Calypso (music)
Calypso is a style of Caribbean music that originated in Trinidad and Tobago from Afro-Trinidadians during the early- to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a '' chantuelle'' and eventually, '' calypsonian''. As English replaced "patois" ( Antillean) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the actions of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calypso Mama
Calypso Mama, real name Maureen Verlene Duvalier (14 May 192619 December 2014), was a legendary Bahamian blues/ calypso artist. Early life Calypso Mama was born to Bahamian parents. Her grandfather on her father's side is from Haiti and is related to former dictator, François Duvalier François Duvalier (; 14 April 190721 April 1971), also known as Papa Doc, was a Haiti, Haitian politician and Haitian Vodou, Vodouisant who served as the president of Haiti from 1957 until his death in 1971. He was elected president in the 195 .... Famous songs * Yes, Yes, Yes (2:53) References {{Authority control Bahamian calypsonians 1926 births 2014 deaths Bahamian singers Bahamian people of Haitian descent ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rapso
Rapso is a form of Trinidadian music that grew out of the social unrest of the 1970s. Black Power and unions grew in the 1970s, and rapso grew along with them. The first recording was "Blow 'Way" by Lancelot Layne in 1970. Six years later, Cheryl Byron (founder of the New York City based Something Positive Dance Company) was scorned when she sang rapso at a calypso tent. She is now called the "Mother of Rapso". It has been described as "". Though often described as a fusion of native soca and calypso with American hip hop, rapso is uniquely Trinidadian. History Rapso music is itself an evolution of the chantwell or griot tradition of African music in the diaspora. It is called "the poetry of Calypso" and "". Rapso is the poetic "rap" form of Trinbagonian music—the next evolutionary step of Calypso and Soca music. It also has origins in the oral tradition elements of the performances of traditional masquerade characters in Trinidad Carnival. Traditional masquerade ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Soca Music
Soca music, or the "soul of calypso", is a genre of music that originated in Trinidad and Tobago in the 1970s. It is considered an offshoot of Calypso music, calypso, with influences from Afro–Trinidadians and Tobagonians, Afro-Trinidadian and Indo–Trinidadians and Tobagonians, Indo-Trinidadian rhythms. It was created by Ras Shorty I (or Lord Shorty) in an effort to revive traditional calypso, the popularity of which had been declining amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and Soul music, soul and funk from the United States. From the 1980s onward, soca has developed into a range of new styles. Etymology "Soca" is a Blend word, portmanteau of the words "soul" and "calypso". The genre was defined by Lord Shorty as the "Soul of Calypso." The word was originally spelled s-o-k-a-h by Lord Shorty. In a 1979 interview with ''Carnival Magazine,'' Lord Shorty stated that he "came up with the name soca. I invented soca. And I ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calypso De El Callao
The Venezuelan festival known in Spanish as Calypso de El Callao (calypso of El Callao) is held every year in Bolívar state, during carnival celebrations. It is a fusion of Trinidad and Tobago calypso music, Caribbean traditions and Venezuelan folklore. History During the 19th century Trinidadians and other Caribbean, islanders began migration to Venezuela, particularly to the city of El Callao to work in the gold mines. They brought the music of Calypso with them, which later became very popular in the city. The folk music is a mixture of Venezuelan and Caribbean genres and is sung in Spanish and/or Caribbean English. It is closely associated with the Carnival festival, a tradition also brought by the West Indian people. Performance In the carnival months of February and March, Calypso is performed with competitions, where the winners are crowned Calypso King and Queen. Calypso or as the town's people call it "Calipso" is one of a popular cultural tradition. Popular instru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Obeah
Obeah, also spelled Obiya or Obia, is a broad term for African diaspora religions, African diasporic religious, Magic (supernatural), spell-casting, and healing traditions found primarily in the British West Indies, former British colonies of the Caribbean. These practices derive much from West African traditions but also incorporate elements of European and South Asian origin. Many of those who practice these traditions avoid the term ''Obeah'' due to the word's pejorative connotations in many Caribbean societies. Central to Obeah are ritual specialists who offer a range of services to paying clients. These specialists have sometimes been termed Obeahmen and Obeahwomen, although often refer to themselves in other ways, for instance calling themselves "scientists", "doctors", or "professors". Important in these ritual systems is engagement with the Spirit (supernatural entity), spirits and the manipulation of supernatural forces. A prominent role is played by healing practices, o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shango
