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Anonymous Masters
In art history, an anonymous master is an Old Master whose work is known, but whose name is lost. Renaissance Only in the Renaissance did individual artists in Western Europe acquire personalities known by their peers (some listed by Vasari in his ''Lives of the Artists''), such as those known by: * Their true name or their father's name: ** Filippino Lippi after his father Fra Filippo Lippi * A chosen pseudonym, possibly linked to his birthplace or his father's trade: ** Giuliano da Sangallo worked on the gate of Saint Gall ** Antonio del Pollaiuolo, after his father, a chicken farmer (pollo in Italian) ** Jacopo del Sellaio, after his father, a saddler (''sellier'') ** The Della Robbias (after the Tuscan word ''robbia'', dyers' madder, and his father, the dyer Luca della Robbia) ** Masuccio Segondo, student of Masuccio Primo ** etc. * A surname attributed to him: ** Il Cronaca, who never stopped talking about the ruins he had seen in Rome ** Daniele da Volterra, nicknamed ''Il ...
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Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ...
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Daniele Da Volterra
Daniele Ricciarelli (; 15094 April 1566), better known as Daniele da Volterra (, ), was a Mannerist Italian painter and sculptor. He is best remembered for his association with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo. After Michelangelo's death, Daniele was hired to cover the genitals in his '' Last Judgment'' with vestments and loincloths. This earned him the nickname ("the breeches maker"). Biography Daniele Ricciarelli was born in Volterra (in present-day Tuscany). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left them. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perino del Vaga. From 1538 to 1541 he helped Perino with the painting of frescoes in the villa of Cardinal Trivuzio at Salone, in the Ma ...
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Master Of 1310
The Master of 1310 was an Italian painter active in Pistoia at the end of the 13th into the beginning of the fourteenth century. His name is derived from an altarpiece depicting the ''Madonna and Child with Angels and the Commandant Filippo Paci'', today held in the Grand Palais in Avignon and dated to 1310. Stylistically, this painting shows a heavy French Gothic influence. A series of frescos in the church of San Giovanni Fuoricivitas in Pistoia, dated to 1307, is also ascribed to him; this depicts the story of the Passion in fairly expressionistic terms. Another altarpiece, a ''Madonna and Child with Saints'' on the high altar of the church of Mary Magdalene in the convent of the Humiliati in Pistoia, today in its Civic Museum, has been ascribed to his late period. The attribution to him of a pair of frescoes in the same city's church of Saint Dominic Saint Dominic ( es, Santo Domingo; 8 August 1170 – 6 August 1221), also known as Dominic de Guzmán (), was a Cast ...
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Master Of 1302
The so-called Master of 1302 was an Italian painter active in Emilia (region of Italy), Emilia in the first half of the 14th century. His works were basically Gothic art, Gothic in style, with modernized touches; his name comes from a set of votive frescos painted for bishop Gerardo de' Bianchi, who died in 1302; among these is a ''Madonna and Child Enthroned with an Angel and John the Baptist'', including a donor portrait, portrait of the donor, located in the Baptistry of Parma. Another pair of frescoes, in the third and fourteenth niches, appear to be by the same hand. Other paintings associated with the Master show the influence of Lombardy, Lombard art, especially with a cycle in Como depicting the story of Saints Saint Faustina and Saint Liberata of Como, Fausta and Liberata. A detached fresco, depicting the ''Madonna and Child'' and now found in the Pinacoteca in Cremona, has also been ascribed to him. 13th-century births 14th-century deaths 14th-century Italian pai ...
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Giovanni Gaddi (painter)
Giovanni Gaddi (after 1333–1383) was an Italian painter. He was the son of Taddeo Gaddi and the brother of Agnolo Gaddi. Giorgio Vasari wrote that Gaddi was a painter in his own right. He painted frescoes in Santo Spirito and was called to work in the Vatican under Urban V between 1367 and 1370. Some have identified him as the ' at the Accademia, Venice. External links * 1333 births 1383 deaths 14th-century Italian painters Italian male painters Painters from Tuscany Giovanni Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of ...
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Barthélemy Eyck
Barthélemy, or Barthélémy is a French name, a cognate of Bartholomew (name), Bartholomew. Notable people with this name include: Given name * Barthélemy (explorer), French youth who accompanied the explorer de La Salle in 1687 * Barthélémy Bisengimana, Congolese chief of staff to President Mobutu Sese Seko of Zaire * Barthélemy Boganda (1910–1959), politician and advocate for the independence of Oubangui-Chari, which later became the Central African Republic * Barthélemy d'Herbelot de Molainville (1625–1695), French Orientalist * Barthélemy Faujas de Saint-Fond (1741–1819), French geologist and traveler * Barthélemy Hauréau (Jean-Barthélémy) (1812–1896), French historian and writer * Barthélemy Prosper Enfantin (1796–1864), French social reformer * Barthélémy Thomas Strafforello (1764–1845), French politician. Surname or title * Anatole Jean-Baptiste Antoine de Barthélemy (1821–1904), French archaeologist and numismatist * Auguste-Marseille Barth ...
