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Banshay
Banshay ( my, ဗန်ရှည်, ) is a weapon-based martial art from Myanmar focusing primarily on the sword, staff and spear. Influenced by both Indian and Chinese sources, it is closely related to similar Southeast Asian systems such as Thai krabi krabong, Cambodian kbach kun boran and Malay silat. Banshay makes extensive use of the dha (sword) in pairs. Sword-fencing demonstrations and performances often begin with a pre-fight war dance in which the swordsman spins one or two swords very close to the body without cutting themselves. There are 37 sword forms. Sword training is conducted with the weapon still sheathed. Traditionally when a master first presents the student with a sword, the scabbard would be fixed on so that the trainee is discouraged from killing opponents. Under extreme conditions when the sword must be unsheathed, the scabbard may be broken with a rock or other object. Image:defense contre sabre.jpg, Defense with the staff Image:Panther_danse.jpg, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myanmar
Myanmar, ; UK pronunciations: US pronunciations incl. . Note: Wikipedia's IPA conventions require indicating /r/ even in British English although only some British English speakers pronounce r at the end of syllables. As John C. Wells, John Wells explains, the English spellings of both Myanmar and Burma assume a non-rhotic variety of English, in which the letter r before a consonant or finally serves merely to indicate a long vowel: [ˈmjænmɑː, ˈbɜːmə]. So the pronunciation of the last syllable of Myanmar as [mɑːr] or of Burma as [bɜːrmə] by some speakers in the UK and most speakers in North America is in fact a spelling pronunciation based on a misunderstanding of non-rhotic spelling conventions. The final ''r'' in ''Myanmar'' was not intended for pronunciation and is there to ensure that the final a is pronounced with the broad a, broad ''ah'' () in "father". If the Burmese name my, မြန်မာ, label=none were spelled "Myanma" in English, this would b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendo
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). Today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of '' kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as '' kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the 8th headmaster of the Kashima Shinden Jikishinkage-ryū Kenjutsu, is credited with improving the art with Japanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naban
Naban ( my, နပန်း, ) is a traditional form of grappling from Myanmar. Naban is integrated into other fighting styles instead of existing as a separate martial art.Green, T. (2001). Martial Arts of the World An Encyclopedia (Vol. 1). Originally based on Indian wrestling, it is practiced primarily in rural areas. Naban is especially popular among the Kachin and Chin tribes that have Himalayan origins. Techniques include joint locks, strikes to pressure points, palm strikes, foot strikes and chokeholds. Any part of the opponent's body is a legal target. See also *Bando * Banshay *Lethwei *Khmer traditional wrestling *Kyin *Malla-yuddha Malla-yuddha (Sanskrit: मल्लयुद्ध, ) is the traditional form of combat-wrestling originating in India. It is closely related to Southeast Asian wrestling styles such as naban and is one of the two ancestors of kushti. Indian ... References Burmese martial arts Sport in Myanmar Sports originating in Myanma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lethwei
Lethwei ( my, လက်ဝှေ့; IPA: ) or Burmese boxing, is a full contact combat sport from Myanmar that uses stand-up striking including headbutts. Lethwei is considered to be one of the most brutal martial arts in the world, * * * as the sport is practiced bareknuckle with only tape and gauze while fighters are allowed to strike with their fists, elbows, knees, and feet, and the use of headbutts is also permitted. Disallowed in most combat sports, headbutts are important weapons in a Lethwei fighter's arsenal, giving Lethwei its name of The Art of 9 Limbs, and deemed one of the bloodiest martial arts. A vast majority of Lethwei fighters originate from the Karen ethnicity. History The traditional martial arts of Myanmar are regrouped under the term called Thaing which includes bando, banshay, naban, shan gyi and Lethwei. According to researchers, thaing can be traced in its earliest form to the 12th century of the Pagan Kingdom dynasty. In ancient times, matches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bando
Bando ( my, ဗန်တို, ) is a defensive unarmed martial art from Myanmar. Bando is sometimes mistakenly used as a generic word for all Burmese martial arts, but it is only one martial art; Burmese fighting systems collectively are referred to as ''thaing''. Training As with most Asian martial arts, bando schools start off by teaching the basic stances and footwork. This preliminary stage of training traditionally lasts for several months, although many instructors today avoid doing so. In the second stage of training, a series of blocking and parrying techniques is taught. Bando prioritises defense over offense so that the student will be able to protect themselves should the need arise. The defensive approach is also meant to discourage aggression and teach students to apply their skills with care. Offensive moves are taught in the third stage. Most of bando's techniques are taught through forms or ''aka''. Aka are first practiced solo, before the student progresses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Silambam Association
The World Silambam Association (WSA) ( ta, உலக சிலம்பம் சங்கம்) is the official international body of Silambam for Worldwide and a recognized Non-Governmental Organization. On November 22, 1999, the primary name of Silambam, which originated from the ancient Tamil Nadu State of India, was documented by Guruji Murugan Chillayah to become the official organization name to provide Indian traditional arts and sports for education, health, fitness, culture, nature, climate change, recreation, and dissemination work. The primary name Silambam was legally registered and recognized as a formalized organization after receiving security clearance approval from the Regulatory Authority. It was followed by the formation of Silambam Asia, registered with members from twelve countries on the Asia continent and officially recognized by the United Nations, which has expanded and grown further throughout the Asia continent and worldwide. The World Silambam Associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varma Kalai
