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The Vendidad /ˈvendi'dæd/ or Videvdat or Videvdad is a collection of texts within the greater compendium of the
Avesta The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the litu ...
. However, unlike the other texts of the Avesta, the ''Vendidad'' is an ecclesiastical code, not a liturgical manual.


Name

The name of the texts is a contraction of the
Avestan language Avestan (), or historically Zend, is an umbrella term for two Old Iranian languages: Old Avestan (spoken in the 2nd millennium BCE) and Younger Avestan (spoken in the 1st millennium BCE). They are known only from their conjoined use as the scrip ...
''Vî-Daêvô-Dāta'', "Given Against the ''Daeva''s (Demons)", and as the name suggests, the ''Vendidad'' is an enumeration of various manifestations of evil spirits, and ways to confound them. According to the divisions of the Avesta as described in the
Denkard The ''Dēnkard'' or ''Dēnkart'' (Middle Persian: 𐭣𐭩𐭭𐭪𐭠𐭫𐭲 "Acts of Religion") is a 10th-century compendium of Zoroastrian beliefs and customs during the time. The Denkard is to a great extent considered an "Encyclopedia of Ma ...
, a 9th-century text, the ''Vendidad'' includes all of the 19th ''nask'', which is then the only ''nask'' that has survived in its entirety.


Content

The ''Vendidad'''s different parts vary widely in character and in age. Although some portions are relatively recent in origin, the subject matter of the greater part is very old. In 1877,
Karl Friedrich Geldner Karl Friedrich Geldner (17 December 1852 – 5 February 1929) was a German linguist best known for his analysis and synthesis of Avestan and Vedic Sanskrit texts. Biography Geldner was born in Saalfeld, Saxe-Meiningen, where his father was a ...
identified the texts as being linguistically distinct from both the Old Avestan language texts as well as from the Yashts of the younger Avesta. Today, there is controversy over historical development of the Vendidad. The Vendidad is classified by some as an artificial, young Avestan text. Its language resembles Old Avestan. The Vendidad is thought to be a Magi (Magi-influenced) composition. p. 160ff.
Portions of the book are availabl
online
It has also been suggested that the Vendidad belongs to a particular school, but "no linguistic or textual argument allows us to attain any degree of certainty in these matters." p. 35 The Vendidad consists of 22 fargards containing fragments of discussions between
Ahura Mazda Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. ...
and
Zoroaster Zoroaster,; fa, زرتشت, Zartosht, label=New Persian, Modern Persian; ku, زەردەشت, Zerdeşt also known as Zarathustra,, . Also known as Zarathushtra Spitama, or Ashu Zarathushtra is regarded as the spiritual founder of Zoroastria ...
. The arrangement does not suggest it was composed by the prophet's contemporaries. However, some consider the Vendidad a link to ancient early oral traditions, later written as a book of laws for the Zoroastrian community. The writing of the Vendidad began - perhaps substantially - before the formation of the Median and Persian Empires, before the 8th century B.C.E.. In addition, as with the Yashts, the date of composition of the final version does not exclude the possibility that some parts of the Vendidad may consist of very old material. Even in this modern age, Zoroastrians are continually rewriting old spiritual material. The first chapter is dualistic
creation myth A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develop ...
, followed by the description of a destructive winter. The second chapter recounts the legend of ''Yima'' ( Jamshid). Chapter 19 relates the temptation of
Zoroaster Zoroaster,; fa, زرتشت, Zartosht, label=New Persian, Modern Persian; ku, زەردەشت, Zerdeşt also known as Zarathustra,, . Also known as Zarathushtra Spitama, or Ashu Zarathushtra is regarded as the spiritual founder of Zoroastria ...
, who, when urged by
Angra Mainyu Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of th ...
to turn from the good religion, turns instead towards
Ahura Mazda Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. ...
. The remaining chapters cover diverse rules and regulations, through the adherence of which evil spirits may be confounded. Broken down by subject, these fargards deal with the following topics (chapters where a topic is covered are in brackets): * hygiene (in particular care of the dead) , 5, 6, 7, 8, 16, 17, 19and cleansing
,10 This list contains selected positive numbers in increasing order, including counts of things, dimensionless quantity, dimensionless quantities and probability, probabilities. Each number is given a name in the Long and short scales, short scale ...
* disease, its origin, and spells against it , 10, 11, 13, 20, 21, 22 * mourning for the dead 2 the
Towers of Silence A ''dakhma'' ( fa, دخمه), also known as a Tower of Silence, is a circular, raised structure built by Zoroastrians for excarnation (that is, the exposure of human corpses to the elements for decomposition), in order to avert contaminat ...
and the remuneration of deeds after death 9 * the sanctity of, and invocations to,
Atar Atar, Atash, or Azar ( ae, 𐬁𐬙𐬀𐬭, translit=ātar) is the Zoroastrian concept of holy fire, sometimes described in abstract terms as "burning and unburning fire" or "visible and invisible fire" (Mirza, 1987:389). It is considered to ...
(fire)
Zam Zam or ZAM or similar may refer to: Places * Zam, Burkina Faso, a town **Zam Department *Zam Rural District of Iran *Zam, Hunedoara, a commune in Romania *Zam (river), Hunedoara County, Romania People * ZAM-1, Australian artist and designer *C ...
(earth) ,6 Apas (water) , 8, 21and the light of the stars 1 * the dignity of wealth and charity of marriage , 15and of physical effort * statutes on unacceptable social behaviour 5such as breach of contract and assault * on the worthiness of priests 8 * praise and care of the bull 1 the dog 3, 15 the otter 4 the ''Sraosha'' bird 8 and the ''
Haoma ''Haoma'' (; Avestan: 𐬵𐬀𐬊𐬨𐬀) is a divine plant in Zoroastrianism and in later Persian culture and mythology. ''Haoma'' has its origins in Indo-Iranian religion and is the cognate of Vedic ''soma''. Etymology Both Avestan ''haoma'' ...
'' tree There is a degree of
moral relativism Moral relativism or ethical relativism (often reformulated as relativist ethics or relativist morality) is used to describe several philosophical positions concerned with the differences in moral judgments across different peoples and cultures. ...
apparent in the Vendidad, and the diverse rules and regulations are not always expressed as being mystical, absolute, universal or mandatory. The Vendidad is mainly about social laws, mores, customs and culture. In some instances, the description of prescribed behaviour is accompanied by a description of the penances that have to be made to atone for violations thereof. Such penances include: * payment in cash or kind to the aggrieved; * corporal punishment such as whipping; * repeated recitations of certain parts of the liturgy such as the
Ahuna Vairya Ahuna Vairya (Avestan: 𐬀𐬵𐬎𐬥𐬀 𐬬𐬀𐬌𐬭𐬌𐬌𐬀) is the first of Zoroastrianism's four Gathic Avestan formulas. The text, which appears in ''Yasna'' 27.13, is also known after its opening words yatha ahu vairyo. In Zoroas ...
invocation.


