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Aestheticization Of Politics
The aestheticization of politics was an idea first coined by Walter Benjamin as being a key ingredient to fascist regimes. Benjamin said that fascism tends towards an aestheticization of politics, in the sense of a spectacle in which it allows the masses to express themselves without seeing their rights recognized, and without affecting the relations of ownership which the proletarian masses aim to eliminate. Benjamin said: Fascism attempts to organize the newly proletarianized masses without affecting the property structure which the masses strive to eliminate. Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves. The masses have a right to change property relations; Fascism seeks to give them an expression while preserving property. The logical result of Fascism is the introduction of aesthetics into political life. (...) Mankind, which in Homer’s time was a spectacle for the Olympian gods, has become one for itself. (...) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Benjamin
Walter Bendix Schönflies Benjamin (; ; 15 July 1892 – 26 September 1940) was a German Jewish philosopher, cultural critic and essayist. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related to German political theorist and philosopher Hannah Arendt through her first marriage to Benjamin's cousin Günther Anders. Among Benjamin's best known works are the essays "The Work of Art in the Age of Mechanical Reproduction" (1935), and "Theses on the Philosophy of History" (1940). His major work as a literary critic included essays on Baudelaire, Goethe, Kafka, Kraus, Leskov, Proust, Walser, and translation theory. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susan Buck-Morss
Susan Buck-Morss is an American philosopher and intellectual historian. She is currently Professor of Political Science at the CUNY Graduate Center, and professor emeritus in the Government Department at Cornell University, where she taught from 1978 to 2012. Her interdisciplinary work involves but is not limited to the fields of Art History, Architecture, Comparative Literature, Cultural Studies, German studies, History, Philosophy, and Visual Studies. She has won a Getty Scholar Grant, a Fulbright Award, and a Guggenheim Fellowship Guggenheim Fellowships are grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation to those "who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the ar ... for her work. Books * ''The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute'' (1977) * ''The Dialectics of Seeing. Walter Benjamin and the Arcades Proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relations Of Production
Relations of production (german: Produktionsverhältnisse, links=no) is a concept frequently used by Karl Marx and Friedrich Engels in their theory of historical materialism and in ''Das Kapital''. It is first explicitly used in Marx's published book ''The Poverty of Philosophy'', although Marx and Engels had already defined the term in ''The German Ideology''. Some social relations are voluntary or freely chosen (a person chooses to associate with another person or a group). But other social relations are involuntary, i.e. people can be socially related, whether they like that or not, because they are part of a family, a group, an organization, a community, a nation etc. By "relations of production", Marx and Engels meant the sum total of social relationships that people ''must'' enter into in order to survive, to produce, and to reproduce their means of life. As people ''must'' enter into these social relationships, i.e. because participation in them is not voluntary, the to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Arts And Politics
A strong relationship between the arts and politics, particularly between various kinds of art and power (social and political), power, occurs across historical epoch (reference date), epochs and Archaeological culture, cultures. As they respond to contemporaneous News, events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change. A widespread observation is that a great skilled worker, talent has a freethought, free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer,Vladimir Nabokov (1981) ''Lectures on Russian Literature'', lecture on ''Russian Writers, Censors, and Readers'', pp.13-4 attracted the mad irritation of the Russian Empire, Russian officialdom and particularly of Alexander I of Russia, the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional vir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art For Art's Sake
Art for art's sake—the usual English rendering of ''l'art pour l'art'' (), a French slogan from the latter part of the 19th century—is a phrase that expresses the philosophy that the intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function.Art for art's sake (revised ed.). ''''. 2015. Such works are sometimes described as '''' (from Greek: ''autoteles'', 'complete in i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aestheticization Of Violence
