Boro (textile)
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Boro (textile)
are a class of Japanese textiles that have been mended or patched together. The term is derived from the Japanese term , meaning something tattered or repaired. The term typically refers to cotton, linen and hemp materials, mostly hand-woven by peasant farmers, that have been stitched or re-woven together to create an often many-layered material used for warm, practical clothing. Historically, it was more economical to grow, spin, dye, weave and make one's own clothing over buying new garments, and equally as economical to re-use old, worn-out clothing as fabric for new garments; warmer fibres such as cotton were also less commonly available, leading to the development of layering as a necessity in the creation of lower-class clothing. textiles are typically dyed with indigo dyestuff, historically having been the cheapest and easiest-to-grow dyestuff available to the lower classes. Many examples of feature dyework, and most extant examples of today are antiques or modern ...
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Child's Sleeping Mat (boro Shikimono), Late 19th Century (CH 1108827543)
Child & Co. is a private banking, private bank. Founded in 1664, it is the oldest bank in the United Kingdom, and the List of oldest banks in continuous operation, third oldest bank in the world. Formerly independent, it is now owned by the NatWest Group. The Royal Bank of Scotland incorporating Child & Co., Bankers was previously based at 1 Fleet Street on the western edge of the City of London, beside Temple Bar, London, Temple Bar Memorial and opposite the Royal Courts of Justice. This branch closed in June 2022 with RBS stating the brand would remain operational. Child & Co. is authorised as a brand of The Royal Bank of Scotland by the Prudential Regulation Authority (United Kingdom), Prudential Regulation Authority. History Child & Co. is the List of oldest banks in continuous operation, third oldest bank in the world and is the oldest bank in the UK, predating the Bank of England. Early beginnings Child & Co. is the oldest independent financial institution in the UK, an ...
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Obi (sash)
An is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The , which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men. Despite the kimono having been at one point and continuing to appear to be held shut by the , many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead. are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made from m ...
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Japanese Clothing
There are typically two types of clothing worn in Japan: traditional clothing known as , including the national dress of Japan, the kimono, and , which encompasses all else not recognised as either national dress or the dress of another country. Traditional Japanese fashion represents a long-standing history of traditional culture, encompassing colour palettes developed in the Heian period, silhouettes adopted from Tang dynasty clothing and cultural traditions, motifs taken from Japanese culture, nature and traditional literature, the use of types of silk for some clothing, and styles of wearing primarily fully-developed by the end of the Edo period. The most well-known form of traditional Japanese fashion is the kimono, with the term ''kimono'' translating literally as "something to wear" or "thing worn on the shoulders".Assmann, Stephanie. "Between Tradition and Innovation: The Reinvention of the Kimono in Japanese Consumer Culture." ''Fashion Theory: The Journal of Dress, Bod ...
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Japanese Art Terminology
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ...
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Futon
A is a traditional Japanese style of bedding. A complete futon set consists of a and a . Both elements of a futon bedding set are pliable enough to be folded and stored away in a large during the day. This allows a room to serve as a bedroom at night, but serve other purposes during the day. Traditionally, futons are used on tatami, a type of mat used as a flooring material. It also provides a softer base than, say, a floor of wood or stone. Futons must be aired regularly to prevent mold from developing, and to keep the futon free of mites. Throughout Japan, futons can commonly be seen hanging over balconies, airing in the sun. Futon dryers may be used by those unable to hang out their futon. History and materials File:Sleeping two, Kasuga Gongen Genki (1309).jpg, Sleeping on tatami, with no futon, and clothes used as coverings. Early 14th century File:Child's Sleeping Mat (boro Shikimono), late 19th century (CH 1108827543).jpg, Child's , late 1800s. (patchwork) hel ...
