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Caneworking
In glassblowing, cane refers to rods of glass with color; these rods can be simple, containing a single color, or they can be complex and contain strands of one or several colors in pattern. Caneworking refers to the process of making cane, and also to the use of pieces of cane, lengthwise, in the blowing process to add intricate, often spiral, patterns and stripes to vessels or other blown glass objects. Cane is also used to make murrine (singular ''murrina'', sometimes called mosaic glass), thin discs cut from the cane in cross-section that are also added to blown or hot-worked objects. A particular form of murrine glasswork is millefiori ("thousand flowers"), in which many murrine with a flower-like or star-shaped cross-section are included in a blown glass piece. Caneworking is an ancient technique, first invented in southern Italy in the second half of the third century BC, and elaborately developed centuries later on the Italian island of Murano. Making cane There are ...
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Murrine
Murrine (singular: murrina) are colored patterns or images made in a glass cane that are revealed when the cane is cut into thin cross-sections. Murrine can be made in infinite designs from simple circular or square patterns to complex detailed designs to even portraits of people. One familiar style is the flower or star shape which, when used together in large numbers from a number of different canes, is called millefiori. Murrine production first appeared in the Middle East more than 4,000 years ago and was revived by Venetian glassmakers on Murano in the early 16th century.Carl I. Gable, ''Murano Magic: Complete Guide to Venetian Glass, its History and Artists'' (Schiffer, 2004), p. 37. . Once murrine have been made, they can be incorporated into a glass vessel or sculpture in several ways. A number of murrine may be scattered, more or less randomly, on a marver (steel table) and then picked up on the surface of a partially-blown glass bubble. Further blowing, heating, and ...
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David Patchen
David Scott Patchen is an American glass artist who uses the techniques of cane and murrine in an American style. (Cane are colored and patterned glass rods, murrine are patterned cross-sections of glass 'tiles'.) Patchen's work is known primarily for a combination of complexity and scale in densely patterned glass. His work is in many private and public collections internationally, featured in many publications and frequently in juried shows such as SOFA (Sculpture, Objects and Functional Art), Chicago, ART Shanghai and ART Palm Beach. His work is shown in galleries in the U.S., Canada and Europe. Patchen was awarded an artist residency in 2010 in Seto city, Japan where his visit was covered by the local media and included lectures, demonstrations and a show of his work at the Seto City Art Museum. His work has won awards and is in both private and public collections internationally. Based on Patchen's expertise, his book is part of the permanent collection of Giorgio ...
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Murrine
Murrine (singular: murrina) are colored patterns or images made in a glass cane that are revealed when the cane is cut into thin cross-sections. Murrine can be made in infinite designs from simple circular or square patterns to complex detailed designs to even portraits of people. One familiar style is the flower or star shape which, when used together in large numbers from a number of different canes, is called millefiori. Murrine production first appeared in the Middle East more than 4,000 years ago and was revived by Venetian glassmakers on Murano in the early 16th century.Carl I. Gable, ''Murano Magic: Complete Guide to Venetian Glass, its History and Artists'' (Schiffer, 2004), p. 37. . Once murrine have been made, they can be incorporated into a glass vessel or sculpture in several ways. A number of murrine may be scattered, more or less randomly, on a marver (steel table) and then picked up on the surface of a partially-blown glass bubble. Further blowing, heating, and ...
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Studio Glass
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks. The glass objects created are intended to make a sculptural or decorative statement. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited edition. Their prices may range from a few hundred to hundreds of thousands of dollars (US). For the largest installati ...
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Glossary Of Glass Art Terms
A glossary of terms used in glass art *Abrasion, the technique of grinding shallow decoration with a wheel or some other device. The decorated areas are left unpolished. *Ale glass, a type of English drinking glass for ale or beer. Ale glasses, first made in the 17th century, have a tall and conical cup, a stem, and a foot. They may be enameled, engraved, or gilded with representations of hops or barley. *At-the-fire, the process of reheating a blown glass object at the glory hole during manufacture, to permit further inflation, manipulation with tools, or fire polishing. * Annealing (glass), The process of slowly cooling a blown or cast object to prevent the stresses of rapid cooling from cracking or damaging the object. *Battledore, a glassworker’s tool in the form of a square wooden paddle with a handle. Battledores are used to smooth the bottoms of vessels and other objects. *Blank, any cooled glass object that requires further forming or decoration to be finished. *Blowpipe ...
