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Studio Glass
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional work of art, artworks in the fine arts. The glass objects created are typically intended to make a sculptural or decorative statement, rather than fulfill functions (other than perhaps as vases) such as tableware. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teal Murrine Foglio - David Patchen
alt=American teal duck (male), Green-winged teal (male) Teal is a greenish-blue color. Its name comes from that of a bird—the Eurasian teal (''Anas crecca'')—which presents a similarly colored stripe on its head. The word is often used colloquially to refer to shades of cyan in general. It can be created by mixing cyan into a green base, or deepened as needed with black or gray. It is also one of the first group of 16 HTML/CSS web colors. In the RGB model used to create colors on computer screens and televisions, teal is created by reducing the brightness of cyan to about one half. In North America, teal became a fad color during the 1990s, with many sports teams adopting it for their uniforms. Etymology The first recorded use of ''teal'' as a color name in English was in 1917. The term ''teal'' (referring to a species of duck) is derived from the Middle English ''tele'', a word akin to the Dutch ''taling'' and the Middle Low German ''telink''. Variations Teal bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Came
A came is a divider bar used between small pieces of glass to make a larger glazing panel. There are two kinds of came: the H-shaped sections that hold two pieces together and the U-shaped sections that are used for the borders. Cames are mostly made of lead, zinc, copper, brass Brass is an alloy of copper and zinc, in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, but copper typically has the larger proportion, generally copper and zinc. I ... or brass-capped lead.Stevenson, Christine. (2004). ''Creative Stained Glass: Modern Designs & Simple Techniques.'' Lark Books. p. 12. . Of the metal strips, lead is softer and more flexible, making it easier to cut and bend. The harder metals are used to work with slightly curved lines and pieces that require greater structural support. They can also be used as border came, once again for stability and support.Shannon, George and Pat Torlen. (2002). ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Joseph Stankard
Paul Joseph Stankard (born April 7, 1943) is an American artist, flameworker (or ' lampworker') and author. Early life The second of nine children in an Irish Catholic family. Stankard lived in North Attleboro, Massachusetts, in his early years. In his autobiography, Stankard chronicles his early struggles with dyslexia, which made classroom learning difficult. His high school transcripts showed him graduating near the bottom of his class, mistakenly assigned a low IQ score. In the book, Stankard describes the pressure and stigma of being labeled a slow learner by an educational system that at the time was not aware of dyslexia. In 1972 he discovered the concept of dyslexia and started to develop a self-directed learning program that heavily relied on books on tape (audible books). His 50-year learning journey lead to two honorary doctorate degrees and allowed him to overcome his low self-esteem and learning disabilities to become one of the foremost glass artists of his genera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paperweights
A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush (as with Chinese calligraphy). While any object, such as a stone, can serve as a paperweight, decorative paperweights of metal, glass, jade or other material are also produced, either by individual artisans or factories. In the West, the decorative paperweights are usually in limited editions, and are collected as works of fine glass art, some of which are also exhibited in museums. First produced in about 1845, particularly in France, such decorative paperweights declined in popularity before undergoing a revival in the mid-twentieth century. Basic features Decorative glass paperweights have a flat or slightly concave base, usually polished but sometimes frosted, cut in one of several variations (e.g. star-cut bases have a multi-pointed star, while a diamond cut base has grooves cut in a criss-cross ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Worker, Reijmyre Glasbruk, Sweden
Glass is an amorphous ( non-crystalline) solid. Because it is often transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics. Some common objects made of glass are named after the material, e.g., a "glass" for drinking, " glasses" for vision correction, and a " magnifying glass". Glass is most often formed by rapid cooling (quenching) of the molten form. Some glasses such as volcanic glass are naturally occurring, and obsidian has been used to make arrowheads and knives since the Stone Age. Archaeological evidence suggests glassmaking dates back to at least 3600 BC in Mesopotamia, Egypt, or Syria. The earliest known glass objects were beads, perhaps created accidentally during metalworking or the production of faience, which is a form of pottery using lead glazes. Due to its ease of formability into any shape, glass has been traditionally used for vessels, such as bowls, vases, bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Art
In European academic traditions, fine art (or, fine arts) is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function (such as pottery or most metalwork) or is generally of limited artistic quality in order to appeal to the masses. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Comfort Tiffany
Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is associated with the art nouveauLander, David"The Buyable Past: Quezal Glass" '' American Heritage'' (April/May 2006) and aesthetic art movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany. Early life and education Tiffany was born in New York City, the son of Charles Lewis Tiffany, founder of Tiffany and Company, and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in Chester, Pennsylvania, and Eagle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daum (studio)
Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum (1825–1885). His sons, Auguste Daum (1853–1909) and Antonin Daum (1864–1931), oversaw its growth during the burgeoning Art Nouveau period. Daum is one of the only crystal manufacturers to employ the pâte de verre (glass paste) process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln. History The Daum family worked at the beginning of the Art Nouveau era and created one of France's most prominent glassworks. Established at the end of the 19th century, Daum's renown was originally linked to the École de Nancy and the art of ''pâte-de-cristal'', a major contributing factor to its worldwide reputation. During the Universal Exhibition of 1900 Daum was awarded a 'Grand Prix' medal. Daum glass became more elaborate. Acid etching (by Jacques Grüber) was often combined with carving, enamelling, and engravin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Gallé
Émile Gallé (; 4 May 1846 in Nancy, France, Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Biography Early life and education Gallé born on 4 May 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Lalique
René Jules Lalique (; 6 April 1860 – 1 May 1945) was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments. Life Lalique's early life was spent learning the methods of design and art he would use in his later life. At the age of two, his family moved to the suburbs of Paris, but traveled to Aÿ for summer holidays. These trips influenced Lalique later on in his naturalistic glasswork. With the death of his father, Lalique began working as an apprentice to goldsmith Louis Aucoc in Paris. Lalique died on 1 May or 5 May 1945, in Paris. René Lalique was buried in Père Lachaise Cemetery in Paris, France. His daughter Suzanne Lalique was the painter and set designer for the Comédie-Française. His son Marc Lalique continued the family business as a glass artist himself. It was under his impetus that the Maison Lalique began its transition from glass to cry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
