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Academic Drama
Academic drama refers to a theatrical movement that emerged in the mid 16th century during the Renaissance. Dedicated to the study of classical dramas for the purpose of higher education, universities in England began to produce the plays of Sophocles, Euripides, and Seneca the Younger (among others) in the Greek and Roman languages, as well as neoclassical dramas. These classical and neoclassical productions were performed by young scholars at universities in Cambridge and Oxford. Other European countries, such as Spain and Italy adapted classical plays into a mixture of Latin and vernacular dramas. These Spanish and Italian adaptations were used in teaching morals in schools and colleges. The intellectual development of dramas in schools, universities, and Inns of Court in Europe allowed the emergence of the great playwrights of the late 16th century. Academic drama at Oxford University The history of academic drama at Oxford University may be traced back to the mid 16th cen ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Gray's Inn
The Honourable Society of Gray's Inn, commonly known as Gray's Inn, is one of the four Inns of Court (professional associations for barristers and judges) in London. To be called to the bar in order to practise as a barrister in England and Wales, an individual must belong to one of these inns. Located at the intersection of High Holborn and Gray's Inn Road in Central London, the Inn is a professional body and provides office and some residential accommodation for barristers. It is ruled by a governing council called "Pension," made up of the Masters of the Bench (or "benchers,") and led by the Treasurer, who is elected to serve a one-year term. The Inn is known for its gardens (the “Walks,”) which have existed since at least 1597. Gray's Inn does not claim a specific foundation date; none of the Inns of Court claims to be any older than the others. Law clerks and their apprentices have been established on the present site since at latest 1370, with records dating from 1381 ...
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Stichus
''Stichus'' is a comedic Latin play by the early Roman playwright Titus Maccius Plautus. Some scholars allege that this play was not, in fact, written by Plautus Plot In Athens, the two daughters of wealthy Antipho, Philumena and Pamphila, are married to the brothers Epignomus and Pamphilippus. Due to mismanagement of their property, the two husbands became merchants to make money, and by the start of the play they have been away for three years. As no news has been received about their husbands' whereabouts, the women are encouraged by their father to remarry, but they refuse. The boy Pinacium tells Philumena that her husband has returned. On their way home, the husbands rebuff the attempts of the '' parasitus'' Gelasimus to take advantage of them. After they arrive at Antipho's home, Antipho requests the gift of a female slave, after which they reconcile. The slave Stichus is granted some wine and a day off. He and his friend Sagarinus celebrate with their mistress, Step ...
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Menaechmi
''Menaechmi'', a Latin-language play, is often considered Plautus' greatest play. The title is sometimes translated as ''The Brothers Menaechmus'' or ''The Two Menaechmuses''. The ''Menaechmi'' is a comedy about mistaken identity, involving a set of twins, Menaechmus of Epidamnus and Menaechmus of Syracuse, Italy, Syracuse. It incorporates various Ancient Rome, Roman stock characters including the parasite, the comic courtesan, the comic servant, the domineering wife, the doddering father-in-law and the quack doctor. As with most of Plautus' plays, much of the dialogue was sung. The play is set in a street in Epidamnos, Epidamnus, a city on the coast of what is now Albania. Facing the audience are two houses, that of Menaechmus I and that of Erotium, the prostitute he is courting. Plot Prologue: Moschus has twin sons, Menaechmus and Sosicles. Moschus decides to take only one of the twins, Menaechmus, with him on a business trip, while the twins are still young. During the trip, ...
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Poenulus
''Poenulus'', also called ''The Little Carthaginian'' or ''The Little Punic Man'', is a Latin comedic play for the early Roman theatre by Titus Maccius Plautus, probably written between 195 and 189 BC. The play is noteworthy for containing text in Carthaginian Punic, spoken by the character Hanno in the fifth act. Another remarkable feature is the sympathetic portrayal of the character of the Carthaginian Hanno at a time when only a few years previously the Romans had suffered huge losses in the 2nd Punic War fought against the Carthaginian general Hannibal (218–202 BC). The play shows signs of having been reworked, possibly for a second production, since there are two endings. Plot Agorastocles is in love with a girl named Adelphasium, who is a slave belonging to the pimp Lycus. Agorastocles, Adelphasium, and her sister Anterastilis were stolen as children from Carthage. Agorastocles was purchased as an adopted son, whereas the girls were sold as slaves to become prostitutes. ...
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Terrence
Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. It is thought that Terence abruptly died, around the age of 25, likely in Greece or on his way back to Rome, due to shipwreck or disease. DEAD LINK He was supposedly on his way to explore and find inspiration for his comedies. His plays were heavily used to learn to speak and write in Latin during the Middle Ages and Renaissance Period, and in some instances were imitated by William Shakespeare. One famous quotation by Terence reads: "''Homo sum, humani nihil a me alienum puto''", or "I am human, and I think nothing human is alien to me." This appeared in his play ''Heauton Timorumenos''. Biography Terence's date of birth is disputed; Aelius ...
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Seneca The Younger
Lucius Annaeus Seneca the Younger (; 65 AD), usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba in Hispania, and raised in Rome, where he was trained in rhetoric and philosophy. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was forced to take his own life for alleged complicity in the Pisonian conspiracy to assassinate Nero, in which he was probably innocen ...
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Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ...
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Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ...
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Masques
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ...
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