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Ancient Greek Polychromy
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Herakles Staatliche Antikensammlungen 2301 B
Athena or Athene, often given the epithet Pallas, is an ancient Greek religion, ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretism, syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include Owl of Athena, owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean tutelary deity, palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aegean Civilizations
Aegean civilization is a general term for the Bronze Age civilizations of Greece around the Aegean Sea. There are three distinct but communicating and interacting geographic regions covered by this term: Crete, the Cyclades and the Greek mainland. Crete is associated with the Minoan civilization from the Early Bronze Age. The Cycladic civilization converges with the mainland during the Early Helladic (" Minyan") period and with Crete in the Middle Minoan period. From c. 1450 BC (Late Helladic, Late Minoan), the Greek Mycenaean civilization spreads to Crete, probably by military conquest. The earlier Aegean farming populations of Neolithic Greece brought agriculture to Western Europe already before 5,000 years BC. Aegean Neolithic farmers A DNA study from 2019 indicates that agriculture was brought to Western Europe by the Aegean populations that are known as " Aegean Neolithic farmers". These Neolithic groups arrived to northern France and Germany already around 5000 BC. Abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremation
Cremation is a method of Disposal of human corpses, final disposition of a Cadaver, dead body through Combustion, burning. Cremation may serve as a funeral or post-funeral rite and as an alternative to burial. In some countries, including India and Nepal, cremation on an Pyre, open-air pyre is an ancient tradition. Starting in the 19th century, cremation was introduced or reintroduced into other parts of the world. In modern times, cremation is commonly carried out with a Crematorium, closed furnace (cremator), at a crematorium. Cremation leaves behind an average of 2.4 kg (5.3 lbs) of remains known as "ashes" or "cremains". This is not all ash but includes unburnt fragments of bone mineral, which are commonly ground into powder. They do not constitute a health risk and may be buried, interred in a memorial site, retained by relatives or scattered in various ways. History Ancient Cremation dates from at least 17,000 years ago in the archaeological record, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grave Goods
Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a type of votive deposit. Most grave goods recovered by archaeologists consist of inorganic objects such as pottery and stone and metal tools but organic objects that have since decayed were also placed in ancient tombs. The grave goods were to be useful to the deceased in the afterlife; therefore their favorite foods or everyday objects were left with them. Often times social status played a role in what was left and how often it was left. Funerary art is a broad term but generally means artworks made specifically to decorate a burial place, such as miniature models of possessions including slaves or servants for "use" in the afterlife. Although, in ancient Egypt they would sometimes bury the real servants with the deceased. Where grave go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Vasorum Antiquorum
Corpus Vasorum Antiquorum ("corpus of ancient vases"; abbreviated CVA) is an international research project for documentation of ancient ceramics. Its original ideal target content: any ceramic from any ancient location during any archaeological period, proved impossible of realization and was soon restricted to specific times and periods. As the project expanded from an original six nations: England, Belgium, Denmark, France, the Netherlands, and Italy. to include the current 28, the topic specializations of each country were left up to the commission for that country. The French commission (Académie des Inscriptions et Belles-Lettres), serves in an advisory position. The terminology of any commission regarding the target content of any documentation activity must not be confused with archaeological terms. For example, the CVA Online concerns itself with ancient Greek pottery, excluding the pottery of the Bronze Age. Such a decision does not imply that the pottery of the Bronze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Aigis Cdm Paris 254
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult (religion)
Cult is the care (Latin: ''cultus'') owed to deities and temples, shrines, or churches. Cult is embodied in ritual and ceremony. Its present or former presence is made concrete in temples, shrines and churches, and cult images, including votive offerings at votive sites. Etymology Cicero defined ''religio'' as ''cultus deorum'', "the cultivation of the gods." The "cultivation" necessary to maintain a specific deity was that god's ''cultus,'' "cult," and required "the knowledge of giving the gods their due" ''(scientia colendorum deorum)''. The noun ''cultus'' originates from the past participle of the verb ''colo, colere, colui, cultus'', "to tend, take care of, cultivate," originally meaning "to dwell in, inhabit" and thus "to tend, cultivate land ''(ager)''; to practice agriculture," an activity fundamental to Roman identity even when Rome as a political center had become fully urbanized. ''Cultus'' is often translated as "cult" without the negative connotations the word m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Wars
The Greco-Persian Wars (also often called the Persian Wars) were a series of conflicts between the Achaemenid Empire and Greek city-states that started in 499 BC and lasted until 449 BC. The collision between the fractious political world of the Greeks and the enormous empire of the Persians began when Cyrus the Great conquered the Greek-inhabited region of Ionia in 547 BC. Struggling to control the independent-minded cities of Ionia, the Persians appointed tyrants to rule each of them. This would prove to be the source of much trouble for the Greeks and Persians alike. In 499 BC, the tyrant of Miletus, Aristagoras, embarked on an expedition to conquer the island of Naxos, with Persian support; however, the expedition was a debacle and, preempting his dismissal, Aristagoras incited all of Hellenic Asia Minor into rebellion against the Persians. This was the beginning of the Ionian Revolt, which would last until 493 BC, progressively drawing more regions of Asia Minor into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Dark Ages
The term Greek Dark Ages refers to the period of Greek history from the end of the Mycenaean palatial civilization, around 1100 BC, to the beginning of the Archaic age, around 750 BC. Archaeological evidence shows a widespread collapse of Bronze Age civilization in the Eastern Mediterranean world at the outset of the period, as the great palaces and cities of the Mycenaeans were destroyed or abandoned. At about the same time, the Hittite civilization suffered serious disruption, as cities from Troy to Gaza were destroyed. In Egypt, the New Kingdom fell into disarray, which led to the Third Intermediate Period of Egypt. Following the collapse, fewer, smaller settlements suggest extensive famine and depopulation. In Greece, the Linear B script used by Mycenaean bureaucrats to write the Greek language ceased, with the Greek alphabet not developing until the beginning of the Archaic Period. The decoration on Greek pottery after about 1100 BC lacks the figurative d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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