Value of the Vendidad among Zoroastrians

Most of the Zoroastrians continue to use the Vendidad as a valued and fundamental cultural and ethical moral guide, viewing their teachings as essential to Zoroastrian tradition and see it as part of Zoroastrianism original perspectives about the truth of spiritual existence. They argue that it has origins on early oral tradition, being only later written. The emergent reformist Zoroastrian movement reject the later writings in the Avesta as being corruptions of Zarathustra's original teachings and thus do not consider the Vendidad as an original Zoroastrian scripture. They argue that it was written nearly 700 years after the death of Zarathustra and interpret the writing as different from the other parts of the Avesta. An article by Hannah M. G. Shapero sums up the reformist perspective:http://www.pyracantha.com/Z/vendnet.html
"How do Zoroastrians view the Vendidad today? And how many of the laws of the Vendidad are still followed? This depends, as so many other Zoroastrian beliefs and practices do, on whether you are a "reformist" or a "traditionalist." The reformists, following the Gathas as their prime guide, judge the Vendidad harshly as being a deviation from the non-prescriptive, abstract teachings of the Gathas. For them, few if any of the laws or practices in the Vendidad are either in the spirit or the letter of the Gathas, and so they are not to be followed. The reformists prefer to regard the Vendidad as a document which has no religious value but is only of historic or anthropological interest. Many Zoroastrians, in Iran, India, and the world diaspora, inspired by reformists, have chosen to dispense with the Vendidad prescriptions entirely or only to follow those which they believe are not against the original spirit of the Gathas."


Liturgical use

Although the ''Vendidad'' is not a liturgical manual, a section of it may be recited as part of a greater ''
Yasna Yasna (;"Yasna"
''
Anquetil-Duperron's observations), it is very rarely performed at the present day. In such an extended service, ''Visparad'' 12 and ''Vendidad'' 1-4 are inserted between ''Yasna'' 27 and 28. The ''Vendidad'' ceremony is always performed between nightfall and dawn, though a normal ''Yasna'' is performed between dawn and noon. Because of its length and complexity, the ''Vendidad'' is read, rather than recalled from memory as is otherwise necessary for the ''Yasna'' texts. The recitation of the ''Vendidad'' requires a priest of higher rank (one with a ''moti khub'') than is normally necessary for the recitation of the ''Yasna''. The ''Vendidad'' should not be confused with the ''Vendidad Sadé''. The latter is the name for a set of manuscripts of the ''
Yasna Yasna (;"Yasna"
''

See also

*
Avesta The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the litu ...
* Avestan geography


Notes


External links

* {{Zoroastrian literature Zoroastrian texts Avesta