Varma Kalai (Tamil: ''varmakkalai'', Malayalam and Sanskrit: ''marma-vidya'', Sinhala: ''maru kalā'', Telugu: ''marma-vidya kaḷa'') is a Tamil traditional art of vital points. It originated in present-day Kanyakumari,Tamilnadu, the southernmost part of India. It combines massage, alternative medicine, traditional yoga and martial arts in which the body's pressure points (''varmam'') are manipulated to heal or cause harm. The healing application called ''Vaidhiya Murai'' is part of Siddha medicine (''siddha vaidyam''). Its combat application is known as ''Adimurai'' (it includes a component called ''Varma Adi'', meaning "pressure-point striking") can be done either empty-handed or with a blunt weapon such as a stick or staff. ''Varma Kalai'' is usually taught in the advanced stage of Adimurai, Kalaripayattu, and Silambam in Kerala and Tamil Nadu respectively;Stevens, B; ''From Lee to Li'', HarperCollins 2009 strikes are targeted at the nerves, veins, tendons, soft tissues or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thang-ta
Huyen langlon is an Indian martial art from Manipur. In the Meitei language, means war while or can mean net, knowledge or art. consists of two main components: thang-ta (armed combat) and sarit sarak (unarmed fighting). The primary weapons of huyen langlon are the ''thang'' (sword) and ''ta'' (spear). The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling (''mukna''). Because of Manipur's cultural similarity and geographical proximity with Myanmar, is closely related to Burmese bando and banshay. The thang-ta aspect of can be practiced in three ways: ritual, demonstration, and combat. The first way is related to tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These routines can be converted into actual fighting practices. The third way is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahtib
Tahtib ( arz, تحطيب, taḥṭīb) is the term for a traditional stick-fighting martial art originally named ''fan a'nazaha wa-tahtib'' ("the art of being straight and honest through the use of stick"). The original martial version of tahtib later evolved into an Egyptian folk dance with a wooden stick. It is commonly described in English as a "stick dance", "cane dance", "stick-dancing game", or as ritual mock combat accompanied by music. Nowadays, the word ''tahtib'' encompasses both martial practice and performance art. It is mainly practiced today in Upper Egypt. Tahtib is regularly performed for tourists in Luxor and Aswan. The stick used in tahtib is about four feet in length and is called an ''asa'', ''asaya'', ''assaya'', or ''nabboot''. It is often flailed in large figure-eight patterns across the body with such speed that the displacement of air is loudly discernible. History The oldest traces of tahtib were found on engravings from the archaeological site of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silambam Asia
The Silambam Asia (SILA) ( ta, சிலம்பம் ஆசியா) (IAST: Silambam Āsiyā) is the official international body of Silambam for the Continent of Asia and a Non-Governmental Organization recognized by the World Silambam Association (WSA). On November 22, 1999, the primary name of Silambam, which originated from the ancient Tamil Nadu State of India, was documented by Guruji Murugan Chillayah to become the official organization name to provide Indian traditional arts and sports for education, health, fitness, culture, nature, climate change, recreation, and dissemination work. The primary name Silambam was legally registered and recognized as a formalized organization after receiving security clearance approval from the Regulatory Authority. It was followed by the formation of Silambam Asia, registered with members from twelve countries on the Asia continent and officially recognized by the United Nations, which has expanded and grown further throughout the Asi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silambam
Silambam is an Indian martial art originating in South India in the Indian subcontinent. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam. Origin References in the ''Silappadikkaram'' and other works of the Sangam literature show that Silambam has been practiced since at least the 4th century BC. It derives from the Tamil word silam, meaning hill. The term silambambu referred to a particular type of bamboo from the Kurinjimala (kurinji hills) in present-day Kerala. Thus silambam was named after its primary weapon, the bamboo staff. It may have earlier used for self-defense and to ward off animals in the Kurinji hills and later evolved into the present-day martial art. Bamboo staffs – as well as swords, pearls and armor – were in great demand from foreign traders. The ancient city of Madurai formed as the point of focus of Silambam's spreading. The Silambam staff was acquired by the Egyptia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuttu Varisai
Silambam is an Indian martial art originating in South India in the Indian subcontinent. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam. Origin References in the ''Silappadikkaram'' and other works of the Sangam literature show that Silambam has been practiced since at least the 4th century BC. It derives from the Tamil word silam, meaning hill. The term silambambu referred to a particular type of bamboo from the Kurinjimala (kurinji hills) in present-day Kerala. Thus silambam was named after its primary weapon, the bamboo staff. It may have earlier used for self-defense and to ward off animals in the Kurinji hills and later evolved into the present-day martial art. Bamboo staffs – as well as swords, pearls and armor – were in great demand from foreign traders. The ancient city of Madurai formed as the point of focus of Silambam's spreading. The Silambam staff was acquired by the Egypti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(14802472843).jpg "Click for more on -> Lethwei")
