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Atar
Atar, Atash, or Azar ( ae, 𐬁𐬙𐬀𐬭, translit=ātar) is the Zoroastrian concept of holy fire, sometimes described in abstract terms as "burning and unburning fire" or "visible and invisible fire" (Mirza, 1987:389). It is considered to be the visible presence of Ahura Mazda and his Asha through the eponymous Yazata. The rituals for purifying a fire are performed 1,128 times a year. In the Avestan language, ''ātar'' is an attribute of sources of heat and light, of which the nominative singular form is ''ātarš'', source of Persian ''ātaš'' (fire). It was once thought to be etymologically related to the Avestan ''āθrauuan'' / ''aθaurun'' (Vedic ''atharvan''), a type of priest, but that is now considered unlikely (Boyce, 2002:16). The ultimate etymology of ''ātar'', previously unknown (Boyce, 2002:1), is now believed to be from the Indo-European *hxehxtr- 'fire'. This would make it related to Latin ''ater'' (black) and possibly a cognate of Albanian ''vatër'', Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha
Asha (; also arta ; ae, 𐬀𐬴𐬀, translit=aṣ̌a/arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right(eousness)', 'order' and 'right working'... For other connotations, see meaning below. It is of cardinal importance. to Zoroastrian theology and doctrine. In the moral sphere, ''aṣ̌a/arta'' represents what has been called "the decisive confessional concept of Zoroastrianism". qtd. in . The opposite of Avestan ''aṣ̌a'' is ''druj'', "deceit, falsehood". Its Old Persian equivalent is ''arta-''. In Middle Iranian languages the term appears as ''ard-''. The word is also the proper name of the divinity Asha, the Amesha Spenta that is the hypostasis or "genius". of "Truth" or "Righteousness". In the Younger Avesta, this figure is more commonly referred to as Asha Vahishta (''Aṣ̌a Vahišta'', ''Arta Vahišta''), "Best Truth". The Middle Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha
Asha (; also arta ; ae, 𐬀𐬴𐬀, translit=aṣ̌a/arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right(eousness)', 'order' and 'right working'... For other connotations, see meaning below. It is of cardinal importance. to Zoroastrian theology and doctrine. In the moral sphere, ''aṣ̌a/arta'' represents what has been called "the decisive confessional concept of Zoroastrianism". qtd. in . The opposite of Avestan ''aṣ̌a'' is ''druj'', "deceit, falsehood". Its Old Persian equivalent is ''arta-''. In Middle Iranian languages the term appears as ''ard-''. The word is also the proper name of the divinity Asha, the Amesha Spenta that is the hypostasis or "genius". of "Truth" or "Righteousness". In the Younger Avesta, this figure is more commonly referred to as Asha Vahishta (''Aṣ̌a Vahišta'', ''Arta Vahišta''), "Best Truth". The Middle Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amesha Spenta
In Zoroastrianism, the Amesha Spenta ( ae, , Aməša Spəṇta—literally "Immortal (which is) holy/bounteous/furthering") are a class of seven divine entities emanating from Ahura Mazda, the highest divinity of the religion. Later Middle Persian variations of the term include the contraction 'Ameshaspand' as well as the specifically Zoroastrian 'Mahraspand' and 'Amahraspand'. As divine entities Significantly more common than the non-specific meaning of ''Amesha Spenta'' (see below) is a restrictive use of the term to refer to the great seven divine entities emanating from Ahura Mazda. In Zoroastrian tradition, these are the first seven emanations of the uncreated creator, through whom all subsequent creation was accomplished. This fundamental doctrine is only alluded to in the Avesta, but is systematically described in later Middle Persian language texts, in particular in the ''Bundahishn'', an 11th or 12th century work that recounts Zoroastrian cosmology. The expression ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasna
Yasna (; ''''. ae, ,) is the name of 's principal act of worship. It is also the name of the primary liturgical collection of texts, recited during that ''yasna'' ceremony. Overview The function of the ''yasna'' ceremony is, very roughly des ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroastrianism
Zoroastrianism is an Iranian religions, Iranian religion and one of the world's History of religion, oldest organized faiths, based on the teachings of the Iranian peoples, Iranian-speaking prophet Zoroaster. It has a Dualism in cosmology, dualistic cosmology of good and evil within the framework of a Monotheism, monotheistic ontology and an eschatology which predicts the ultimate conquest of evil by good. Zoroastrianism exalts an uncreated and benevolent deity of wisdom known as ''Ahura Mazda'' () as its supreme being. Historically, the unique features of Zoroastrianism, such as its monotheism, messianism, belief in Free will in theology, free will and Judgement (afterlife), judgement after death, conception of heaven, hell, Angel, angels, and Demon, demons, among other concepts, may have influenced other religious and philosophical systems, including the Abrahamic religions and Gnosticism, Southern, Eastern and Northern Buddhism, Northern Buddhism, and Ancient Greek philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vendidad
