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Agony In The Garden (Bellini)
The ''Agony in the Garden'' is an early painting by the Italian Renaissance master Giovanni Bellini, who painted it around 1459–65. It is in the National Gallery, London. It portrays Christ kneeling on the Mount of Olives in prayer, with his disciples Peter, James and John sleeping near to him. In the background, Judas leads the Roman soldiers to capture Christ. The picture is closely related to the similar work by Bellini's brother-in-law, Andrea Mantegna, also in the National Gallery. It is likely that both derived from a drawing by Bellini's father, Jacopo. In Bellini's version, the treatment of dawn light has a more important role in giving the scene a quasi-unearthly atmosphere. Until the mid-19th century Early Renaissance paintings were regarded as curiosities by most collectors. This one had probably belonged to Consul Smith in Venice (d. 1770), was bought by William Beckford at the Joshua Reynolds sale in 1795 for £5, then sold in 1823 with Fonthill Abbey and repurcha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Christ In The Garden Of Gethsemane
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Giovanni Bellini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1450s Paintings
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145 may refer to: *145 (number), a natural number *AD 145, a year in the 2nd century AD * 145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy * 145 (South) Brigade * 145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Reitlinger
Gerald Roberts Reitlinger (born 1900 in London, United Kingdom – died 1978 in St Leonards-on-Sea, United Kingdom) was an art historian, especially of Asian ceramics, and a scholar of historical changes in taste in art and their reflection in art prices. After World War II he wrote three large books about Nazi Germany. He was also a painter and collector, mainly of pottery. Reitlinger's major works were ''The Final Solution'' (1953), ''The SS: Alibi of a Nation'' (1956), and between 1961–1970 he published ''The Economics of Taste'' in three volumes. Career Born in London to the banker Albert Reitlinger and his wife Emma Brunner, Reitlinger was educated at Westminster School in London before a short service with the Middlesex Regiment at the end of World War I. He then studied history, concentrating on art history, at Christ Church, University of Oxford and later at the Slade School and Westminster School of Art, during which time he also edited ''Drawing and Design'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Marcon
Grace Marcon also known as Frieda Graham (1889 – 1965) was a British Suffragette who damaged five paintings in the National Gallery including Giovanni Bellini's '' The Agony in The Garden'' and Gentile Bellini's ''Portrait of a Mathematician''. Life Marcon was born in Erpingham in 1889. Her mother was named Sarah and her father was Canon Walter Marcon and he was the rector of the parish of Edgefield in Norfolk from 1876. In 1911 she was at home in Norfolk. Marcon would demonstrate in Norwich market for the suffragettes. She became a suffragette and she was released from court with an obligation to keep the peace after she was arrested in 1913. Her arrest arose from a disagreement between the police and protesting suffragettes led by Sylvia Pankhurst. This was in May 1913 and by October she was back in the courts charged with obstruction and assault. Marcon was given a sentence of two months in Holloway Prison. Marcon was photographed secretly whilst in Holloway prison togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffragette
A suffragette was a member of an activist women's organisation in the early 20th century who, under the banner "Votes for Women", fought for the right to vote in public elections in the United Kingdom. The term refers in particular to members of the British Women's Social and Political Union (WSPU), a women-only movement founded in 1903 by Emmeline Pankhurst, which engaged in direct action and civil disobedience. In 1906, a reporter writing in the ''Daily Mail'' coined the term ''suffragette'' for the WSPU, derived from suffragist (any person advocating for voting rights), in order to belittle the women advocating women's suffrage. The militants embraced the new name, even adopting it for use as the title of the newspaper published by the WSPU. Women had won the right to vote in several countries by the end of the 19th century; in 1893, New Zealand became the first self-governing country to grant the vote to all women over the age of 21. When by 1903 women in Britain had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fonthill Abbey
Fonthill Abbey—also known as Beckford's Folly—was a large Gothic Revival country house built between 1796 and 1813 at Fonthill Gifford in Wiltshire, England, at the direction of William Thomas Beckford and architect James Wyatt. It was built near the site of the Palladian house, later known as Fonthill Splendens, which had been constructed by 1770 by his father William Beckford. This, in turn, had replaced the Elizabethan house that Beckford The Elder had purchased in 1744 and which had been destroyed by fire in 1755. The abbey's main tower collapsed several times, lastly in 1825 damaging the western wing. The entire abbey was later almost completely demolished. History Fonthill Abbey was the brainchild of William Thomas Beckford, son of wealthy English plantation owner William Beckford and a student of architect Sir William Chambers, as well as of James Wyatt, architect of the project. In 1771, when Beckford was ten years old, he inherited £1 million () and an income ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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