Azhwars
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Azhwars
The Alvars ( ta, ஆழ்வார், Āḻvār, translit-std=ISO, lit=The Immersed) were the Tamil poet-saints of South India who espoused ''bhakti'' (devotion) to the Hindu preserver deity Vishnu, in their songs of longing, ecstasy, and service. They are venerated in Vaishnavism, which regards Vishnu as the Ultimate Reality. Many modern academics place the lifetime of the Alvars between the 5th century and 10th century CE. Traditionally, the Alvars are considered to have lived between and . Orthodoxy posits the number of Alvars as ten, though there are other references that include Andal and Madhurakavi Alvar, making the number 12. Andal is the only female Alvar among the 12. Together with the contemporary 63 Shaivite Nayanars, they are among the most important saints from Tamil Nadu. The devotional outpourings of the Alvars, composed during the early medieval period of Tamil history, were the catalysts behind the Bhakti Movement through their hymns of worship to Vis ...
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Thiruppaan Alvar
Tiruppan Alvar () was one of the twelve '' Alvars'' saints of South India, who were poet-saints known for their affiliation to the Vaishnava tradition of Hinduism. The verses of the '' Alvars'' are compiled as the ''Naalayira Divya Prabandham'' and the 108 temples revered are classified as ''divya desams''. Tiruppan Alvar is considered the eleventh in the line of the twelve Alvars. As per local traditions, he was born to a couple from the ''Panar'' community. Tiruppan Alvar is known for his affiliation to Ranganatha of the Srirangam Ranganathaswamy temple and is traditionally believed to have merged with the deity upon his demise. The ten verses of Tiruppan Alvar are called the '' Amalanadhipiran'', and his contributions amount to ten verses among the 4000 stanzas in the '' Naalayira Divya Prabandam''. The works of Tiruppan Alvar contributed to the philosophical and theological ideas of Vaishnavism. In South Indian Vishnu temples, Tiruppan Alvar has images and festivals asso ...
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Thondaradippodi Alvar
Thondaradippodi Alvar or Vipra Narayana was one of the twelve ''azhwars, Alvar'' saints of South India, who are known for their affiliation to Vaishnava tradition of Hinduism. The verses of ''azhwars, Alvars'' are compiled as ''Nalayira Divya Prabandham, Naalayira Divya Prabandham'' and the 108 temples revered are classified as ''Divya desam''. Thondaripodi is considered the tenth in the line of the twelve Alvars. As per Hindu legend, he was born as Vipra Narayana and got devoted to Ranganatha of the Srirangam Ranganathaswamy temple. Since he worshipped even the dust from the devotees of Ranganatha, he attained the name Thondaradipodi. His works are the ''Tirupalliyeḻuchi, Tiruppallieluchi'' having ten verses, and Tirumālai having forty verses, both of which are counted among the 4000 stanzas in the ''Naalayira Divya Prabandam''. The works of Thondaradipodi and other Alvars contributed to the philosophical and theological ideas of Vaishnavism. Along with the three Saiva n ...
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Madhurakavi Alvar
Madhurakavi Alvar was one of the twelve ''Alvars'' saints of South India, who are known for their affiliation to Vaishnava tradition of Hinduism. The verses of the ''Alvars'' are compiled as the ''Naalayira Divya Prabandham'' and the 108 temples revered are classified as ''Divya Desams''. Madhurakavi is considered to be the sixth in the line of the twelve Alvars. He was the disciple of Nammalvar, considered to be the greatest among the twelve Alvars, his contributions amounting to 11 among the 4000 stanzas in the ''Naalayira Divya Prabandam''. Madhurakavi is believed to have recorded and compiled the works of Nammalvar, the ''Tiruvaymoli'' (1102 verses). The 11 verses of '' Kanninun Cirutampu'' composed by Madhurakavi Alvar may be considered to be the inspiration for the 4000 verses of ''Naalayira Divya Prabandham''. These verses were chanted by Nathamuni 12,000 times to propitiate Nammalvar and re-obtain the lost Naalayira Divya Prabandham from Nammalvar. As per Hindu legend, ...
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Murtis
In the Hindu tradition, a ''murti'' ( sa, मूर्ति, mūrti, ) is a devotional image such as a statue, or "idol" (a common and non-pejorative term in Indian English), of a deity or saint. In Hindu temples, it is a symbolic icon. Thus, not all Hindu images of gods and saints are ''murti'', for example, purely decorative sculptures in temples and on the streets. A ''murti'' is itself not a god in Hinduism, but it is a shape, embodiment, or manifestation of a deity. ''Murti'' are also found in some nontheistic Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in '' murtipujaka'' rituals. A ''murti'' is typically made by carving stone, wood working, metal casting or through pottery. Ancient era texts describing their proper proportions, positions and gestures include the Puranas, Agamas, and Samhitas.Klaus Klostermaier (2010), ''A Survey of Hinduism'', State University of New York Press, , pages 264–267 The expressi ...
