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Burnishing (pottery)
Burnishing is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even glass bulbs, while it still is in a leathery 'green' state, i.e., before firing. After firing, the surface is extremely shiny. This technique can be applied to concrete masonry, creating a polished finish. Burnishing can also be applied to wood, by rubbing two pieces together along the grain. Hard woods take the treatment best. Burnishing does not protect the wood like a varnish does, but does impart a glossy sheen. See also *Black-burnished ware, a type of Romano-British ceramic *Black-on-black ware, a pottery tradition developed by Puebloan Native American ceramic artists *Northern Black Polished Ware The Northern Black Polished Ware culture (abbreviated NBPW or NBP) is an urban Iron Age Indian culture of the Indian Subcontinent, lasting c. 700–200 BCE (proto NBPW between 1200 and 700 ...
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Tripod Vessel With Lid, Mexico, Campeche, Classic Myan Period, C
A tripod is a portable three-legged frame or stand, used as a platform for supporting the weight and maintaining the stability of some other object. The three-legged (triangular stance) design provides good stability against gravitational loads as well as horizontal shear forces, and better leverage for resisting tipping over due to lateral forces can be achieved by spreading the legs away from the vertical centre. Variations with one, two, and four legs are termed ''monopod'', ''bipod'', and ''quadripod'' (similar to a table). Etymology First attested in English in the early 17th century, the word ''tripod'' comes via Latin ''tripodis'' (GEN of ''tripus''), which is the romanization of Greek (''tripous''), "three-footed" (GEN , ''tripodos''), ultimately from (''tri-''), "three times" (from , ''tria'', "three") + (''pous''), "foot". The earliest attested form of the word is the Mycenaean Greek , ''ti-ri-po'', written in Linear B syllabic script. Cultural use Many cultur ...
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Maria Martinez Pot
Maria may refer to: People * Mary, mother of Jesus * Maria (given name), a popular given name in many languages Place names Extraterrestrial *170 Maria, a Main belt S-type asteroid discovered in 1877 *Lunar maria (plural of ''mare''), large, dark basaltic plains on Earth's Moon Terrestrial *Maria, Maevatanana, Madagascar *Maria, Quebec, Canada *Maria, Siquijor, the Philippines *María, Spain, in Andalusia *Îles Maria, French Polynesia *María de Huerva, Aragon, Spain *Villa Maria (other) Arts, entertainment, and media Films * ''Maria'' (1947 film), Swedish film * ''Maria'' (1975 film), Swedish film * ''Maria'' (2003 film), Romanian film * ''Maria'' (2019 film), Filipino film * ''Maria'' (2021 film), Canadian film directed by Alec Pronovost * ''Maria'' (Sinhala film), Sri Lankan upcoming film Literature * ''María'' (novel), an 1867 novel by Jorge Isaacs * ''Maria'' (Ukrainian novel), a 1934 novel by the Ukrainian writer Ulas Samchuk * ''Maria'' (play), a 1935 play b ...
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Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ...
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Polishing
Polishing is the process of creating a smooth and shiny surface by rubbing it or by applying a chemical treatment, leaving a clean surface with a significant specular reflection (still limited by the index of refraction of the material according to the Fresnel equations). In some materials (such as metals, glasses, black or transparent stones), polishing is also able to reduce diffuse reflection to minimal values. When an unpolished surface is magnified thousands of times, it usually looks like a succession of mountains and valleys. By repeated abrasion, those "mountains" are worn down until they are flat or just small "hills." The process of polishing with abrasives starts with a coarse grain size and gradually proceeds to the finer ones to efficiently flatten the surface imperfections and to obtain optimal results. Mechanical properties The strength of polished products can be higher than their unpolished counterparts owing to the removal of stress concentrations present ...
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Pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ...
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Concrete Masonry Unit
A concrete masonry unit (CMU) is a standard-size rectangular block used in building construction. CMUs are some of the most versatile building products available because of the wide variety of appearances that can be achieved using them. Those that use cinders ( fly ash or bottom ash) as an aggregate material are called cinder blocks in the United States, breeze blocks (''breeze'' is a synonym of ''ash'') in the United Kingdom, and hollow blocks in the Philippines. In New Zealand and Canada they are known as concrete blocks (a name common in the United States also). In New Zealand, they are also called construction blocks. In Australia, they are known as Besser blocks or Besser bricks, because the Besser Company was a major supplier of machines that made concrete blocks. Clinker blocks use clinker as aggregate. In non-technical usage, the terms ''cinder block'' and ''breeze block'' are often generalized to cover all of these varieties. Composition Concrete blocks are ma ...