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Pseudo Pier Francesco Fiorentino
Pier Francesco Fiorentino (1444/1445 – after 1497) was a 15th-century painter active in San Gimignano for much of his mature life, depicting religious-themed subjects. Biography Fiorentino was born in Florence, the son of the Florentine painter Bartolomeo di Donato, and received his first art education in his father's workshop. At age 25 he was ordained a priest. He joined in the circle of painter Benozzo Gozzoli and worked with him in San Gimignano and Certaldo during the 1460s. Works An altarpiece in the Gallery at Empoli dates from about 1474. In 1475 he worked together with Domenico Ghirlandaio on the decoration of the nave of the Collegiate Church of San Gimignano, Duomo of San Gimignano.Collection of Mediaeval and Renaissance Paintings
Volume 1, by Fogg Art Museum, page 69. In that same year he paint ...
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Bernard Berenson
Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book ''The Drawings of the Florentine Painters'' was an international success. His wife Mary is thought to have had a large hand in some of the writings. Berenson was a major figure in the attribution of Old Masters, at a time when these were attracting new interest by American collectors, and his judgments were widely respected in the art world. Personal life Berenson was born Bernhard Valvrojenski in Butrimonys, Vilnius Governorate (now in Alytus district of Lithuania) to a Litvak family – father Albert Valvrojenski, mother Judith Mickleshanski, and younger siblings including Senda Berenson Abbott. His father, Albert, grew up following an educational track of classical Jewish learning and contemplated becoming a rabbi. However, he became a practitioner of Haskalah, a European movement which advocated more integration of Jews into secular society. After ...
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Pier Francesco Fiorentino
Pier Francesco Fiorentino (1444/1445 – after 1497) was a 15th-century painter active in San Gimignano for much of his mature life, depicting religious-themed subjects. Biography Fiorentino was born in Florence, the son of the Florentine painter Bartolomeo di Donato, and received his first art education in his father's workshop. At age 25 he was ordained a priest. He joined in the circle of painter Benozzo Gozzoli and worked with him in San Gimignano and Certaldo during the 1460s. Works An altarpiece in the Gallery at Empoli dates from about 1474. In 1475 he worked together with Domenico Ghirlandaio on the decoration of the nave of the Collegiate Church of San Gimignano, Duomo of San Gimignano.Collection of Mediaeval and Renaissance Paintings
Volume 1, by Fogg Art Museum, page 69. In that same year he paint ...
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Bonino Da Campione
Bonino da Campione was an Italian sculptor in the Gothic art, Gothic style, active between 1350 and 1390. His name indicates that he was born in - or into a family originating in - Campione d'Italia, a Lombardy town in an enclave within Switzerland. His works include: *the tomb of bishop Balduino Lambertini (1349) in the Old Cathedral in Brescia *a monument to Folchino de'Schizzi (1357) in Cremona Cathedral *the tomb of Saint Homobonus (now lost) *one of the tombs for the Visconti of Milan, Visconti family in the Basilica of Sant'Eustorgio in Milan *an equestrian monument of Bernabò Visconti (1363), now in the Museum of Ancient Art at Castello Sforzesco, Milan *the monument to Cansignorio della Scala (1374) at Scaliger Tombs, Santa Maria Antica, Verona. *miniature sculpture of Madonna with Child Madonna Litta (1370–75), now located in the Museum of Ancient Art at Castello Sforzesco, Milan External links Bonino da Campione Sculptures at Art Renewal Center* References

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Corporation
A corporation is an organization—usually a group of people or a company—authorized by the state to act as a single entity (a legal entity recognized by private and public law "born out of statute"; a legal person in legal context) and recognized as such in law for certain purposes. Early incorporated entities were established by charter (i.e. by an ''ad hoc'' act granted by a monarch or passed by a parliament or legislature). Most jurisdictions now allow the creation of new corporations through registration. Corporations come in many different types but are usually divided by the law of the jurisdiction where they are chartered based on two aspects: by whether they can issue stock, or by whether they are formed to make a profit. Depending on the number of owners, a corporation can be classified as ''aggregate'' (the subject of this article) or '' sole'' (a legal entity consisting of a single incorporated office occupied by a single natural person). One of the most att ...
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