|
Alala
Alala (Ancient Greek: (alalá); "battle-cry" or "war-cry") was the personification of the war cry in Greek mythology. Her name derives from the onomatopoeic Greek word (alalḗ), hence the verb (alalázō), "to raise the war-cry". Greek soldiers attacked the enemy with this cry in order to cause panic in their lines and it was asserted that Athenians adopted it to emulate the cry of the owl, the bird of their patron goddess Athena. According to Pindar, Alala was the daughter of Polemos, the personification of war, and was characterised by the poet as "Prelude of spears, to whom soldiers are sacrificed for their city’s sake in the holy sacrifice of death". Her aunt was the war goddess Enyo and her uncle was the war god Ares, whose poetic epithet is ''Alaláxios'' (). As such she is one of the attendants of Ares out on the battlefield, along with the rest of his entourage: Phobos and Deimos (his sons); Eris/Discordia, with the Androktasiai, Makhai, Hysminai, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Cry
A battle cry or war cry is a yell or chant taken up in battle, usually by members of the same combatant group. Battle cries are not necessarily articulate (e.g. "Eulaliaaaa!", "Alala"..), although they often aim to invoke patriotic or religious sentiment. Their purpose is a combination of arousing aggression and esprit de corps on one's own side and causing intimidation on the hostile side. Battle cries are a universal form of display behaviour (i.e., threat display) aiming at competitive advantage, ideally by overstating one's own aggressive potential to a point where the enemy prefers to avoid confrontation altogether and opts to flee. In order to overstate one's potential for aggression, battle cries need to be as loud as possible, and have historically often been amplified by acoustic devices such as horns, drums, conches, carnyxes, bagpipes, bugles, etc. (see also martial music). Battle cries are closely related to other behavioral patterns of human aggression, such as wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Cry
A battle cry or war cry is a yell or chant taken up in battle, usually by members of the same combatant group. Battle cries are not necessarily articulate (e.g. "Eulaliaaaa!", "Alala"..), although they often aim to invoke patriotic or religious sentiment. Their purpose is a combination of arousing aggression and esprit de corps on one's own side and causing intimidation on the hostile side. Battle cries are a universal form of display behaviour (i.e., threat display) aiming at competitive advantage, ideally by overstating one's own aggressive potential to a point where the enemy prefers to avoid confrontation altogether and opts to flee. In order to overstate one's potential for aggression, battle cries need to be as loud as possible, and have historically often been amplified by acoustic devices such as horns, drums, conches, carnyxes, bagpipes, bugles, etc. (see also martial music). Battle cries are closely related to other behavioral patterns of human aggression, such as wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polemos
In Greek mythology, Polemos or Polemus ( grc-gre, Πόλεμος ''Pólemos''; "war") was a daemon; a divine personification or embodiment of war. No cult practices or myths are known for him, and as an abstract representation he figures mainly in allegory and philosophical discourse. The Roman counterpart of this figure was Bellum. Literature Pindar says that Polemos is the father of Alala, goddess of the war-cry. According to Quintus Smyrnaeus, Polemos was the brother of the war goddess Enyo. Other Greek personifications of war and the battlefield include Ares, Eris, the Makhai, the Hysminai, the Androktasiai, the Phonoi and the Keres. In Aesop's fable of "War and his Bride", told by Babrius and numbered 367 in the Perry Index, it is related how Polemos drew Hubris (insolent arrogance) as his wife in a marriage lottery. So fond has he become of her that the two are now inseparable. Therefore, Babrius warns, "Let not Insolence ever come among the nations or cities of men, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makhai
In Greek mythology, the Machae or Machai (; Ancient Greek: Μάχαι ''Mákhai'', "battles"; singular: ''Mákhē'') were the daemons (spirits) of battle and combat. Family The Machai were the children of Eris and siblings to other vicious personifications like the Hysminai, the Androktasiai, and the Phonoi. : And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath. Mythology The daemons Homados (Battle-Noise), Alala (War-Cry), Proioxis (Onrush), Palioxis (Backrush) and Kydoimos (Confusion)Hesiod, ''Shield of Heracles'' 139 ff. were closely associated with the Machai. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ares