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Tweezers
Tweezers are small hand tools used for grasping objects too small to be easily handled with the human fingers. Tweezers are thumb-driven forceps most likely derived from tongs used to grab or hold hot objects since the dawn of recorded history. In a scientific or medical context, they are normally referred to as just "forceps", a name that is used together with other grasping surgical instruments that resemble pliers, pincers and scissors-like clamps. Tweezers make use of two third-class levers connected at one fixed end (the fulcrum point of each lever), with the pincers at the others. When used, they are commonly held with one hand in a pen grip between the thumb and index finger (sometimes also the middle finger), with the top end resting on the first dorsal interosseous muscle at the webspace between the thumb and index finger. Spring tension holds the grasping ends apart until finger pressure is applied. This provides an extended pinch and allows the user to easily gra ...
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Glass Art
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware. As a decorative and functional medium, glass was extensively developed in Egypt and Assyria. Glassblowing was perhaps invented in the 1st century BC, and featured heavily in Roman glass, which was highly developed with forms such as the cage cup for a luxury market. Islamic glass was the most sophisticated of the early Middle Ages. Then the builders of the great Norman and Gothic cathedrals of Europe took the art of glass to new heights with the use of stained glass windows as a major architectural and decorative element. Glass from Murano, in the Venetian Lagoon, (also known as Venetian glass) is the result of hundreds of years of refinement and invention. Murano is still held as the birthplace of modern glass ...
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Millefiori
Millefiori () is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). Apsley Pellatt in his book ''Curiosities of Glass Making'' was the first to use the term "millefiori", which appeared in the ''Oxford English Dictionary'' in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. Since the late 1980s, the millefiori technique has been applied to polymer clay and other materials. As the polymer clay is quite pliable and does not need to be heated and reheated to fuse it, it is a much easier medium in which to produce millefiori patterns than glass. History The manufacture of mosaic beads can be traced to Ancient Roman, Phoenician and Alexandrian times. Canes, probably made in Italy, have been found as far away as 8t ...
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Example Of Reticello - David Patchen 3692
Example may refer to: * '' exempli gratia'' (e.g.), usually read out in English as "for example" * .example, reserved as a domain name that may not be installed as a top-level domain of the Internet ** example.com, example.net, example.org, example.edu, second-level domain names reserved for use in documentation as examples * HMS ''Example'' (P165), an Archer-class patrol and training vessel of the Royal Navy Arts * ''The Example'', a 1634 play by James Shirley * ''The Example'' (comics), a 2009 graphic novel by Tom Taylor and Colin Wilson * Example (musician), the British dance musician Elliot John Gleave (born 1982) * ''Example'' (album), a 1995 album by American rock band For Squirrels See also * * Exemplar (other), a prototype or model which others can use to understand a topic better * Exemplum, medieval collections of short stories to be told in sermons * Eixample The Eixample (; ) is a district of Barcelona between the old city ( Ciutat Vella) an ...
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Flameworking
Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are ...
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Blowpipe (tool)
The term blowpipe refers to one of several tools used to direct streams of gases into any of several working media. Blowpipes for torches If a stream or jet of air is directed through a flame, fuel air mixing is enhanced and the jet exiting the flame is intensely hot. Jewelers and glassblowers engaged in lampwork have used the blowpipe since ancient times, with the blast being powered by the user's lungs. For small work, a mouth-blown blowpipe may be used with a candle flame or an alcohol lamp, with established techniques for applying oxidizing and reducing flames to the workpiece or specimen. Starting in the late 18th Century, blowpipes have been powered by mechanisms, initially bladders and bellows, but now blowers, compressors and compressed gas cylinders are commonplace. While blowing air is effective, blowing oxygen produces higher temperatures, and it is also practical to invert the roles of the gasses and blow fuel through air. Contemporary blowtorches and oxy-fue ...
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