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Ambisonics
Ambisonics is a ''full-sphere'' surround sound format: in addition to the horizontal plane, it covers sound sources above and below the listener. Unlike some other multichannel surround formats, its transmission channels do not carry speaker signals. Instead, they contain a speaker-independent representation of a sound field called ''B-format'', which is then ''decoded'' to the listener's speaker setup. This extra step allows the producer to think in terms of source directions rather than loudspeaker positions, and offers the listener a considerable degree of flexibility as to the layout and number of speakers used for playback. Ambisonics was developed in the UK in the 1970s under the auspices of the British National Research Development Corporation. Despite its solid technical foundation and many advantages, Ambisonics had not until recently been a commercial success, and survived only in niche applications and among recording enthusiasts. With the widespread availability ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambisonic Data Exchange Formats
Data exchange formats for Ambisonics have undergone radical changes since the early days of four-track magnetic tape. Researchers working on very high-order systems found no straightforward way to extend the traditional formats to suit their needs. Furthermore, there was no widely accepted formulation of spherical harmonics for acoustics, so one was borrowed from chemistry, quantum mechanics, computer graphics, or other fields, each of which had subtly different conventions. This led to an unfortunate proliferation of mutually incompatible ad hoc formats and much head-scratching. This page attempts to document the different existing formats, their rationales and history, for the terminally curious and those unfortunate enough to have to deal with them in detail. Most modern applications use ACN and SN3D, although ''traditional'' first order is still common. Spherical harmonics in Ambisonics A common formulation for spherical harmonics in the context of Ambisonics is Y_\ell^m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surround Sound
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener ( surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three ''screen channels'' of sound that played from three loudspeakers (left, center, and right) located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction (at ground level) around the listener. The technique enhances the perception of sound spatialization by exploiting sound localization: a listener's ability to identify the location or origin of a detected sound in direction and distance. This is achieved by using multiple discrete audio channels routed to an array of loudspeakers. Surround sound typically has a listener location ( sweet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadraphonics
Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio formed by analogy with "stereo"">portmanteau.html" ;"title="/nowiki>portmanteau">formed by analogy with "stereo" sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are (wholly or in part) independent of one another. Four channel quadraphonic surround sound can be used to recreate the highly realistic effect of a three-dimensional live concert hall experience in the home. It can also be used to enhance the listener experience beyond the directional limitations of ordinary two channel stereo sound. Quadraphonic audio was the earliest consumer product in surround sound. Since it was introduced to the public in the early 1970s many thousands of quadraphonic recordings have been made. Quadraphonic sound was a commercial failure w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nimbus Records
Nimbus Records is a British record company based at Wyastone Leys, Ganarew, Herefordshire. It specialises in classical music recordings and was the first company in the UK to produce compact discs. Description Nimbus was founded in 1972 by Count Numa Labinsky (performing as bass vocalist under the alias Shura Gehrman) and the brothers Michael and Gerald Reynolds, and has traditionally been based at the Wyastone Leys mansion site, near Monmouth and the English/Welsh border. A core technical aspect of the company's recording philosophy was the early adoption of the Ambisonic surround-sound system invented by a group of British researchers including the mathematician and recording engineer Michael Gerzon. The recordings have been made with a single-point array of microphones developed by Dr Jonathan Halliday,Smith, Antony. Obituary oDr Jonathan Halliday (1950–2011) MusicWeb International. Retrieved 7 July 2011. which is equivalent to a form of soundfield microphone, encode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auro 11
Auro may refer to: People *Auro de Moura Andrade (1915–1982), Brazilian politician *Auro Roselli Auro Roselli (1921 in Pescara - May 12, 2013) was an Italian resistant, journalist, photographer, writer and inventor. Early resistance and the war years Roselli grew up in a working-class district of Turin. His father, Gherardo Roselli, was ... (1921–2013), Italian journalist * Auro Jr. (born 1996), Brazilian footballer Other uses * Auro-3D, 3D audio format * Auro 11.1, cinematic speaker layout * AURO University, Indian private university * AURO system, Autonomous Ropeway Operation {{hndis, Auro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Localisation
