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Broderie (garden Feature)
A ''parterre'' is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of the garden nearest the house, perhaps after a terrace. The view of it from inside the house, especially from the upper floors, was a major consideration in its design. The word "parterre" was and is used both for the whole part of the garden containing parterres and for each individual section between the "alleys". The pattern or the borders of the beds may be marked by low, tightly pruned, evergreen hedge (gardening), hedging, and their interiors may be planted with flowers or other plants or filled with mulch or gravel. Parterres need not have any flowers at all, and the originals from the 17th and 18th centuries had far fewer than modern survivals or reconstructions. Statues or small evergreen trees, clipped as pyramids or other sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrest Park Apprentice Gardeners Creating A Parterre
Wrest Park is a country estate located in Silsoe, Bedfordshire, England. It comprises Wrest Park, a Grade I listed country house, and Wrest Park Gardens, also Grade I listed, formal gardens surrounding the mansion. History Thomas Carew (1595–1640) wrote his country house poem "To My Friend G.N. from Wrest" in 1639 that described the old house which was demolished between 1834 and 1840. The present house was built in 1834–39, to designs by its owner Thomas de Grey, 2nd Earl de Grey (1781–1859), an amateur architect and the first president of the Royal Institute of British Architects, who was inspired by buildings he had seen on trips to Paris. He based his house on designs published in French architectural books such as Jacques-François Blondel's ''Architecture Française'' (1752). The works were superintended as clerk of works on site by James Clephan, who had been clerk of the works at the Liddell seat, Ravensworth Castle in County Durham, and had recently served as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château D'Anet
The Château d'Anet is a château near Dreux, in the Eure-et-Loir department in northern France, built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France. It was built on the former château at the center of the domains of Diane's deceased husband, Louis de Brézé, seigneur d'Anet, Marshal of Normandy and Master of the Hunt. The château is especially noted for its exterior, notably the '' Fountain of Diana'', a statue of Diane de Poitiers as Diana, goddess of the hunt, and the '' Nymph of Anet'', a relief by Benvenuto Cellini over the portal. Anet was the site of one of the first Italianate parterre gardens centered on the building's façade in France; the garden designer in charge was Jacques Mollet, who trained his son at Anet, Claude Mollet, destined to become royal gardener to three French kings. History Era of Diane de Poitiers and her descendants The château, which faced the south, was built partly upon the foundations a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an Achievement (heraldry), achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge (heraldry), charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a Lozenge (heraldry), lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a Cartouche (design), cartouche, or oval. Other shapes are also in use, such as the roundel (heraldry), roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in Coats of ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (European Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moresque
Moresque is an obsolete alternative term to "Moorish" in English, and in the arts has some specific meanings. By itself, the word is used to describe the stylized plant-based forms of tendrils and leaves found in ornament and decoration in the applied arts in Renaissance Europe that are derived from the arabesque patterns of Islamic ornament. Like their Islamic ancestors, they differ from the typical European plant scroll in being many-branched and spreading rather than forming a line in one direction. The use of half-leaves with their longest side running along the stem is typical for both. First found in 15th-century Italy, especially Venice, moresques continue in the Mannerist and Northern Mannerist styles of the 16th century. Figures Another, related, meaning was defined in 1611 by Randle Cotgrave's ''A Dictionarie of the French and English Tongues'' as: "a rude or anticke painting, or carving, wherin the feet and tayles of beasts, &c, are intermingled with, or made t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Boyceau
Jacques Boyceau, sieur de la Barauderie (ca. 1560 – 1633) was a French garden designer, the superintendent of royal gardens under Louis XIII, whose posthumously produced ''Traité du iardinage selon les raisons de la nature et de l'art. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements'' was published in 1638. Its sixty engravings after Boyceau's designs make it one of the milestones in tracing the history of the Garden à la française (French formal garden). His nephew Jacques de Menours, who produced the volume, included an engraved frontispiece with the portrait of Boyceau. A few of the plates show formally planted ''bosquets'', but the majority are of designs for parterres. The accompanying text asserts that some of these designs have been used at royal residences: the Palais du Luxembourg, where the two axes at right angles survive from Boyceau's original plan, the Jardin des Tuileries, the newly built château of Saint Germain-en-Laye, eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gervase Markham
Gervase (or Jervis) Markham (ca. 1568 – 3 February 1637) was an English poet and writer. He was best known for his work '' The English Huswife, Containing the Inward and Outward Virtues Which Ought to Be in a Complete Woman'', first published in London in 1615. Life Markham was the third son of Sir Robert Markham of Cotham, Nottinghamshire, and his wife, and was probably born in 1568. He was a soldier of fortune in the Low Countries, and later was a captain under the Earl of Essex's command in Ireland. He was acquainted with Latin and several modern languages, and had an exhaustive practical acquaintance with the arts of forestry and agriculture. He was a noted horse-breeder, and is said to have imported the first Arabian horse to England. Very little is known of the events of his life. The story of the murderous quarrel between Gervase Markham and Sir John Holles related in the ''Biographia'' (s.v. Holles) has been generally connected with him, but in the '' Dictionary of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buxus
''Buxus'' is a genus of about seventy species in the family Buxaceae. Common names include box or boxwood. The boxes are native to western and southern Europe, southwest, southern and eastern Asia, Africa, Madagascar, northernmost South America, Central America, Mexico and the Caribbean, with the majority of species being tropical or subtropical; only the European and some Asian species are frost-tolerant. Centres of diversity occur in Cuba (about 30 species), China (17 species) and Madagascar (9 species). They are slow-growing evergreen shrubs and small trees, growing to 2–12 m (rarely 15 m) tall. The leaves are opposite, rounded to lanceolate, and leathery; they are small in most species, typically 1.5–5 cm long and 0.3–2.5 cm broad, but up to 11 cm long and 5 cm broad in ''B. macrocarpa''. The flowers are small and yellow-green, monoecious with both sexes present on a plant. The fruit is a small capsule 0.5–1.5 cm long (to 3 cm i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Francini
__NOTOC__ Tommaso Francini (1571–1651) and his younger brother Alessandro Francini (or Thomas Francine and Alexandre Francine in France) were Florentine hydraulics engineers and garden designers. They worked for Francesco I de' Medici, Grand Duke of Tuscany, above all at the Villa Medicea di Pratolino, whose water features Francesco de Vieri described thus in 1586: "the statues there turn about, play music, jet streams of water, are so many and such stupendous artworks in hidden places, that one who saw them all together would be in ecstasies over them." Francesco de' Medici's heir, his brother Ferdinando, was persuaded to part with the Francini brothers in 1597 by his niece Maria, married to Henri IV of France. Their first project, begun in 1598, was to provide fountains, grottoes, waterworks and, above all, water-driven automata for the series of garden terraces at Saint-Germain-en-Laye. The main feature there was a great fountain, from which water was channeled and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