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Boroboroton
The ''Boroboroton'' ( ja, 暮露暮露団 Help:IPA for Japanese, [bo̞ɺo̞bo̞ɺo̞to̞ɴ]; meaning "''boroboro'' (tattered) ''futon''") is a ''tsukumogami yōkai'', and is believed to be evil and dangerous to humans. Description The ''Boroboroton'' is described as a tattered futon (a Japanese sleeping mat) who comes to life at night. It rises up into the air and throws its (former) owner out of bed, then begins to twine around the head and neck of the sleeper with the intent of strangling him.Kenji Murakami: 妖怪事典. Mainichi Shinbunsha, Tokyo 2000, , p. 309.Sekien Toriyama, Mamoru Takada, Atsunobu Inada u.a.: 画図百鬼夜行, Kokusho Kankōkai, Tōkyō 1992, , p. 302.Tani Akira: 金森宗和茶書. Shibunkakushuppan, Tokyo 1997, , p. 312. Background The ''Boroboroton'' belongs to a specific group of ''yōkai'': the ''Tsukumogami'' ( ja, 付喪神, lit=artifact spirit, links=no). ''Tsukumogami'' are various ''yōkai'' derived from manmade objects, such as kitchenwa ...
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Tanmono
A is a bolt of traditional Japanese narrow-loomed cloth. It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items. ( is a placeholder name) are woven in units of , a traditional unit of measurement for cloth roughly analogous to the bolt, about by about . One kimono takes one () of cloth to make. are woven in the narrow widths most ergonomic for a single weaver (at a handloom without a flying shuttle). Fibers may be woven of a variety of fibers, including silk, wool, hemp, linen and cotton. Polyester is also popular, as it is easy to wash at home. In the Jomon period (8000–300BC) people made twined textiles from a variety of bast fibers from wild plants. Wild fibers () include the inner bark of wild trees or shrubs (), and grass fibers (). Between the 2nd and 3rd centuries BC, immigrants from the mainland began using the domesticated long-stapled ramie plant. Silk was also known at this time, but used on ...
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Iki (aesthetics)
is a Japanese aesthetical concept thought to have originated amongst the merchant classes of Edo (modern-day Tokyo) in Edo period Japan.Nussbaum, Louis-Frédéric. (2005). "''Iki'' in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. came to prominence within the context of the official social hierarchy of Edo-period Japan, subverting class through an expression of material wealth that formed an aesthetic language specifically aimed at one's peers – typically those within the merchant classes. Sometimes misunderstood in the West as the archetypal or stereotypical aesthetics of Japanese culture, refers to a distinct aesthetic ideal of subdued displays of taste and/or wealth, with an emphasis on belying, on first glance, the efforts – monetary or otherwise – taken to appear stylish. , having come into prominence around the same as many other now-traditional artforms, remains a cornerstone of aesthet ...
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Kintsugi
, also known as , is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum; the method is similar to the technique... As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Origin Lacquerware is a longstanding tradition in Japan and, at some point, may have been combined with as a replacement for other ceramic repair techniques. While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Korea. became closely associated with ceramic vessels used for (Japanese tea ceremony). One theory is that may have originated when Japanese Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repairs in the late 15th century. When it was returned, repaired with ugly metal staples, it may have prompted Japanese craftsmen ...
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Shibui
''Shibui'' (渋い) (adjective), ''shibumi'' (渋み) (noun), or ''shibusa'' (渋さ) (noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, such as ''iki'' and ''wabi-sabi'', ''shibui'' can apply to a wide variety of subjects, not just art or fashion. Shibusa is an enriched, subdued appearance or experience of intrinsically fine quality with economy of form, line, and effort, producing a timeless tranquility. Shibusa includes the following essential qualities: * Shibui objects appear to be simple overall, but they include subtle details, such as textures, that balance simplicity with complexity. * This balance of simplicity and complexity ensures that one does not tire of a shibui object, but constantly finds new meanings and enriched beauty that cause its aesthetic value to grow over the years. * Shibusa walks a fine line between contrasting aesthetic concepts such as elegant and rough or ...
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Mottainai
is a term of Japanese origin that has been used by environmentalists. The term in Japanese conveys a sense of regret over waste; the exclamation "" can translate as "What a waste!" Japanese environmentalists have used the term to encourage people to " reduce, reuse and recycle", and Kenyan environmentalist Wangari Maathai used the term at the United Nations as a slogan to promote environmental protection. Etymology, usage, and translation ''Kōjien'', widely considered the most authoritative Japanese dictionary, lists three definitions for the word (classical Japanese terminal form ): (1) inexpedient or reprehensible towards a god, buddha, noble or the like; (2) awe-inspiring and unmerited/undeserved, used to express thanks; (3) an expression of regret at the full value of something not being put to good use. In contemporary Japanese, is most commonly used to indicate that something is being discarded needlessly, or to express regret at such a fact. , then a professor at N ...
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