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Bell Metal
Bell metal or bell bronze is an alloy used for making bells and related instruments, such as cymbals. It is a form of bronze with a higher tin content, usually in approximately a 4:1 ratio of copper to tin (typically, 78% copper, 22% tin by mass). The higher tin content increases the rigidity of the metal, and increases the resonance. Historically, it was preferred for early cannons. Today, it also has industrial uses, being specified for valve bodies, piston rings, bearings, and bushings. Metallurgy Tin and copper are relatively soft metals that will deform on striking (though tin to a lesser extent than copper), but alloying creates a metal which is harder and less ductile and also one with more elasticity than either of the two metals. This metal combination produces a tough, long-wearing material that is resistant to oxidation and subject only to an initial surface weathering. Verdigris forms a protective patina on the surface of bells which coats it against further oxidatio ...
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Malik E Maidan
Malik, Mallik, Melik, Malka, Malek, Maleek, Malick, Mallick, or Melekh ( phn, 𐤌𐤋𐤊; ar, ملك; he, מֶלֶךְ) is the Semitic term translating to "king", recorded in East Semitic and Arabic, and as mlk in Northwest Semitic during the Late Bronze Age (e.g. Aramaic, Canaanite, Hebrew). Although the early forms of the name were to be found among the pre-Arab and pre-Islamic Semites of the Levant, Canaan, and Mesopotamia, it has since been adopted in various other, mainly but not exclusively Islamized or Arabized non-Semitic Asian languages for their ruling princes and to render kings elsewhere. It is also sometimes used in derived meanings. The female version of Malik is Malikah ( ar, ملكة; or its various spellings such as Malekeh or Melike), meaning "queen". The name Malik was originally found among various pre-Arab and non-Muslim Semitic peoples such as the indigenous ethnic Assyrians of Iraq, Amorites, Jews, Arameans, Mandeans, Syriacs, and pre-Is ...
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Holy Trinity Monastery (Jordanville, New York)
Holy Trinity Monastery (russian: Свя́то-Тро́ицкий монасты́рь, ') is a male stavropegial monastery of the Russian Orthodox Church Outside of Russia (ROCOR), located near Jordanville, New York. Founded in 1930 by two Russian immigrants, it eventually became a main spiritual center of Russian Orthodoxy in the West. The monastery is well known for its publishing work and for the attached Holy Trinity Orthodox Seminary, which has educated many clergymen in ROCOR and other Orthodox jurisdictions. Due to their closeness to the hamlet, both the monastery and seminary are often simply referred to as Jordanville. The monastery is dedicated to the Holy Trinity, and its patronal feast day is Pentecost. The campus includes a museum that is open to the public. History Hieromonk Panteleimon (Nizhnik), after spending ten years at St. Tikhon's Orthodox Monastery near South Canaan, Pennsylvania, wanted to live a more rigorous monastic life. Moreover, after a 1926 spl ...
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Demung
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one octave below the demung ...
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Saron (instrument)
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one octave below the demung ...
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Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ...
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Two Truths Doctrine
The Buddhist doctrine of the two truths (Sanskrit: ''dvasatya,'' ) differentiates between two levels of ''satya'' (Sanskrit; Pali: ''sacca''; word meaning "truth" or "reality") in the teaching of the Śākyamuni Buddha: the "conventional" or "provisional" ('' saṁvṛti'') truth, and the "ultimate" (''paramārtha'') truth. The exact meaning varies between the various Buddhist schools and traditions. The best known interpretation is from the Madhyamaka school of Mahāyāna Buddhism, whose founder was the Indian Buddhist monk and philosopher Nāgārjuna. For Nāgārjuna, the two truths are ''epistemological truths''. The phenomenal world is accorded a provisional existence. The character of the phenomenal world is declared to be neither real nor unreal, but logically indeterminable. Ultimately, all phenomena are empty (''śūnyatā'') of an inherent self or essence due to the non-existence of the self (''anattā''), but exist depending on other phenomena (''pratītyasamutpā ...
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Vairocana
Vairocana (also Mahāvairocana, sa, वैरोचन) is a cosmic buddha from Mahayana and Vajrayana Buddhism. Vairocana is often interpreted, in texts like the ''Avatamsaka Sutra'', as the dharmakāya of the historical Gautama Buddha. In East Asian Buddhism ( Chinese, Korean, Japanese and Vietnamese Buddhism), Vairocana is also seen as the embodiment of the Buddhist concept of śūnyatā. In the conception of the 5 Jinas of Mahayana and Vajrayana Buddhism, Vairocana is at the centre and is considered a Primordial Buddha. Vairocana is not to be confused with Vairocana Mahabali, son of Virochana. Literary and historical development Vairocana Buddha is first introduced in the ''Brahmajala Sutra'': Vairocana is also mentioned in the ''Avatamsaka Sutra''; however, the doctrine of Vairocana is based largely on the teachings of the ''Mahavairocana Tantra'' (also known as the ) and to a lesser degree the '' Vajrasekhara Sutra'' (also known as the Tantra). In the ''Avatam ...