Shango (Yoruba language: Ṣàngó, also known as Changó or Xangô in Latin America; as Jakuta or Badé; and as Ṣangó in Trinidad Orisha) is an Orisha (or spirit) in Yoruba religion. Genealogically speaking, Shango is a royal ancestor of the Yoruba as he was the third Alaafin of the Oyo Kingdom prior to his posthumous deification. Shango has numerous manifestations, including Airá, Agodo, Afonja, Lubé, and Obomin. He is known for his powerful double axe (Oṣè). He is considered to be one of the most powerful rulers that Yorubaland has ever produced. In the New World, he is syncretized with either Saint Barbara or Saint Jerome. Historical figure Ṣàngó was the third Alaafin of Oyo, following Oranmiyan and Ajaka. He brought prosperity to the Oyo Empire. According to Professor Mason's ''Mythological Account of Heroes and Kings'', unlike his peaceful brother Ajaka, he was a powerful and violent ruler. He reigned for seven years which were marked by his continuous ca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Picong
Picong or Piquant is light comical banter, usually at someone else's expense. It is the way in which West Indians (particularly those in the Eastern Caribbean) tease, heckle and mock each other in a friendly manner. However, the line between humour and insult is fine and constantly shifting, and at times the convivial spirit may degenerate into more heated debate and perhaps, physical altercations. The ability to engage in picong without crossing over into insult is highly valued in the culture of calypso music. Playwright Steve Carter, who wrote an award-winning play of the same name, describes pecong as a "verbal battle of insults hurled in rhymed verse." See also * Avoidance speech (mother-in-law languages) * Call and response * Diss track * The dozens * Extempo * Mother insult * Roast (comedy) A roast is a form of insult comedy, originating in American humor, in which a specific individual, a guest of honor, is subjected to jokes at their expense, as well as gen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calypso Tent
Calypso tents are venues in which calypsonians perform during the Carnival season. They usually are cinema halls, community centers, or other indoor buildings which have seating and stage arrangements to host the entertainers, guests and patrons; or outdoor shows which are held in parks or, more famously, in the Queen's Park Savannah. Some of these tents are held at many venues, called Roving Caravans or Roving Tents. Such venues are still called "tents" because calypsonians all used to sing on stages which were literally covered by a tent. The first such tent was organised by a calypsonian whose sobriquet was Railway Douglas. As time went along, buildings and other empty spaces that were properly arranged were also used, but the name stuck. Although traditional calypso has lost ground to soca and party music, the Tents remain popular venues and still serve as a launch pad for many young artists. See also * Trinidad and Tobago Carnival The Trinidad and Tobago Carnival is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Caribbean Music Genres
Caribbean music genres are very diverse. They are each synthesis of Music of Africa, African, European, Asian and Indigenous peoples of the Americas, Indigenous influences, largely created by descendants of African enslaved people (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music). Some of the styles to gain wide popularity outside the Caribbean include, Bachata (music), bachata, Merengue music, merengue, Palo (flamenco), palo, mambo (music), mambo, Baithak Gana, baithak gana, bouyon music, bouyon, cadence-lypso, calypso music, calypso, Soca music, soca, Chutney music, chutney, chutney-soca, compas, dancehall, jing ping, Parang music, parang, pichakaree, punta, ragga, reggae, dembow, reggaeton, salsa music, salsa, and zouk. Caribbean music is also related to Central American and South American music. The history of Caribbean music originates from the history of the Caribbean itself. That history is one of the native land inv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calypsonian
A calypsonian, originally known as a ''chantwell'', is a musician from the anglophone Caribbean who sings songs of the Calypso music, calypso genre. Calypsos are musical renditions having their origins in the West African griot tradition. Originally called "Kaiso" in Trinidad, these songs, based on West African Yoruba music, Yoruba, Ewe music, Ewe-Fon and Akan people, Akan musical beats, were sung by slaves and later ex-slaves in Trinidad and Tobago during recreation time and about a host of topics – their land of origin, social relationships on the plantations and the lives of community members, including plantation managers, overseers and owners. Traditionalists see calypso as Women in Trinidad and Tobago#Role of Music in Gender Performance, social commentary because in earlier years it served the purpose of telling stories, relaying news events and giving criticisms of persons and policy. Calypso was therefore divided into two classes: the social commentaries, which had son ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Caribbean Carnival
Caribbean Carnival is the cultural celebration held annually throughout the year in many Caribbean islands and worldwide. It's a highly anticipated festival in the Caribbean where locals and visitors come together to dance, savor cultural music, and indulge in delicious foods. It stems from a pagan holiday, later adopted by the Roman Catholic Church as Carne Vale. European slave traders brought it to the Caribbean, excluding African slaves and hosting lavish masquerade balls. After emancipation, freed African slaves transformed the festival into a celebration of freedom, blending African heritage and Caribbean Creole culture. In 1834, the Caribbean festival took root in Trinidad and Tobago, when French settlers brought the Fat Tuesday masquerade tradition to the island. It soon became a vibrant celebration, blending Creole Canboulay festivities with the European masquerade, eventually evolving into the modern Caribbean Carnival. At its start, formerly enslaved individuals exp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |