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Bodegón
The term ''bodega'' in Spanish can mean "pantry", "tavern", or "wine cellar". The derivative term ''bodegón'' is an augmentative that refers to a large ''bodega'', usually in a derogatory fashion. In Spanish art, a ''bodegón'' is a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but with significant still life elements, typically set in a kitchen or tavern. It also refers to low-life or everyday objects, which can be painted with flowers, fruits, or other objects to display the painter's mastery.Johnson, Paul. ''Art: A New History'', Weidenfeld & Nicolson, 2003, p. 353. History Beginning in the Baroque period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still life painting appears to have started and was far more popular in the contemporary Flemish and Dutch artists (Belgium and Netherlands today), than in sou ...
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Juan Van Der Hamen
Juan van der Hamen y (Gómez de) León (baptized 8 April 1596 – 28 March 1631) was a Spanish painter, a master of still life paintings, also called bodegón, bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scale works for churches and convents. Today he is remembered mostly for his still lifes, a genre he popularized in 1620s Madrid. Life Juan van der Hamen was baptism, baptized on 8 April 1596 in Madrid and was probably born there just days before that date. His father was Jan van der Hamen, a Flemish people, Flemish courtier, who had moved from Brussels to Madrid as an archer before 1586. According to 18th-century sources, he was also a painter, but there is no evidence for this. Juan van der Hamen's mother was Dorotea Witman Gómez de León, a half-Flemish mother of noble Toledo, Spain, Toledan ancestry. Van der Hamen and his two brothers Pedro and Lorenzo, both of whom were writers, emphasized their Spanish roots by using all or part of ...
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Juan Sánchez Cotán
Juan Sánchez Cotán (June 25, 1560 – September 8, 1627) was a Spanish Baroque painter, a pioneer of realism in Spain. His still lifes and '' bodegones'' were painted in an austere style, especially when compared to similar works in the Netherlands and Italy. Life Sánchez Cotán was born in the town of Orgaz, near Toledo, Spain. He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism the disciple developed further. Cotán began by painting altarpieces and religious works. For approximately twenty years, patronized by the city’s aristocracy, he pursued a successful career as an artist in Toledo painting religious scenes, portraits and still lifes. These paintings found a receptive audience among the educated intellectuals of Toledo society. Sánchez Cotán executed his notable still lifes around the beginning of the seventeenth century, before the end of his secular life. On August 10, 1603, S ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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The Waterseller Of Seville (Velázquez)
''The Waterseller of Seville'' is the title of three paintings by Spanish artist Diego Velázquez, dating from 1618–1622. The original version is considered to be among the finest works of the painter's Seville period and is displayed in the Wellington Collection of Apsley House. The original version was painted by Velázquez when he was in his late teens or early twenties. Looking at this painting, there is an older man, a young boy, and a bystander in the background. The old man is handing the young boy a glass of water but, they never look at each other, nor do they make eye contact with the viewer. History According to José Gudiol, the ''Waterseller of Seville'' by Velázquez was painted shortly before moving to Madrid. Gudiol also classified this painting as a bodegón, due to the depiction of beverages. Art historians typically compare this painting to the still lifes that were painted during the seventeenth century in Spain because this painting is very simple with a ...
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Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ...
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Alejandro De Loarte
Alejandro de Loarte (c.1590/1600 – 12 December 1626) was a Spanish painter, active during the late Renaissance and early Baroque periods. He specialized in still-lifes. Life and work There is very little biographical information available and most of the dates in his life are approximations. We do know that his father, a painter named Jerónimo de Loarte, was probably his first teacher and survived him. At his death, he was in charge of a prestigious studio in Madrid and, just before his death in Toledo, named the artist Pedro Orrente as his executor. His religious paintings varied in quality; some were even copies. His style is closely related to that of Luis Tristán, and the influence of Orrente is obvious. A large canvas of "Saint Bernard with his Monks", in the convent of the Basilica of San Francisco el Grande, once believed to be the work of Francisco Pacheco, has been reattributed to him. Still-lifes form the bulk of his work and he seems to have developed his style ...
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Kitchen Scene - 1610-25
A kitchen is a room or part of a room used for cooking and food preparation in a dwelling or in a commercial establishment. A modern middle-class residential kitchen is typically equipped with a stove, a sink with hot and cold running water, a refrigerator, and worktops and kitchen cabinets arranged according to a modular design. Many households have a microwave oven, a dishwasher, and other electric appliances. The main functions of a kitchen are to store, prepare and cook food (and to complete related tasks such as dishwashing). The room or area may also be used for dining (or small meals such as breakfast), entertaining and laundry. The design and construction of kitchens is a huge market all over the world. Commercial kitchens are found in restaurants, cafeterias, hotels, hospitals, educational and workplace facilities, army barracks, and similar establishments. These kitchens are generally larger and equipped with bigger and more heavy-duty equipment than a residentia ...
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Scottish National Gallery
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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Religious Painting
Religious art is artistic imagery using religious inspiration and motifs and is often intended to uplift the mind to the spiritual. Sacred art involves the ritual and cultic practices and practical and operative aspects of the path of the spiritual realization within the artist's religious tradition. Buddhist art Buddhist art originated on the Indian subcontinent following the historical life of Siddhartha Gautama, 6th to 5th century BC, and thereafter evolved by contact with other cultures as it spread throughout Asia and the world. Buddhist art followed believers as the dharma spread, adapted, and evolved in each new host country. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art. Buddhist art followed to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, the Buddhist art flourished and even influenced the development of Hindu art, until Buddhism nearly disappeared in In ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ...
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Lamb Of God
Lamb of God ( el, Ἀμνὸς τοῦ Θεοῦ, Amnòs toû Theoû; la, Agnus Dei, ) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36. Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary as a sign of his full obedience to the will of his divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings; 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings. In Genesis 22, the bindi ...
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