Sound localization is a listener's ability to identify the location or origin of a detected sound in direction and distance. The sound localization mechanisms of the mammalian auditory system have been extensively studied. The auditory system uses several cues for sound source localization, including time difference and level difference (or intensity difference) between the ears, and spectral information. Other animals, such as birds and reptiles, also use them but they may use them differently, and some also have localization cues which are absent in the human auditory system, such as the effects of ear movements. Animals with the ability to localize sound have a clear evolutionary advantage. How sound reaches the brain Sound is the perceptual result of mechanical vibrations traveling through a medium such as air or water. Through the mechanisms of compression and rarefaction, sound waves travel through the air, bounce off the pinna and concha of the exterior ear, and en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is electronic mixer, mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Combination
In mathematics, a linear combination or superposition is an Expression (mathematics), expression constructed from a Set (mathematics), set of terms by multiplying each term by a constant and adding the results (e.g. a linear combination of ''x'' and ''y'' would be any expression of the form ''ax'' + ''by'', where ''a'' and ''b'' are constants). The concept of linear combinations is central to linear algebra and related fields of mathematics. Most of this article deals with linear combinations in the context of a vector space over a field (mathematics), field, with some generalizations given at the end of the article. Definition Let ''V'' be a vector space over the field ''K''. As usual, we call elements of ''V'' ''vector space, vectors'' and call elements of ''K'' ''scalar (mathematics), scalars''. If v1,...,v''n'' are vectors and ''a''1,...,''a''''n'' are scalars, then the ''linear combination of those vectors with those scalars as coefficients'' is :a_1 \mathbf v_1 + a_2 \mathbf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudspeaker
A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. The driver is a linear motor connected to a diaphragm, which transmits the motor's movement to produce sound by moving air. An audio signal, typically originating from a microphone, recording, or radio broadcast, is electronically amplified to a power level sufficient to drive the motor, reproducing the sound corresponding to the original unamplified signal. This process functions as the inverse of a microphone. In fact, the ''dynamic speaker'' driver—the most common type—shares the same basic configuration as a dynamic microphone, which operates in reverse as a generator. The dynamic speaker was invented in 1925 by Edward W. Kellogg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinna (anatomy)
The auricle or auricula is the visible part of the ear that is outside the head. It is also called the pinna (Latin for 'wing' or ' fin', : pinnae), a term that is used more in zoology. Structure The diagram shows the shape and location of most of these components: * '' antihelix'' forms a 'Y' shape where the upper parts are: ** ''Superior crus'' (to the left of the ''fossa triangularis'' in the diagram) ** ''Inferior crus'' (to the right of the ''fossa triangularis'' in the diagram) * ''Antitragus'' is below the ''tragus'' * ''Aperture'' is the entrance to the ear canal * ''Auricular sulcus'' is the depression behind the ear next to the head * ''Concha'' is the hollow next to the ear canal * Conchal angle is the angle that the back of the ''concha'' makes with the side of the head * ''Crus'' of the helix is just above the ''tragus'' * ''Cymba conchae'' is the narrowest end of the ''concha'' * External auditory meatus is the ear canal * ''Fossa triangularis'' is the depression ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diffraction
Diffraction is the deviation of waves from straight-line propagation without any change in their energy due to an obstacle or through an aperture. The diffracting object or aperture effectively becomes a secondary source of the Wave propagation, propagating wave. Diffraction is the same physical effect as Wave interference, interference, but interference is typically applied to superposition of a few waves and the term diffraction is used when many waves are superposed. Italian scientist Francesco Maria Grimaldi coined the word ''diffraction'' and was the first to record accurate observations of the phenomenon in 1660 in science, 1660. In classical physics, the diffraction phenomenon is described by the Huygens–Fresnel principle that treats each point in a propagating wavefront as a collection of individual spherical wavelets. The characteristic pattern is most pronounced when a wave from a Coherence (physics), coherent source (such as a laser) encounters a slit/aperture tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