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Surface Finishing
Surface finishing is a broad range of industrial processes that alter the surface of a manufactured item to achieve a certain property. Finishing processes may be employed to: improve appearance, adhesion or wettability, solderability, corrosion resistance, tarnish resistance, chemical resistance, wear resistance, hardness, modify electrical conductivity, remove burrs and other surface flaws, and control the surface friction.. In limited cases some of these techniques can be used to restore original dimensions to salvage or repair an item. An unfinished surface is often called '' mill finish''. Surface finishing processes can be categorized by how they affect the workpiece: *Removing or reshaping finishing *Adding or altering finishing Mechanical processes may also be categorized together because of similarities the final surface finish. Adding and altering *Blanching * Burnishing * Calendering *Case hardening *Ceramic glaze *Cladding *Corona treatment *Diffusion processes: **C ...
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Wood Grain
Wood grain is the longitudinal arrangement of wood fibers or the pattern resulting from such an arrangement. Definition and meanings R. Bruce Hoadley wrote that ''grain'' is a "confusingly versatile term" with numerous different uses, including the direction of the wood cells (e.g., ''straight grain'', ''spiral grain''), surface appearance or figure, growth-ring placement (e.g., ''vertical grain''), plane of the cut (e.g., ''end grain''), rate of growth (e.g., ''narrow grain''), and relative cell size (e.g., ''open grain'').Hoadley, R. Bruce. "Glossary." ''Understanding Wood: A Craftsman's Guide to Wood Technology''. Newtown, Conn.: Taunton, 1980. 265. Print. Physical aspects Perhaps the most important physical aspect of wood grain in woodworking is the grain direction or slope (e.g. against the grain). The two basic categories of grain are straight and cross grain. Straight grain runs parallel to the longitudinal axis of the piece. Cross grain deviates from the longitudinal a ...
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Varnish
Varnish is a clear transparent hard protective coating or film. It is not a stain. It usually has a yellowish shade from the manufacturing process and materials used, but it may also be pigmented as desired, and is sold commercially in various shades. Varnish is primarily used as a wood finish where, stained or not, the distinctive tones and grains in the wood are intended to be visible. Varnish finishes are naturally glossy, but satin/semi-gloss and flat sheens are available. History The word "varnish" comes from Mediaeval Latin ''vernix'', meaning odorous resin, itself derived from Middle Greek ''berōnikón'' or ''beroníkē'', meaning amber or amber-colored glass. A false etymology traces the word to the Greek ''Berenice'', the ancient name of modern Benghazi in Libya, where the first varnishes in the Mediterranean area were supposedly used and where resins from the trees of now-vanished forests were sold. Early varnishes were developed by mixing resin—pine sap, for ex ...
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Black-burnished Ware
Black-burnished ware is a type of Romano-British ceramic. Burnishing is a pottery treatment in which the surface of the pot is polished, using a hard smooth surface. The classification includes two entirely different pottery types which share many stylistic characteristics. Black burnished ware 1 (BB1), is a black, coarse and gritty fabric. Vessels are hand made. Black burnished ware 2 (BB2) is a finer, grey-coloured, wheel thrown fabric. Decoration on both types includes burnished lattice or, additionally, in the case of bowls and dishes, a wavy line design. Standard forms across both types include jars with everted rims and bowls with upright or flat flanged rims. Black Burnished Ware 1 Black Burnished Ware Category 1 (BB1) is made from a clay body that has a coarse texture. The clay body can contain black iron ores, flint, quartz, red iron ores, shale fragments, and white mica.Tyers, P A. "South-east Dorset black-burnished 1." Potsherd. Accessed February 21, 2011. Last mo ...
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Black-on-black Ware
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from '' Kha'po Owingeh'' and '' P'ohwhóge Owingeh'' pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors. Blackware and black-on-black ware The artists of ''Kha'po Owingeh'' (Tewa: ɑ̀ʔp’òː ʔówîŋgè, also ca ...
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Northern Black Polished Ware
The Northern Black Polished Ware culture (abbreviated NBPW or NBP) is an urban Iron Age Indian culture of the Indian Subcontinent, lasting c. 700–200 BCE (proto NBPW between 1200 and 700 BCE), succeeding the Painted Grey Ware culture and Black and red ware culture. It developed beginning around 700 BCE, in the late Vedic period, and peaked from c. 500–300 BCE, coinciding with the emergence of 16 great states or mahajanapadas in Northern India, and the subsequent rise of the Mauryan Empire. Recent archaeological evidences have pushed back NBPW date to 1200 BCE at Nalanda district, in Bihar, where its earliest occurrences have been recorded and carbon dated from the site of Juafardih. Similarly sites at Akra and Ter Kala Dheri from Bannu have provided carbon dating of 900-790 BCE and 1000-400 BCE, and at Ayodhya around 13th century BC or 1000 BCE. Overview The diagnostic artifact and namesake of this culture is the Northern Black Polished Ware, a luxury style of burnished ...
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