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Brindisi (music)
A ' (; Italian for "toast") is a song in which a company is exhorted to drink, a drinking song. The word is Italian, but it derives from an old German phrase, ' – "(I) offer it to you", which at one time was used to introduce a toast.O. Pianigiani, ''Vocabolario Etimologico della Lingua Italiana'', s.v.br>''brindisi'' See also OED, s.v. ''brendice''. The transformation of that phrase into the current Italian word may have been influenced by similar-sounding name of the Italian city of Brindisi, but otherwise the city and the term are etymologically unrelated. The term ''brindisi'' is often used in opera. Typically, in an operatic ', one character introduces a toast with a solo melody and the full ensemble later joins in the refrain. Some well-known operatic numbers labeled ' are: * "Cantiamo, facciam brindisi", chorus in Gaetano Donizetti's ''L'Elisir d'Amore'' * "Libiamo ne' lieti calici", sung by Alfredo and Violetta in act 1 of Verdi's ''La traviata'' * "Viva, il vino spumeg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drinking Song
A drinking song is a song sung while drinking Alcoholic beverage, alcohol. Most drinking songs are Folk music, folk songs or commercium songs, and may be varied from person to person and region to region, in both the lyrics and in the music. In Germany, drinking songs are called ''Trinklieder''. In Sweden, where they are called ''dryckesvisor'', there are drinking songs associated with Christmas, Midsummer, and other celebrations. An example of such a song is "Helan går". In Spain, Asturias, patria querida (the anthem of Asturias) is usually depicted as a drinking song. In France, historical types of drinking songs are Chanson pour boire and Air à boire. History The first record of a drinking song dates to the 11th century, and derives from the Carmina Burana, a 13th-century historical collection of poems, educational songs, love sonnets and "entertainment" or drinking songs. In popular culture Musical artist Homebrew Stew (Rich Stewart) wrote a magazine article in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo Zingarelli
''Zingarelli'' is a modern Italian monolingual dictionary. Described as a ''Vocabolario della Lingua Italiana'' di Nicola Zingarelli, it is published annually by the Zanichelli publishing house Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp .... The first edition is dated 1917. References Italian dictionaries 1917 non-fiction books it:Nicola Zingarelli#Il Vocabolario {{Dictionary-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet (opera)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the ''femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sorcerer
''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Love'', that Gilbert wrote for ''The Graphic'' magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell. The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, ''H.M.S. Pinafore''. ''The Sorcerer'' was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was staged in Paris (Théâtre des Italiens) in 1840, Victor Hugo obtained an injunction against further productions within the domain of French copyright law. The libretto was then rewritten and retitled ''La rinegata'', with the Italian characters changed to Turks, and the performances were resumed. The first English-language production was in London on 30 December 1843. The English tenor Sims Reeves was a noted Gennaro. ''Lucrezia'' was first presented in New Orleans on 27 April 1843 and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toast (honor)
A toast is a ritual during which a drink is taken as an expression of honor or goodwill. The term may be applied to the person or thing so honored, the drink taken, or the verbal expression accompanying the drink. Thus, a person could be "the toast of the evening", for whom someone "proposes a toast" to congratulate and for whom a third person "toasts" in agreement. The ritual forms the basis of the literary and performance genre, of which Mark Twain's "To the Babies" is a well-known example. The toast as described in this article is rooted in Western culture, but certain cultures outside that sphere have their own traditions in which consuming a drink is connected with ideas of celebration and honor. While the physical and verbal ritual of the toast may be elaborate and formal, merely raising one's glass towards someone or something and then drinking is essentially a toast as well, the message being one of goodwill towards the person or thing indicated. History According to var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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