." The usual tradition is that after the goddess Aphrodite promised her to Paris in the Judgement of Paris, she was seduced by him and carried off to Troy. This resulted in the Trojan War when the Achaeans set out to reclaim her. Another ancient tradition, told by Stesichorus, tells of how "not she, but her wraith only, had passed to Troy, while she was borne by the Gods to the land of Egypt, and there remained until the day when her lord Menelaus, turning aside on the homewar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