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Bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti
''Encyclopædia Britannica'' (2009)
In ancient texts such as the '' Shvetashvatara Upanishad'', the term simply means participation, devotion and love for any endeavor, while in the '' Bhagavad Gita'', it connotes one of the possible paths of spirituality and towards

Hypercorrection
In sociolinguistics, hypercorrection is non-standard use of language that results from the over-application of a perceived rule of language-usage prescription. A speaker or writer who produces a hypercorrection generally believes through a misunderstanding of such rules that the form is more "correct", standard, or otherwise preferable, often combined with a desire to appear formal or educated. Linguistic hypercorrection occurs when a real or imagined grammatical rule is applied in an inappropriate context, so that an attempt to be "correct" leads to an incorrect result. It does not occur when a speaker follows "a natural speech instinct", according to Otto Jespersen and Robert J. Menner. Hypercorrection can be found among speakers of less prestigious language varieties who attempt to produce forms associated with high-prestige varieties, even in situations where speakers of those varieties would not. Some commentators call such production ''hyperurbanism''. Hypercorrection ...
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Sampradaya
''Sampradaya'' ( sa, सम्प्रदाय; ), in Indian origin religions, namely Hinduism, Buddhism, Jainism, and Sikhism, can be translated as 'tradition', 'spiritual lineage', 'sect', or 'religious system'. To ensure continuity and transmission of dharma, various ''sampradayas'' have the Guru-shishya parampara in which parampara or lineage of successive ''gurus'' (masters) and '' shishyas'' (disciples) serves as a spiritual channel and provides a reliable network of relationships that lends stability to a religious identity. Shramana is vedic term for seeker or shishya. Identification with and followership of ''sampradayas'' is not static, as ''sampradayas'' allows flexibility where one can leave one ''sampradaya'' and enter another or practice religious syncretism by simultaneously following more than one ''sampradaya''. '' Samparda'' is a punjabi language term, used in Sikhism, for ''sampradayas''. Guru-shishya parampara Sampradayas are living traditions of ...
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Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ...
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Historical Vedic Religion
The historical Vedic religion (also known as Vedicism, Vedism or ancient Hinduism and subsequently Brahmanism (also spelled as Brahminism)), constituted the religious ideas and practices among some Indo-Aryan peoples of northwest Indian Subcontinent (Punjab and the western Ganges plain) during the Vedic period (1500–500 BCE). These ideas and practices are found in the Vedic texts, and some Vedic rituals are still practiced today. It is one of the major traditions which shaped Hinduism, though present-day Hinduism is markedly different from the historical Vedic religion. The Vedic religion developed in the northwestern region of the Indian subcontinent during the early Vedic period (1500–1100 BCE), but has roots in the Eurasian Steppe Sintashta culture (2200–1800 BCE), the subsequent Central Asian Andronovo culture (2000–900 BCE), and the Indus Valley civilization (2600–1900 BCE). It was a composite of the religion of the Central Asian Indo-Aryans, itself "a syncreti ...
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Divya Prabandha
The Naalayira Divya Prabandham ( ta, நாலாயிரத் திவ்வியப் பிரபந்தம், lit=Four Thousand Divine Hymns, translit=Nālāyira Divya Prabandham) is a collection of 4,000 Tamil verses composed by the 12 Alvars. It was compiled in its present form by Nathamuni during the 9th–10th centuries. The work, an important liturgical compilation of the Tamil Alvars, marks the beginning of the canonisation of 12 ''Vaishnava'' poet saints, and these hymns are still sung extensively today. The works were lost before they were collected and organised in the form of an anthology by Nathamuni. Description The ''Divya Prabandham'' sings the praises of Narayana (Vishnu) and his many forms. The Alvars sang these songs at various sacred shrines known as the Divya Desams. The Tamil ''Vaishnavites'' are also known as ''Ubhaya Vedanti'' (those that follow both Vedas, that is, the Sanskrit Rigveda, Yajurveda, Samaveda, and Atharvaveda, as well as ...
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Divya Desam
A Divya Desam or Vaishnava Divya Desam is one of the 108 Vishnu and Lakshmi temples that is mentioned in the works of the Alvars, the poet-saints of the Sri Vaishnava tradition. Of the 108 temples, 105 are in India, one is in Nepal, and the last two are believed to outside the earth, in Tirupparkatal and Vaikuntham. In India, they are spread over the states of Tamil Nadu (84), Kerala (11), Andhra Pradesh (2), Gujarat (1), Uttar Pradesh (4), and Uttarakhand (3). Muktinath, Saligramam is the only Divya Desam in Nepal. The Divya Desams are revered by the 12 Alvars in the ''Naalayira Divya Prabandham'', a collection of 4,000 Tamil verses. The Divya Desams follow either Tenkalai or Vadakalai modes of worship. Etymology In Sanskrit, ''divya'' means "divine" and ''desam'' indicates "realm" (temple). Geography Divya Desams are classified into six regions: #Chera Nadu # Chola Nadu # Pandya Nadu # Pallava Nadu # Vada Nadu # Vinnulaga Divya Desams Alvars and Divya Prabandham The w ...
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History Of Tamil Nadu
The region of Tamil Nadu in the southeast of modern India, shows evidence of having had continuous human habitation from 15,000 BCE to 10,000 BCE. Throughout its history, spanning the early Upper Paleolithic age to modern times, this region has coexisted with various external cultures. The three ancient Tamil dynasties namely Chera, Chola, and Pandya were of ancient origins. Together they ruled over this land with a unique culture and language, contributing to the growth of some of the oldest extant literature in the world. These three dynasties were in constant struggle with each other vying for hegemony over the land. Invasion by the Kalabhras during the 3rd century disturbed the traditional order of the land, displacing the three ruling kingdoms. These occupiers were overthrown by the resurgence of the Pandyas and the Pallavas, who restored the traditional kingdoms. The Cholas who re-emerged from obscurity in the 9th century by defeating the Pallavas and the Pandyas ...
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