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Agathodaemon
An agathodaemon ( grc, ἀγαθοδαίμων, ) or agathos daemon (, , ) was a spirit (''daemon'') of ancient Greek religion. They were personal or supernatural companion spirits, comparable to the Roman '' genii'', who ensured good luck, fertility, health, protection and wisdom. During the classical period Though little noted in Greek mythology (Pausanias conjectured that the name was merely an epithet of Zeus), he was prominent in Greek folk religion; it was customary to drink or pour out a few drops of unmixed wine to honor him in every symposium or formal banquet. In Aristophanes' ''Peace'', when War has trapped Peace (Εἰρήνη '' Eirene'') in a deep pit, Hermes comes to give aid: "Now, oh Greeks! is the moment when, freed of quarrels and fighting, we should rescue sweet ''Eirene'' and draw her out of this pit... This is the moment to drain a cup in honor of the ''Agathos Daimon''." A temple dedicated to them was situated on the road from Megalopolis to Maenalus in ...
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Serapis On Crocodile
Serapis or Sarapis is a Greeks in Egypt, Graeco-Egyptian deity. The cult of Serapis was promoted during the third century BC on the orders of Greek Pharaoh Ptolemy I Soter of the Ptolemaic Kingdom in Egypt as a means to unify the Greeks and Egyptians in his realm. The ''Glossary of ancient Roman religion#cultus, cultus'' of Serapis was spread as a matter of deliberate policy by the Ptolemaic kings. Serapis continued to increase in popularity during the Roman Empire, often replacing Osiris as the consort of Isis in temples outside Egypt. Though Ptolemy I may have created the official cult of Serapis and endorsed him as a patron of the Ptolemaic dynasty and Alexandria, Serapis was a pre-existing syncretistic deity derived from the worship of the Egyptian Osiris and Apis (deity), Apis and also gained attributes from other deities, such as chthonic powers linked to the Greek Hades and Demeter, and with benevolence derived from associations with Dionysus. Iconography Serapis was dep ...
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Daemon (classical Mythology)
Daimon or Daemon (Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's '' Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is ...
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Daemon (mythology)
Daimon or Daemon (Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is not ...
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Genius (mythology)
In Roman religion, the genius (; plural ''geniī'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them. Nature Each individual place had a genius ('' genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "this great unknown of himself" offerings as a god; th ...
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Tyche
Tyche (; Ancient Greek: Τύχη ''Túkhē'', 'Luck', , ; Roman equivalent: Fortuna) was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is the daughter of Aphrodite and Zeus or Hermes, and at this time served to bring positive messages to people, relating to external events outside their control. During the Hellenistic period, with dramatic socio-political changes starting with Alexander the Great, Tyche increasingly embodied the whims of fate (both negative and positive), eclipsing the role of the Olympic gods. The Greek historian Polybius believed that when no cause can be discovered to events such as floods, droughts, frosts, or even in politics, then the cause of these events may be fairly attributed to Tyche. Other ancient Greek sources corroborate Polybius, such as Pindar who claims Tyche could hand victory to a lesser athlete. This "Hellenistic Tyche" is often featured on coins such as those ...
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Dictionary Of Greek And Roman Biography And Mythology
The ''Dictionary of Greek and Roman Biography and Mythology'' (1849, originally published 1844 under a slightly different title) is an encyclopedia/biographical dictionary. Edited by William Smith, the dictionary spans three volumes and 3,700 pages. It is a classic work of 19th-century lexicography. The work is a companion to Smith's ''Dictionary of Greek and Roman Antiquities'' and '' Dictionary of Greek and Roman Geography''. Authors and scope The work lists thirty-five authors in addition to the editor, who was also the author of the unsigned articles. The other authors were classical scholars, primarily from Oxford, Cambridge, Rugby School, and the University of Bonn, but some were from other institutions. Many of the mythological entries were the work of the German expatriate Leonhard Schmitz, who helped to popularise German classical scholarship in Britain. With respect to biographies, Smith intended to be comprehensive. In the preface, he writes: Much of the value ...
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Syncretism
Syncretism () is the practice of combining different beliefs and various school of thought, schools of thought. Syncretism involves the merging or religious assimilation, assimilation of several originally discrete traditions, especially in the theology and mythology of religion, thus asserting an underlying unity and allowing for an Inclusivism, inclusive approach to other faiths. Syncretism also occurs commonly in expressions of art and culture, known as eclecticism, as well as in politics, known as syncretic politics. Nomenclature The English word is first attested in the early 17th century, from New Latin, Modern Latin , drawing on Ancient Greek, Greek grc, :wikt:συγκρητισμός, συγκρητισμός, synkretismos, labels=none, supposedly meaning "Cretan federation", but this is a spurious etymology from the naive idea in Plutarch's 1st-century AD essay on "Fraternal Love (Peri Philadelphias)" in his collection ''Moralia''. He cites the example of the Histor ...
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Cacodaemon
A cacodemon (or cacodaemon) is an evil spirit or (in the modern sense of the word) a demon. The opposite of a cacodemon is an ''agathodaemon'' or ''eudaemon'', a good spirit or angel. The word ''cacodemon'' comes through Latin from the Ancient Greek κακοδαίμων ''kakodaimōn'', meaning an "evil spirit", whereas ''daimon'' would be a neutral spirit in Greek. It is believed to be capable of shapeshifting. A cacodemon is also said to be a malevolent person. In psychology, cacodemonia (or cacodemonomania) is a form of insanity in which the patient believes that they are possessed by an evil spirit. The first known occurrence of the word ''cacodemon'' dates to 1593. In William Shakespeare's ''Richard III'' Act 1 Scene 3, Queen Margaret calls Richard a "cacodemon" for his foul deeds and manipulations. In John Fletcher's ''The Knight of Malta'', Norandine calls Mountferrat, the play's villain, a "cacodemon" in the final scene. In '' The Arbatel de Magi Veterum'', written in ...
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Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ...
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Afterlife
The afterlife (also referred to as life after death) is a purported existence in which the essential part of an individual's identity or their stream of consciousness continues to live after the death of their physical body. The surviving essential aspect varies between belief systems; it may be some partial element, or the entire soul or spirit of an individual, which carries with it and may confer personal identity or, on the contrary, nirvana. Belief in an afterlife is in contrast to the belief in oblivion after death. In some views, this continued existence takes place in a spiritual realm, while in others, the individual may be reborn into this world and begin the life cycle over again, likely with no memory of what they have done in the past. In this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or otherworld. Major views on the afterlife derive from religion, esotericism an ...
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Psychopomp
Psychopomps (from the Greek word , , literally meaning the 'guide of souls') are supernatural creatures, spirits, entities, angels, demons or deities in many religions whose responsibility is to escort newly deceased souls from Earth to the afterlife. Their role is not to judge the deceased, but simply to guide them. Appearing frequently on funerary art, psychopomps have been depicted at different times and in different cultures as anthropomorphic entities, horses, deer, dogs, whip-poor-wills, ravens, crows, vultures, owls, sparrows, and cuckoos. In the case of birds, these are often seen in huge masses, waiting outside the home of the dying. Overview Ancient religion Classical examples of a psychopomp are the ancient Egyptian god Anubis, the deity Yama in Hinduism, the Greek ferryman Charon, the goddess Hecate, and god Hermes, the Roman god Mercury, the Norse Valkyries, the Aztec Xolotl, Slavic Morana and the Etruscan Vanth. Modern religion Heibai Wuchang, literally "Bla ...
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Fortuna
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She w ...
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