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Baglamadaki
The baglamas ( el, μπαγλαμάς) (plural '' baglamades'') or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko. The body is often hollowed out from a piece of wood (''skaftos'', construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police. The name comes from Turkish , a similar instrument. See also * Bouzouki * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglamas
The baglamas ( el, μπαγλαμάς) (plural '' baglamades'') or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko. The body is often hollowed out from a piece of wood (''skaftos'', construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police. The name comes from Turkish , a similar instrument. See also * Bouzouki * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries. ''Bağlama'' ( tr, bağlama) is Turkish from ''bağlamak'', "to tie". It is . ''Saz'' ( fa, ساز) means "to make; to compose" in Persian. It is . According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey." Like the Western lute and the Middle-Eastern oud, it has a deep round back, but a much longer neck. It can be played with a plectrum or with a fingerpicking style known as ''şelpe''. In the music of Greece the name ''baglamas'' ( el, μπαγλαμάς) is given to a treble bouzouki, a related instrument. The Turkish settlement of Anatolia from the late eleventh century onward saw the introduction of a two-string Turkmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavta
The lavta is a plucked string music instrument from Istanbul. Description The Lavta has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut like an oud but it has only 7 strings in 4 courses and is tuned E AA dd gg (like the oud), or sometimes A dd aa d'd' (in intervals of 5ths like laouto - as well as 4ths); it is also sometimes tuned to Turkish Bolahenk tuning C G D A, which is the same as G D A E in concert pitch. The adjustable frets are made from tied bits of gut on the fingerboard, at the microtonal intervals of the makam system. This is more closely related to instruments like tanbur than to the fretless oud and the 12-frets of the octave laouto. The bridge usually has mustache-shaped ends. The fingerboard is flush with the soundboard, is often unvarnished, and has a carved and inlaid rosette. Some lavta have a pegbox like the oud (angling down), others more like a guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop-shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting ''The Tale of the'' , a war chronicle from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , helped prol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries. ''Bağlama'' ( tr, bağlama) is Turkish from ''bağlamak'', "to tie". It is . ''Saz'' ( fa, ساز) means "to make; to compose" in Persian. It is . According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey." Like the Western lute and the Middle-Eastern oud, it has a deep round back, but a much longer neck. It can be played with a plectrum or with a fingerpicking style known as ''şelpe''. In the music of Greece the name ''baglamas'' ( el, μπαγλαμάς) is given to a treble bouzouki, a related instrument. The Turkish settlement of Anatolia from the late eleventh century onward saw the introduction of a two-string Turkmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetiko
Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s onwards. Rebetiko briefly can be described as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word ( el, ρεμπέτης, ). The word is today construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture. The etymology of the word remains the subject of dispute and uncertainty; an early scholar of rebetiko, Elias Petropoulos, and the modern Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stave (wood)
] A stave is a narrow length of wood with a slightly bevelled edge to form the sides of barrels, tanks, tubs, vats and pipelines, originally handmade by coopers. They have been used in the construction of large holding tanks and penstocks at hydro power developments. They are also used in the construction of certain musical instruments with rounded bodies or backs. See also *Rubicon Hydroelectric Scheme, which has wood stave penstocks on operating power stations *Lake Margaret Power Station The Lake Margaret Power Stations comprise two hydroelectric power stations located in Western Tasmania, Australia. The power stations are part of the King Yolande Power Scheme and are owned and operated by Hydro Tasmania. Officially the Upper ..., which had a wood stave penstock replaced in 2010 References Structural engineering Woodworking {{civil-engineering-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuning ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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