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Arte Mayor
Verso de arte mayor (Spanish for 'verse of higher art', or in short 'arte mayor') refers to a multiform verse that appeared in Spanish poetry from the 14th century and has 9 or more syllables. The term 'verso de arte mayor' is also used for the 'pie de arte mayor', which is a verse composed of two hemistiches, each of which has a rhythmic accent at the beginning and the end, separated by two unstressed syllables. Originally, it was - in contrast to the shorter 'verso de arte menor' (Spanish for 'verse of lower art') – a long verse of eight to 16 syllables, which later developed into a regular 12-syllable verse with four stressed syllables and a medial caesura. The verso de arte mayor came to maturity in the 15th century with Juan de Mena’s didactical-allegorically epic poem “ Laberinto de Fortuna” (1444). The couplets of this poem, the so-called “Octavas de Juan de Mena”, consisted each of eight arte mayor verses. In the 16th century, the verso de arte mayor gave w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Language
Spanish ( or , Castilian) is a Romance languages, Romance language of the Indo-European language family that evolved from colloquial Latin spoken on the Iberian peninsula. Today, it is a world language, global language with more than 500 million native speakers, mainly in the Americas and Spain. Spanish is the official language of List of countries where Spanish is an official language, 20 countries. It is the world's list of languages by number of native speakers, second-most spoken native language after Mandarin Chinese; the world's list of languages by total number of speakers, fourth-most spoken language overall after English language, English, Mandarin Chinese, and Hindustani language, Hindustani (Hindi-Urdu); and the world's most widely spoken Romance languages, Romance language. The largest population of native speakers is in Mexico. Spanish is part of the Iberian Romance languages, Ibero-Romance group of languages, which evolved from several dialects of Vulgar Latin in I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Literature
Spanish literature generally refers to literature ( Spanish poetry, prose, and drama) written in the Spanish language within the territory that presently constitutes the Kingdom of Spain. Its development coincides and frequently intersects with that of other literary traditions from regions within the same territory, particularly Catalan literature, Galician intersects as well with Latin, Jewish, and Arabic literary traditions of the Iberian peninsula. The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas (see Latin American literature). Overview The Roman conquest and occupation of the Iberian peninsula beginning in the 3rd century BC brought a Latin culture to Spanish territories. The arrival of Muslim invaders in 711 CE brought the cultures of the Middle and Far East. In medieval Spanish literature, the earliest recorded examples of a vern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as initial hemistichs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Mena
Juan de Mena (1411–1456) was one of the most significant Spanish poets of the fifteenth century. He was highly regarded at the court of Juan II de Castilla, who appointed him ''veinticuatro'' (one of twenty-four aldermen) of Córdoba, ''secretario de cartas latinas'' (secretary of Latin letters) and ''cronista real'' (royal chronicler). His works show the influence of Renaissance humanism and place him in the period of transition in Spain from the Middle Ages to the Renaissance. Biographical Information There is scant evidence about the early part of Mena’s life, but most modern scholars agree that he was born at Córdoba, Spain, his father died shortly after his birth, and his mother a few years later. He was likely the second of two sons and was related to a former ''veinticuatro'' of Córdoba, although it is unclear how. ''Memorias de algunos linages'' (An Account of Some Lineages), attributed to Mena, claims that his family came from the valley of Mena in La Montaña, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laberinto De Fortuna
''Laberinto de Fortuna'' (''Labyrinth of Fortune'') is the major work of Juan de Mena, who completed the poem in 1444. It is an epic poem written in " arte mayor" (verses of 12 syllables). Though the title implies an examination of Fortune, the work is essentially a propagandistic piece in favor of Castilian political unity behind Álvaro de Luna, the court favorite of King Juan II of Castilla. It includes considerable social satire criticizing corrupt nobles and urging the king to take action against them. The Labyrinth was much read during the 15th and 16th centuries, although its linguistic and structural complexity led to the publication of a "glossed" version (in which explanatory notes follow each stanza) in 1499. The work is also known as ''Las treszientas'' (The Three-hundred) because it consists of 300 stanzas (although some manuscripts include only 297). Summary The plot is typical of the "vision poem" genre popular in the Middle Ages. The modern reader will rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendecasyllable
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where –=a long syllable, u=a short syllable, and ×=an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian ( la, hendecasyllabus phalaecius): × × – u u – u – u – – This is a line used only occasionally in Greek choral odes and scolia, but a favori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th Century In Spain
14 (fourteen) is a natural number following 13 and preceding 15. In relation to the word "four" ( 4), 14 is spelled "fourteen". In mathematics * 14 is a composite number. * 14 is a square pyramidal number. * 14 is a stella octangula number. * In hexadecimal, fourteen is represented as E * Fourteen is the lowest even ''n'' for which the equation φ(''x'') = ''n'' has no solution, making it the first even nontotient (see Euler's totient function). * Take a set of real numbers and apply the closure and complement operations to it in any possible sequence. At most 14 distinct sets can be generated in this way. ** This holds even if the reals are replaced by a more general topological space. See Kuratowski's closure-complement problem * 14 is a Catalan number. * Fourteen is a Companion Pell number. * According to the Shapiro inequality 14 is the least number ''n'' such that there exist ''x'', ''x'', ..., ''x'' such that :\sum_^ \frac < \frac where ''x'' = ''x'', ''x'' = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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