The Vendidad /ˈvendi'dæd/ or Videvdat or Videvdad is a collection of texts within the greater compendium of the Avesta. However, unlike the other texts of the Avesta, the ''Vendidad'' is an ecclesiastical code, not a liturgical manual. Name The name of the texts is a contraction of the Avestan language ''Vî-Daêvô-Dāta'', "Given Against the ''Daeva''s (Demons)", and as the name suggests, the ''Vendidad'' is an enumeration of various manifestations of evil spirits, and ways to confound them. According to the divisions of the Avesta as described in the Denkard, a 9th-century text, the ''Vendidad'' includes all of the 19th ''nask'', which is then the only ''nask'' that has survived in its entirety. Content The ''Vendidad'''s different parts vary widely in character and in age. Although some portions are relatively recent in origin, the subject matter of the greater part is very old. In 1877, Karl Friedrich Geldner identified the texts as being linguistically distinct from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yazata
Yazata ( ae, 𐬫𐬀𐬰𐬀𐬙𐬀) is the Avestan word for a Zoroastrian concept with a wide range of meanings but generally signifying (or used as an epithet of) a divinity. The term literally means "worthy of worship or veneration",.. and is thus, in this more general sense, also applied to certain healing plants, primordial creatures, the ''fravashis'' of the dead, and to certain prayers that are themselves considered holy. The ''yazata''s collectively are "the good powers under Ahura Mazda", who is "the greatest of the ''yazata''s".. Etymology ''Yazata'' is an Avestan-language passive adjectival participle derived from ''yaz-''; "to worship, to honor, to venerate", from Proto-Indo-European ''*yeh₂ǵ-'' (“to worship, revere, sacrifice”). The word ''yasna'' or yagna– "worship, sacrifice, oblation, prayer" – comes from the same root. A ''yaza+ ta'' is accordingly "a being worthy of worship", "an object of worship" or "a holy being". As the stem form, ''yazata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angra Mainyu
Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman 𐭠𐭧𐭫𐭬𐭭𐭩 (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huvishka With Athsho
Huvishka (Kushan: Οοηϸκι, ''Ooēški'', Brahmi: ', '; Kharosthi: 𐨱𐨂𐨬𐨅𐨮𐨿𐨐 ', ') was the emperor of the Kushan Empire from the death of Kanishka (assumed on the best evidence available to be in 150 CE) until the succession of Vasudeva I about thirty years later. His rule was a period of consolidation for the Empire. Huvishka's territory encompassed Balkh in Bactria to Mathura in India, locations where it is known that he minted his coinage. Gold coins and amulets in his effigy were found as far as Pataliputra and Bodh Gaya, including one such amulet as an offering under the Enlightenment Throne of the Buddha in Bodh Gaya, suggesting with other finds of Kushan coins in the area that Kushan rule may have extended this far east. His reign seems to have been essentially peaceful, consolidating Kushan power in northern India, and moving the centre of the Kushan Empire to the southern capital city of Mathura. Religion Huvishka was the son of Kanishka. His re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the ''Vendidad'' and the ''Visperad''. The ''Visperad'' extensions consist mainly of addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasna Haptanghaiti
The ''Yasna Haptanghaiti'' (), Avestan for "Worship in Seven Chapters," is a set of seven hymns within the greater ''Yasna'' collection, that is, within the primary liturgical texts of the Zoroastrian Avesta. Chapter and verse pointers are to ''Yasna'' 35–41. The name is from ''Yasna'' 42, a Younger Avestan text that follows the seven chapters. Age and importance While the first two verses (i.e. ''Y''. 35.1-2, ''cf.'' ) of the ''Yasna Haptanghaiti'' are in Younger Avestan, the rest of the seven hymns are in Gathic Avestan, the more archaic form of the Avestan language. That older part of the ''Yasna Haptanghaiti'' is generally considered to have been composed by the immediate disciples of Zoroaster, either during the prophet's lifetime or shortly after his death. Joanna Narten () has suggested that, like the Gathas, the hymns of the ''Yasna Haptanghaiti'' were composed by Zoroaster himself, but this hypothesis has not received a significant following from the academic community. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatër
The vatër ( sq-definite, vatra) is the domestic hearth in Albanian folklore. The fire of the domestic hearth, zjarri i vatrës, is considered the sustainer of the continuity between the world of the living and that of the dead, and ensures the continuity of the tribe (''fis'') from generation to generation. Etymology The Albanian term ''vatër'', "hearth", "fireplace", is derived from Proto-Indo-European ', and is related to the Avestan , "fire". Tradition The function of the fire of the domestic hearth (''zjarri i vatrës'') is the sustenance of the continuity between the world of the living and that of the dead. After death, the souls of the ancestors (''hije'') assume a divine connotation and remain in contact with the family protecting the domestic hearth. In Albanian tradition, the fire of the domestic hearth is protected also by Nëna e Vatrës (the Mother of the Hearth), a beneficent deity akin to Greek Hestia and Roman Vesta. At feasts, people used to practice sacrific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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