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Assemblage (art)
Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials. History The origin of the art form dates to the cubist constructions of Pablo Picasso c. 1912–1914. The origin of the word (in its artistic sense) can be traced back to the early 1950s, when Jean Dubuffet created a series of collages of butterfly wings, which he titled ''assemblages d'empreintes''. However, Marcel Duchamp, Pablo Picasso and others had been working with found objects for many years prior to Dubuffet. Russian artist Vladimir Tatlin created his "counter-reliefs" in the mid 1910s. Alongside Tatlin, the earliest woman artist to try her hand at assemblage was Elsa von Freytag-Loringhoven, the Dada Baroness. In Paris in the 1920s Alexander Calder, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwitters
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including dadaism, Constructivism (art), constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called ''Merz (art style), Merz Pictures''. Early influences and the beginnings of Merz, 1887–1922 Hanover Kurt Schwitters was born on 20 June 1887 in Hanover, at Rumannstraße No.2, now: No. 8, the only child of Eduard Schwitters and his wife Henriette (née Beckemeyer). His father was (co-)proprietor of a ladies' clothes shop. The business was sold in 1898, and the family used the money to buy some properties in Hanover, which they rented out, allowing the family to live off the income for the rest of Schwitters's life in Germany. In 1893, the family moved to Waldstraße (later renamed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chamberlain (sculptor)
John Angus Chamberlain (April 16, 1927 – December 21, 2011) was an American sculptor. At the time of his death he resided and worked on Shelter Island, New York. Early life and career Born in Rochester, Indiana as the son of a saloonkeeper, Chamberlain was raised mostly by his grandmother after his parents divorced. He spent much of his youth in Chicago. After serving in the U.S. Navy from 1943 to 1946, he attended the Art Institute of Chicago (1951–52) and Black Mountain College (1955–56). At Black Mountain, he studied with the poets Charles Olson, Robert Creeley, and Robert Duncan, who were teaching there that semester.John Chamberlain Dia Art Foundation. The following year, he moved to New York, where for the first time he created sculpture that included scrap-metal auto parts. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huma Bhabha
Huma Bhabha (born 1962) is a Pakistani-American sculptor based in Poughkeepsie, New York. Known for her uniquely grotesque, figurative forms that often appear dissected or dismembered, Bhabha often uses found materials in her sculptures, including styrofoam, cork, rubber, paper, wire, and clay. She occasionally incorporates objects given to her by other people into her artwork. Many of these sculptures are also cast in bronze. She is equally prolific in her works on paper, creating vivid pastel drawings, eerie photographic collages, and haunting print editions. Early life and education Bhabha was born in Karachi, Pakistan. Her mother was an artist, though did not work as one professionally. Bhabha's childhood home was full of art books, and her mother would often help her with projects. By high school, Huma enjoyed drawing and painting and had started to think about becoming a professional artist. Travelling to the United States to study in 1981, Bhabha received her B.F.A. at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Breton
André Robert Breton (; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first '' Surrealist Manifesto'' (''Manifeste du surréalisme'') of 1924, in which he defined surrealism as " pure psychic automatism". Along with his role as leader of the surrealist movement he is the author of celebrated books such as ''Nadja'' and ''L'Amour fou''. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature. Biography André Breton was the only son born to a family of modest means in Tinchebray ( Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a particular interest in mental illness. His educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Berman
Wallace "Wally" Berman (February 18, 1926 – February 18, 1976) was an American experimental filmmaker, assemblage, and collage artist and a crucial figure in the history of post-war California art. Personal life and education Wallace Berman was born in Staten Island, New York in 1926. In the 1930s his family moved to Boyle Heights, Los Angeles. Berman was discharged from high school for gambling in the early 1940s and became involved in the West Coast jazz scene. Berman wrote a song with Jimmy Witherspoon. He attended classes at Jepson Art Institute and Chouinard Art Institute in the 1940s. For a few years from 1949 he worked in a factory finishing furniture. It was at the factory where he began creating sculptures from wood scraps. This led to him becoming a full-time artist by the early 1950s, and to an involvement in the Beat Movement. He married Shirley Morand (aka Shirley Berman) and together they had a son Tosh in 1954. He moved from Los Angeles to San Francisco in late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Bellmer
Hans Bellmer (13 March 1902 – 24 February 1975) was a German artist, best known for the life-sized pubescent female dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Biography Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (''Der Fetisch'', 1925). Bellmer's doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arman
Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') to using them as the artworks themselves. He is best known for his ''Accumulations'' and destruction/recomposition of objects. Early life and education Arman's father, Antonio Fernandez, an antiques dealer from Nice, was also an amateur artist, photographer, and cellist. From his father, Arman learned oil painting and photography. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also studied judo at a police school in Nice, where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe. Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kienholz
Edward Ralph Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s. Art critic Brian Sewell called Edward Kienholz "the least known, most neglected and forgotten American artist of Jack Kerouac's Beat Generation of the 1950s, a contemporary of the writers Allen Ginsberg, William Burroughs and Norman Mailer, his visual imagery at least as grim, gritty, sordid and depressing as their literary vocabulary". Early life Edward Ralph Kienholz was born in Fairfield, Washington, in the dry eastern part of the state. He grew up on a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Conner
Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist who worked with assemblage, film, drawing, sculpture, painting, collage, and photography. Biography Bruce Conner was born November 18, 1933 in McPherson, Kansas.His well-to-do middle-class family moved to Wichita, when Conner was four. He attended high school in Wichita, Kansas. Conner studied at Wichita University (now Wichita State University) and later at University of Nebraska, where he graduated in 1956 with a bachelor of fine arts degree. During this time as a student he visited New York City. Conner worked in a variety of media from an early age. Early career (mid 1950s / early 1960s) In 1955, Conner studied for six months at Brooklyn Museum Art School on a scholarship. His first solo gallery show in New York City took place in 1956 and featured paintings. His first solo shows in San Francisco, in 1958 and 1959, featured paintings, drawings, prints, collages, assemblages, and sculpture. The Desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Herms
George Herms (born 1935) is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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