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Ratnasambhava
Ratnasambhava ( sa, रत्नसम्भव, lit. "Jewel-Born") is one of the Five Dhyani Buddhas (or "Five Meditation Buddhas") of Mahayana and Vajrayana or Tantric Buddhism. Ratnasambhava's mandalas and mantras focus on developing equanimity and equality and, in Vajrayana Buddhist thought is associated with the attempt to destroy greed and pride. His consort is Mamaki and his mount is a horse or a pair of lions. Textual History The first documented mention of Ratnasambhava is found in the '' Suvarṇaprabhāsa Sūtra'' and in the Guhyasamāja Tantra (4th Century CE), and he subsequently appears in a number of Vajrayana texts. The most elaborate account of him is to be found in the ''Pañcakara'' section of the ''Advayavajrasaṃgraha.'' In the Śūraṅgama mantra ( Chinese: 楞嚴咒; pinyin: ''Léngyán Zhòu'') taught in the Śūraṅgama sutra ( Chinese: 楞嚴經; pinyin: ''Léngyán Jīng''), an especially influential dharani in the Chinese Chan tradition, Ratnasa ...
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Akshobhya
Akshobhya ( sa, अक्षोभ्य, ''Akṣobhya'', "Immovable One"; ) is one of the Five Wisdom Buddhas, a product of the Adibuddha, who represents consciousness as an aspect of reality. By convention he is located in the east of the Diamond Realm and is the lord of the Eastern Pure Land Abhirati ('The Joyous'). His consort is Lochanā and he is normally accompanied by two elephants. His color is blue-black and his attributes include a bell, three robes, and staff, as well as a jewel, lotus, prayer wheel, and sword. He has several emanations. Textual history and doctrine Akshobhya appears in the Akṣobhyatathāgatasyavyūha Sūtra (), which was translated during the second century CE and is among the oldest known Mahayana or Pure Land texts. According to the scripture, a monk wished to practice the Dharma in the eastern world of delight and made a vow not to harbor anger or malice towards any being until he achieved enlightenment. He duly proved "immovable" and whe ...
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Amoghasiddhi
Amoghasiddhi (Devanagari: अमोघसिद्धि}) is one of the Five Wisdom Buddhas of the Mahayana and Vajrayana tradition of Buddhism. He is associated with the accomplishment of the Buddhist path and of the destruction of the poison of envy. His name means ''Unfailing Accomplishment''. His consort is Tara, meaning ''Liberator'' and his mounts are garudas. He belongs to the family of karma whose family symbol is the double ''vajra''. Characteristics Amoghasiddhi is associated with the conceptual (Skt: samskara) skandha or the conceptual mind (as opposed to the non-conceptual or sensational mind). His action towards the promotion of Buddhist paths is the pacification of evils. This is symbolised by Amoghasiddhi's symbol, the moon. He gestures in the mudra of fearlessness, symbolising his and his devotees' fearlessness towards the poisons or delusions. He is usually coloured green in artwork and is associated with the air or wind element. His season is autumn and ...
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Five Dhyani Buddhas
5 is a number, numeral, and glyph. 5, five or number 5 may also refer to: * AD 5, the fifth year of the AD era * 5 BC, the fifth year before the AD era Literature * ''5'' (visual novel), a 2008 visual novel by Ram * ''5'' (comics), an award-winning comics anthology * ''No. 5'' (manga), a Japanese manga by Taiyō Matsumoto * The Famous Five (novel series), a series of children's adventure novels written by English author Enid Blyton Films * ''Five'' (1951 film), a post-apocalyptic film * ''Five'' (2003 film), an Iranian documentary by Abbas Kiarostami * ''Five'' (2011 film), a comedy-drama television film * ''Five'' (2016 film), a French comedy film * Number 5, the protagonist in the film ''Short Circuit'' (1986 film) Television and radio * 5 (TV channel), a television network in the Philippines (currently known as TV5 from 2008 to 2018 and again since 2020), owned by TV5 Network, Inc. * Channel 5 (British TV channel), British free-to-air television network sometim ...
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