Violence in art refers to depictions of violence in high culture art as well as popular culture such as cinema and theater. It has been the subject of considerable controversy and debate for centuries. In Western art, graphic depictions of the Passion of Christ have long been portrayed, as have a wide range of depictions of warfare by later painters and graphic artists. Theater and, in modern times, cinema have often featured battles and violent crimes. Similarly, images and descriptions of violence have historically been significant features in literature. Margaret Bruder, a film studies professor at Indiana University, states that the aestheticization of violence in film is the depiction of violence in a "stylistically excessive", "significant and sustained way". Aestheticized violence differs from gratuitous violence in that it is used as a stylistic element, and through the "play of images and signs" references artworks, genre conventions, cultural symbols, or concepts. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
October (journal)
''October'' is an academic journal specializing in contemporary art, criticism, and theory, published by MIT Press. History ''October'' was established in 1976 in New York by Rosalind E. Krauss and Annette Michelson, who left ''Artforum'' to do so. The founders of the journal were originally known as "Octoberists". Its name is a reference to the Eisenstein film that set the tone of intellectual, politically engaged writing that has been the hallmark of the journal. The journal was a participant in introducing French post-structural theory on the English-speaking academic scene. According to ''The Art Story'', Krauss used the journal "as a way to publish essays on her emergent ideas on post-structuralist art theory, Deconstructionist theory, psychoanalysis, postmodernism and feminism". Jeremy Gilbert-Rolfe, one of the co-founders of the journal, withdrew after only a few issues, and by the spring of 1977, Douglas Crimp joined the editorial team. In 1990, after Crimp left the jour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Society Of The Spectacle
''The Society of the Spectacle'' (french: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement. Debord published a follow-up book ''Comments on the Society of the Spectacle'' in 1988. Summary The work is a series of 221 short theses in the form of aphorisms. Each thesis contains one paragraph. Degradation of human life Debord traces the development of a modern society in which authentic social life has been replaced with its representation: "All that once was directly lived has become mere representation." Debord argues that the history of social life can be understood as "the decline of ''being'' into ''having'', and ''having'' into merely ''appearing''." This condition, according to Debord, is the "historical moment at which the commodity completes its colonization of social life." The spect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fascist
Fascism is a far-right, Authoritarianism, authoritarian, ultranationalism, ultra-nationalist political Political ideology, ideology and Political movement, movement,: "extreme militaristic nationalism, contempt for electoral democracy and political and cultural liberalism, a belief in natural social hierarchy and the rule of elites, and the desire to create a (German: “people’s community”), in which individual interests would be subordinated to the good of the nation" characterized by a dictatorial leader, centralized autocracy, militarism, forcible suppression of opposition, belief in a natural social hierarchy, subordination of Individualism, individual interests for the perceived good of the nation and race, and strong regimentation of society and the economy. Fascism rose to prominence in early 20th-century Europe. The first fascist movements Italian Fascism, emerged in Italy during World War I, before Fascism in Europe, spreading to other European countries, most n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Debord
Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of ''Socialisme ou Barbarie''. Biography Early life Guy Debord was born in Paris in 1931. Debord's father, Martial, was a pharmacist who died when Debord was young. Debord's mother, Paulette Rossi, sent Guy to live with his grandmother in her family villa in Italy. During World War II, the Rossis left the villa and began to travel from town to town. As a result, Debord attended high school in Cannes, where he began his interest in film and vandalism. The family lived in Pau, Pyrénées-Atlantiques for a period where he attended Lycée Louis-Barthou. As a young man, Debord actively opposed the French war in Algeria and joined in demonstrations in Paris against it. Debord studied law at the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Gentile
Emilio Gentile (born 1946, in Bojano) is an Italian historian and professor, specializing in the history, ideology, and culture of Italian fascism. Gentile is considered one of Italy's foremost cultural historians of the Italian Fascist regime and its ideology. He studied under the renowned Italian historian Renzo De Felice and wrote a book about him. Gentile serves as Professor of History at the Sapienza University of Rome. He considers fascism a form of political religion. He also applied the theory of political religion to the United States in the essay ''Politics as Religion'' (2006) regarding the sacralization of politics in the aftermath of the September 11 attacks. In 2003, Gentile was awarded the Hans Sigrist Prize. Works * ''Storia del partito fascista. 1919-1922. Movimento e milizia''. 1989 * ''Il culto del littorio. La sacralizzazione della politica nell'Italia fascista''. Rome/Bari. 1993 ** English translation: The Sacralization of Politics in Fascist Italy, 1996 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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