Ares (; grc, Ἄρης, ''Árēs'' ) is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister, the armored Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality. Although Ares' name shows his origins as Mycenaean, his reputation for savagery was thought by some to reflect his likely origins as a Thracian deity. Some cities in Greece and several in Asia Minor held annual festivals to bind and detain him as their protector. In parts of Asia Minor, he was an oracular deity. Still further away from Greece, the Scythians were said to ritually kill one in a hundred prisoners of war as an offering to their equivalent of Ares. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keres (mythology)
In Greek mythology, the Keres (; Ancient Greek: Κῆρες), singular Ker (; Κήρ), were female death-spirits. They were the goddesses who personified violent death and who were drawn to bloody deaths on battlefields. Although they were present during death and dying, they did not have the power to kill. All they could do was wait and then feast on the dead. The Keres were daughters of Nyx, and as such the sisters of beings such as Moirai, who controlled the fate of souls, and Thanatos, the god of peaceful death. Some later authorities, such as Cicero, called them by a Latin name, ''Tenebrae'' ("the Darknesses"), and named them daughters of Erebus and Nyx. Etymology The Greek word κήρ means "death" or "doom" and appears as a proper noun in the singular and plural as Κήρ and Κῆρες to refer to divinities. Homer uses ''Κῆρες'' in the phrase ''κήρες θανάτοιο'', "Keres of death". By extension the word may mean "plague, disease" and in prose "ble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hysminai
In Greek mythology, the Hysminae or Hysminai (Ancient Greek: Ὑσμίνας or ὑσμῖναι; singular: from hysmine means 'battle, conflict, combat') are the personifications of fighting. Family Hesiod's account The Hysminai are represented as the children of Eris, the goddess of strife. They were siblings to Lethe, Limos, Horkos, Ponos and many other daemons. : And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath. Hyginus' account In another account, Pugna/ Hysmine was called daughter of the primordial deities Aether and Gaia. : From Aether (Air) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonoi
In Greek mythology, the Phonoi (Ancient Greek: ; singular: Phonos) were the "ghastly-faced" male personifications of murder. Family Hesiod in the ''Theogony'' named the Phonoi's mother as Eris ("Discord"), and their siblings as: the Hysminai (Battles), the Makhai (Wars), the Androktasiai (Manslaughters) and other malevolent daemons. : "And hateful Eris bore painful Ponos ("Hardship"), : Lethe ("Forgetfulness") and Limos ("Starvation") and the tearful Algea ("Pains"), : Hysminai ("Battles"), Makhai ("Wars"), Phonoi ("Murders"), and Androktasiai ("Manslaughters"); : Neikea ("Quarrels"), Pseudea ("Lies"), Logoi ("Stories"), Amphillogiai ("Disputes") : Dysnomia ("Anarchy") and Ate ("Ruin"), near one another, : and Horkos ("Oath"), who most afflicts men on earth, : Then willing swears a false oath." Mythology In the epic poem the ''Shield of Heracles'', attributed to Hesiod, Phonos (singular) was one of the many figures, depicted on Heracles' shield. Aeschylus' accounts ". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spartoi
In Greek mythology, Spartoi (also Sparti or Spartae) (Ancient Greek: Σπαρτοί, literal translation: "sown en, from σπείρω, ''speírō'', "to sow") are a mythical people who sprang up from the dragon's teeth sown by Cadmus and were believed to be the ancestors of the Theban nobility. Mythology Thebes Cadmus arrived in Thebes, Greece, after following a cow at the urging of the oracle at Delphi, who instructed him to found a city wherever the cow should stop. Cadmus, wishing to sacrifice the cow, sent his men to a nearby spring to fetch water. The spring was guarded by the Ismenian dragon, who slew many of the men before Cadmus killed it with his sword. According to the '' Bibliotheca'', the dragon was sacred to Ares. Athena gave Cadmus half of the dragon's teeth, advising him to sow them. When he did, fierce armed men sprang up from the furrows. Cadmus threw a stone among them because he feared them, and they, thinking that the stone had been thrown by one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discordia
Eris (; grc-gre, :wikt:Ἔρις, Ἔρις ', "Strife") is the ancient Greek religion, Greek goddess of strife and discord. Her Roman equivalent is Discordia, which means the same. Eris's Greek opposite is Harmonia (mythology), Harmonia, whose Roman counterpart is Concordia (mythology), Concordia. Homer equated her with the war-goddess Enyo, whose Roman counterpart is Bellona (goddess), Bellona. The dwarf planet Eris (dwarf planet), Eris is named after the goddess. She had no temples in ancient Greece and functions essentially as a personification, as which she appears in Homer and many later works. Etymology ''Eris'' is of uncertain etymology; connections with the verb , 'to raise, stir, excite', and the proper name have been suggested. Robert S. P. Beekes, R. S. P. Beekes rejects these derivations and suggested a Pre-Greek origin. Characteristics in Greek mythology In Hesiod's ''Works and Days'' 11–24, two different goddesses named Eris are distinguished: So, after a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
